COMPOSITION (EEGYVUDLUK DRINKING TEA)
2006 - Painting (Painting)
55.88 x 76.2 cm
Annie Pootoogook
Annie Pootoogook created COMPOSITION (EEGYVUDLUK DRINKING TEA) at a pivotal moment in her career. The drawing depicts her father Eegyvudluk Pootoogook, an Inuk printmaker and stone sculptor who died in 2000. Kin and kinship figure prominently in the artist’s work: Annie was the daughter of Napachie Pootoogook, a skilled draftswoman, and the granddaughter of renowned artist Pitseolak Ashoona. When Pitseolak was bedridden in her final years, her granddaughter would visit and watch her work; the senior artist told young Annie that one day she too would draw. Preferring to work alone in her home, Pootoogook approached each of her drawings methodically, outlining forms in graphite before building up details in black ink and filling areas of positive space with brightly colored pencils. Her images reflect a diaristic impulse and are indicative of the Inuit concept of sulijuk , which means ‘true’ or ‘real’. Adding prosaic details such as a clock and electrical socket to her intimate domestic interior, the artist depicts her father in a quiet moment. Seated at a folding table, his hands wrapped around a hot mug of tea, Eegyvudluk gazes forward, his attention captured by something or someone beyond the right edge of the composition. In its realism and immediacy, Pootoogook’s scene is at odds with the traditional outdoor subject matter that many have come to expect from Inuit art. With a singular clarity of vision, the artist depicts an everyday event in modern Inuit life, as she saw it.
An instinctive chronicler of her generation, Annie Pootoogook hailed from a long line of artists in Cape Dorset (known today as Kinngait), Nunavut. She began drawing in 1997 under the encouragement of the West Baffin Eskimo Cooperative in Kinngait. Within a decade, Pootoogook became the catalyst for an explosion of creativity originating from Kinngait Studios. Challenging conventional expectations of ‘Inuit’ graphic art which had favored depictions of Arctic wildlife and indigenous hunting practices, she created works peppered with images of daily life in her community: from waiting in line at the grocery store to sharing meals and watching reality television with her family. Among her most arresting and personal works are those depicting moments of intimate eroticism as well as emotional grief, domestic violence, and substance abuse. Her immediate success drew the attention of a broad cross-section of art collectors; more importantly, it signaled to fellow artists in the North that there were no longer limits to subject matter and scale. Rather than representing scenes of timeless nomadic existence from an era before colonial settlement, Pootoogook’s images reflected the immediate conditions of her life as an indigenous woman artist working in contemporary Canada.
Colors:
Related works sharing similar palette
© » KADIST
Naoya Hatakeyama
Naoya Hatakeyama’s series Rikuzentakata (2011) documents the devastating aftermath of the 2011 Tohoku earthquake and tsunami in Japan...
© » SLASH PARIS
Camille Esayan, Lara Bouvet — Corps composé(s) — Hôpital européen Georges-Pompidou — Exposition — Slash Paris Connexion Newsletter Twitter Facebook Camille Esayan, Lara Bouvet — Corps composé(s) — Hôpital européen Georges-Pompidou — Exposition — Slash Paris Français English Accueil Événements Artistes Lieux Magazine Vidéos Retour Précédent Suivant Camille Esayan, Lara Bouvet — Corps composé(s) Exposition Collage, photographie, techniques mixtes © Camille Esayan Camille Esayan, Lara Bouvet Corps composé(s) Encore 19 jours : 25 janvier → 1 mars 2024 Un projet de Camille Esayan et Lara Bouvet avec le Service de chirurgie cancérologique, gynécologique et du sein de l’Hôpital européen Georges-Pompidou, Paris...
© » SLASH PARIS
Tomaso Binga — Corps — poésie — La Galerie, centre d’art contemporain — Exhibition — Slash Paris Login Newsletter Twitter Facebook Tomaso Binga — Corps — poésie — La Galerie, centre d’art contemporain — Exhibition — Slash Paris English Français Home Events Artists Venues Magazine Videos Back Tomaso Binga — Corps — poésie Exhibition Collage, drawing, installation, photography Closing Tomaso Binga, Alfabetiere murale (Mural alphabet), 1976 (detail of the work) Photo collage on cardboard, 21 elements, 35,5 × 25,5 cm each Courtesy Archives Menna-Binga, galerie Tiziana Di Caro, Naples et galerie Frittelli arte contemporanea, Florence © Amedeo Benestante Tomaso Binga Corps — poésie Ends in 5 days: September 16 → December 16, 2023 “Corps — poésie” is the first solo exhibition in France by Tomaso Binga (b...
© » KADIST
Jiri Kovanda
Kovanda’s ‘discreet’ actions (leaving a discussion in a rush, bumping into passers-by in the street, making a pile of rubbish and scattering it, looking at the sun until tears come…) are always documented according to the same format: a piece of A4 paper, a concise typewritten text, and sometimes a photograph taken by someone else...
© » SLASH PARIS
Biennale de Lyon — 2024 — Usines Fagor — Exhibition — Slash Paris Login Newsletter Twitter Facebook Biennale de Lyon — 2024 — Usines Fagor — Exhibition — Slash Paris English Français Home Events Artists Venues Magazine Videos Back Biennale de Lyon — 2024 Exhibition Mixed media Upcoming © Biennale de Lyon 2024 Biennale de Lyon 2024 In over 1 year: September 1, 2024 → January 1, 2025 (Dates provisoires) Créée en 1991, la Biennale de Lyon est l’une des plus importantes biennales d’art contemporain au plan international et la première manifestation artistique d’envergure au plan national...
© » ARTS EQUATOR
Weekly Picks: Malaysia (7–13 Jan 2019) | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Weekly To Do January 7, 2019 Merdekarya 6th Anniversary , at Merdekarya, 12 Jan, doors open 6pm This institution for indie music is celebrating its six anniversary with a whole host of performances, no cover charge, and free tuak mixes (until 8pm)...
© » TWOCOATSOFPAINT
Elizabeth Hazan: Playful visionary – Two Coats of Paint Elizabeth Hazan, Glade, 2022, oil on linen, 66 x 55 inches Contributed by Patrick Neal / Elizabeth Hazan’s exhilarating oil paintings, on view at Hesse Flatow gallery in Chelsea, marry old-school color field abstraction and loopy, gestural shorthand...
© » KADIST
Julio Cesar Morales
2006Julio Cesar Morales’s watercolor drawings, Undocumented Intervention , show a variety of surprising hiding places assumed by people trying to cross into the United States without documentation...
© » LITHUB
How Ai Weiwei Marries Advocacy and Art at Home and Abroad ‹ Literary Hub Craft and Criticism Fiction and Poetry News and Culture Lit Hub Radio Reading Lists Book Marks CrimeReads About Log In Literary Hub Craft and Criticism Literary Criticism Craft and Advice In Conversation On Translation Fiction and Poetry Short Story From the Novel Poem News and Culture History Science Politics Biography Memoir Food Technology Bookstores and Libraries Film and TV Travel Music Art and Photography The Hub Style Design Sports Freeman’s The Virtual Book Channel Lit Hub Radio Behind the Mic Beyond the Page The Cosmic Library The Critic and Her Publics Emergence Magazine Fiction/Non/Fiction First Draft: A Dialogue on Writing Future Fables The History of Literature I’m a Writer But Just the Right Book Keen On The Literary Life with Mitchell Kaplan New Books Network Read Smart Talk Easy Tor Presents: Voyage Into Genre Windham-Campbell Prizes Podcast Write-minded Reading Lists The Best of the Decade Book Marks Best Reviewed Books BookMarks Daily Giveaway CrimeReads True Crime The Daily Thrill CrimeReads Daily Giveaway Log In How Ai Weiwei Marries Advocacy and Art at Home and Abroad From His Graphic Memoir, "Zodiac" Via Ten Speed Press By Ai Weiwei, Elettra Stamboulis and Gianluca Costantini January 30, 2024 The following is from Zodiac: A Graphic Memoir by Ai Weiwei with Elettra Stamboulis, illustrated by Gianluca Constantini...
© » KADIST
Kota Ezawa
2017The Crime of Art is an animation by Kota Ezawa that appropriates scenes from various popular Hollywood films featuring the theft of artworks: a Monet painting in The Thomas Crown Affair (1999), a Rembrandt in Entrapment (1999), a Cellini in How to Steal a Million (1966), and an emerald encrusted dagger in Topkapi (1964)...