In his Conceito abstrato series, however, Rodrigo Torres turns to the abstract, using the shapes, numbers, lines, and subtle colors of international currencies to create non-representational forms with lavish geometries and baroque curving forms.
Brazilian artist Rodrigo Torres has been deconstructing international paper currencies to form intricate collages of color, line, shape, and texture for several years. Torres’ works are masterfully intricate, as the artist isolates out curves, characters, architectures, and geometries from the delicate designs on money, cutting and slicing them apart only to piece them back together into his own careful constructions. Cobbling together these subdued colored bits into fanciful compositions, Torres’ work can be read as an outcropping and a critique of our globalized economy. In many of these collage works, Torres creates narrative scenes, generating apocalyptic scenes, dimensional tornados, and forests out of repurposed bills.
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Kamau Amu Patton’s painting Static Field I originates from a system of electronic and digital media...
Parrot Drawings or Paintings look like children’s drawings and seem quite innocent...
Exhibition walk-through of Here We Live with Pheng Cheah, leading theorist of cosmopolitanism, Jerome Reyes, artist, and Marie Martraire, director, KADIST San Francisco Presenting videos and installations, alongside archival materials, the exhibition Here We Live , reveals strategies through which communities cope with the cultural tensions linked to the transformations of the places they live...
The wall installation Friction/Where is Lavatory (2005) plays off anxieties about time but utilizes sound to create a disconcerting experience of viewership: comprised of dozens of wall clocks sutured together, the work presents a monstrous vision of time at its most monumental...
Fairy #2 (2011) depicts a surreal scene of roughly assembled household ephemera, potted plants, and a faintly visible figure rendered in thin red line...
Latiff Mohidin’s “Langkawi”: The Within and Beyond | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles Image: Chan + Hori Gallery July 10, 2018 By Gerald Sim (1,500 words, eight minute read) As with any thought-provoking installation, Latiff Mohidin’s “Langkawi” series, on show at Chan+Hori Contemporary , evokes a large range of perceptions from its audience...
The Pixelated Revolution is a lecture-performance by artist Rabih Mroué about the use of mobile phones during the Syrian revolution...
Imagine How Many by Margo Wolowiec is a woven polyester depiction of blurred text and floral images found on social media, distorted beyond complete recognition...
« On ne démocratise pas le rapport à la musique, à la danse en les réduisant à un “éveil musical ou dansant” » Offrir Le Monde F in octobre tombait une nouvelle pour le moins sidérante : le directeur académique des services de l’éducation nationale en Indre-et-Loire annonçait le démantèlement des classes à horaires aménagés musique et danse ( CHAM et CHAD ), de la 6 e à la 3 e , du lycée Paul-Louis-Courier, de Tours, au nom de la mixité sociale et scolaire...
Weekly Picks: Indonesia (9 - 15 July 2018) | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Indonesia July 9, 2018 Top Picks of Indonesia art events in Bali, Yogyakarta and Jakarta from 9 – 15 July 2018 Titian Art Space in Bali presents the exhibition Mokoh for the house of Mondo ...