In his Conceito abstrato series, however, Rodrigo Torres turns to the abstract, using the shapes, numbers, lines, and subtle colors of international currencies to create non-representational forms with lavish geometries and baroque curving forms.
Brazilian artist Rodrigo Torres has been deconstructing international paper currencies to form intricate collages of color, line, shape, and texture for several years. Torres’ works are masterfully intricate, as the artist isolates out curves, characters, architectures, and geometries from the delicate designs on money, cutting and slicing them apart only to piece them back together into his own careful constructions. Cobbling together these subdued colored bits into fanciful compositions, Torres’ work can be read as an outcropping and a critique of our globalized economy. In many of these collage works, Torres creates narrative scenes, generating apocalyptic scenes, dimensional tornados, and forests out of repurposed bills.
A 49ers Anthem Charges Back From the ’80s for Super Bowl Sunday | KQED Skip to Nav Skip to Main Skip to Footer upper waypoint Arts & Culture A 49ers Anthem Charges Back From the ’80s for Super Bowl Sunday Rae Alexandra Feb 7 Save Article Save Article Failed to save article Please try again Email A 49er and a Dolphin dancing* at the 1985 Super Bowl to classic Narada Michael Walden track, ‘We’re the 49ers.’ [*This is a lie.] (Focus on Sport via Getty Images) Look...
Le jeu d’illusions grinçantes du photographe Jeff Wall, à Bâle Cet article vous est offert Pour lire gratuitement cet article réservé aux abonnés, connectez-vous Se connecter Vous n'êtes pas inscrit sur Le Monde ? Inscrivez-vous gratuitement Article réservé aux abonnés « Boy Falls From Tree » (2010), de Jeff Wall...
Kamau Amu Patton’s painting Static Field I originates from a system of electronic and digital media...
The Pixelated Revolution is a lecture-performance by artist Rabih Mroué about the use of mobile phones during the Syrian revolution...
Imagine How Many by Margo Wolowiec is a woven polyester depiction of blurred text and floral images found on social media, distorted beyond complete recognition...
Marcelo Cidade’s sculpture Abuso de poder (Abuse of Power, 2010) is a mousetrap elegantly crafted in Carrara marble...
Weekly Southeast Asia Radar: Why I sing in English; how Cambodian art can survive | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Radar Nyein Su Wai Kyaw Soe | Frontier March 12, 2020 ArtsEquator’s Southeast Asia Radar features articles and posts about arts and culture in Southeast Asia, drawn from local and regional websites and publications – aggregated content from outside sources, so we are exposed to a multitude of voices in the region...
Phinthong provided 5,000 Euros to exchange for Zimbabwean dollars, the most devalued and worthless currency in the world...
Fridge-Freezer is a 2-channel video installation where Yoshua Okón explores the darker side of suburbia, d escribed by the artist as “ the ideal environment for a numb existence of passive consumerism and social a nd environmental disengagement...
The working processes of artists: Sabrina Poon | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles April 27, 2020 Singaporean filmmaker Sabrina Poon, better known as Spoon, talks about her work and the value of storytelling by breaking down three of her short films – Sylvia , Hello Uncle and Pa ...
« On ne démocratise pas le rapport à la musique, à la danse en les réduisant à un “éveil musical ou dansant” » Offrir Le Monde F in octobre tombait une nouvelle pour le moins sidérante : le directeur académique des services de l’éducation nationale en Indre-et-Loire annonçait le démantèlement des classes à horaires aménagés musique et danse ( CHAM et CHAD ), de la 6 e à la 3 e , du lycée Paul-Louis-Courier, de Tours, au nom de la mixité sociale et scolaire...