90 x 60 cm
Tarrop & Galbel is a group of artists working together since 1993 and whose main objective see to challenge the more prevalent social values. Religion, trade in all its forms, the society of easy entertainment and empty spectacle (from sports to theme parks), military orders or media, nothing escapes the furious cynics who work in order to seem to work for “fool” anything that alienates man and his conscience.Taroops & Glabel’s work is somewhat in keeping with their spirit: working surreptitiously, changing just one word, one comma, one small detail to alter everything. Essentially, their work consists of impeccably produced panels, graphic pages, humorist comic drawings, as well as installations, such as large-scale adhesive plastic letters and drawings. In one piece, the name Jesus Christ is laid out in beautiful black capital letters on a lustrous bronze ground followed by one small clinching detail – a circled R, the symbol for registered, transforming the piece into a sign for a vulgar commercial brand. Such is the impression one gets from Taroop & Glabel: certitudes are shattered, yesterday’s comforting words, maliciously singled-out and laid bare, become ridiculous but no more than the mottos we use today and to which we grant so much importance. Their name is a play on words or rather a lighthearted allusion to the “third eye,” only expressed in French, but then again without certitude. They live and work in Paris and Laffaux.
A sly sense of humor is key in Pablo Helguera’s long-running Artoons series, one that includes ~1500 drawings made over ten years...
Kovanda’s ‘discreet’ actions (leaving a discussion in a rush, bumping into passers-by in the street, making a pile of rubbish and scattering it, looking at the sun until tears come…) are always documented according to the same format: a piece of A4 paper, a concise typewritten text, and sometimes a photograph taken by someone else...
Notebook 10 , l ‘enfance de sanbras (The Childhood of Sanbras) series by Kelly Sinnapah Mary is a sequel to an earlier series by the artist titled Cahier d’un non retour au pays natal (2015)...
Camille Esayan, Lara Bouvet — Corps composé(s) — Hôpital européen Georges-Pompidou — Exhibition — Slash Paris Login Newsletter Twitter Facebook Camille Esayan, Lara Bouvet — Corps composé(s) — Hôpital européen Georges-Pompidou — Exhibition — Slash Paris English Français Home Events Artists Venues Magazine Videos Back Previous Next Camille Esayan, Lara Bouvet — Corps composé(s) Exhibition Collage, photography, mixed media © Camille Esayan Camille Esayan, Lara Bouvet Corps composé(s) Ends in 19 days: January 25 → March 1, 2024 Un projet de Camille Esayan et Lara Bouvet avec le Service de chirurgie cancérologique, gynécologique et du sein de l’Hôpital européen Georges-Pompidou, Paris...
Rowland’s minimal installations require a focus not on the objects themselves, but on the conditions of their creation, use, and distribution...
Burning Questions: Can Critics Criticise during a Pandemic? | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Viewpoints August 5, 2020 As the work of artists evolve with the restrictions of COVID-19, do critics also need to reassess how they look at performance? Four critics, Loo Zihan, Teo Xiao Ting, Jocelyn Chng and Germaine Cheng discuss their responses as more and more performances go online, and whether it has led to a recalibration or softening of their critical eye...
Met Museum to Return 16 Looted Khmer Artifacts Skip to content Unknown artist, "Head of Buddha" (7th century), sandstone, 24 x 13 x 12 3/4 inches (all photos courtesy the Metropolitan Museum of Art) An ancient larger-than-life sandstone Buddha head, a bronze sculpture of a seated Bodhisattva Avalokiteshvara, and a 10th-century goddess statuette from a remote temple complex are among 16 looted Khmer works currently in the process of repatriation back to Cambodia and Thailand, according to announcements by the Metropolitan Museum of Art and the US Attorney’s Office for the Southern District of New York (SDNY) released today, December 15...
Biennale de Lyon — 2024 — Usines Fagor — Exhibition — Slash Paris Login Newsletter Twitter Facebook Biennale de Lyon — 2024 — Usines Fagor — Exhibition — Slash Paris English Français Home Events Artists Venues Magazine Videos Back Biennale de Lyon — 2024 Exhibition Mixed media Upcoming © Biennale de Lyon 2024 Biennale de Lyon 2024 In over 1 year: September 1, 2024 → January 1, 2025 (Dates provisoires) Créée en 1991, la Biennale de Lyon est l’une des plus importantes biennales d’art contemporain au plan international et la première manifestation artistique d’envergure au plan national...
Postponed: Curator Yina Jiménez Suriel in conversation with Natalia Brizuela, Professor of Film & Media and Spanish & Portuguese, Thursday, October 19, 2023, 5–6 pm The Center for Latin American and Caribbean Studies, University of California, Berkeley: 2334 Bowditch St, Berkeley, CA 94720 Curator Yina Jiménez Suriel will discuss her curatorial process and research project la historia de las montañas (the history of the mountains) , which examines emancipation, perceptual systems beyond the human, and the creation of new imaginaries outside/beyond Western structures...
Juan III (Pescadores En Una Isla) is a series of embroideries made with fake pre-Columbian fabrics produced by the Gonzales family, a three-generation family of pre-Columbian textile “forgers” based in Lima, Peru...
Jeremy Grayson obituary | Photography | The Guardian Skip to main content Skip to navigation Skip to navigation Jeremy Grayson photographed Shirley Bassey, Sammy Davis Jr and Marlon Brando Jeremy Grayson photographed Shirley Bassey, Sammy Davis Jr and Marlon Brando Obituary Jeremy Grayson obituary My father, Jeremy Grayson, who has died aged 90, was a professional photographer who worked over the years for clients including the BBC, Radio Times, Talk of the Town and the London Palladium...
Shot in black and white and printed on a glittery carborundum surface, Black Hands, White Cotton both confronts and abstracts the subject of its title...