Columpio

1999 - Photography (Photography)

40,4 x 51 cm

Gabriel Orozco

location: New York City, Paris
location: Mexico
year born: 1962
gender: male
nationality: Mexican
home town: Jalapa, Mexico

Gabriel Orozco could be described as a traveler-artist, without a fixed studio. He works following contexts and produces work that flows. “Special Service” (1997) is a collage on a plane ticket, and indicates nomadism, between territories. The artist, who is the son of muralist Mario Orozco Riviera, questions the boundaries of his artistic identity in Mexico. In “Crazy tourist” (1991), Orozco creates a situation with oranges in the Brazilian market tables in a desert. The artist uses objects or “poor” situations, found in the everyday landscape, natural or urban. By their division, their juxtaposition, or collage, inventing semantic or sensitive scenarios, always surprising, sometimes humorous and sometimes lyrical … The sculptural practice of the artist, inseparable from his drawings, photographs, or films, invents relationships of space, and disrupts our perception of objects. Such is the case of “Yielding Stone” (1992), a photo of a plasticine ball, the weight of the artist, rolled through the streets of New York. Gabriel Orozco was born in 1962 in Jalapa, Mexico. He lives and works in New York, Mexico, and Paris.


Colors:



Perpetual Motion Two
© » KADIST

Diana Thater

2005

In Perpetual Motion (2005) the seemingly erratic flight of the bright orange Monarch butterfly—filmed in its winter habitat of Michoacán, Mexico—is intensified by the artist’s editing in which frames are randomly dropped and the film is sped up...

Untitled (series)
© » KADIST

Francis Alÿs

2006

This series of small drawings is executed with varying materials—pen, ink, colored pencil, charcoal, and masking tape—on architect’s tracing paper...

Suspension
© » KADIST

Sebastián Díaz Morales

2014

In Suspension a young man is hanging in the air, falling, or perhaps drifting through time and space...

Related works featuring themes of: » Complex Geometry, » Mexico, » Cityscapes, » Color Photography, » Contemporary Conceptualism, » Figurative Painting, » Mexican  
» see more

Canned Laughter
© » KADIST

Yoshua Okón

2009

Canned Laughter was Okón’s response to an invitation from Ciudad Juárez , Mexico, where artists were asked to create works based on their experience of the city...

Wright Imperial Hotel
© » KADIST

Abraham Cruzvillegas

2004

Wright Imperial Hotel (2004) is a sort of bow and arrow made out of feathers, a São Paulo phone book, and other materials...

Swimming in Rivers of Glue
© » KADIST

Julieta Aranda

2016

The video Swimming in rivers of Glue is composed of various images of nature, exploring the themes of exploration of space and its colonization...

Useless Wonder
© » KADIST

Carlos Amorales

2006

This work, a large oil painting on canvas, shows a moment from Amorales’s eight-minute two-channel video projection Useless Wonder (2006)...

Other related works, blended automatically  
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Perro en Tlalpan (Dog in Tlalpan)
© » KADIST

Gabriel Orozco

1992

Gabriel Orozco often documents found situations in the natural or urban landscape...

Canned Laughter
© » KADIST

Yoshua Okón

2009

Canned Laughter was Okón’s response to an invitation from Ciudad Juárez , Mexico, where artists were asked to create works based on their experience of the city...

Wright Imperial Hotel
© » KADIST

Abraham Cruzvillegas

2004

Wright Imperial Hotel (2004) is a sort of bow and arrow made out of feathers, a São Paulo phone book, and other materials...

One Minute To Act A Title: Kim Jong Il Favorite Movies
© » KADIST

Mario Garcia Torres

2005

Mario Garcia Torres films a game of Charades among professional actors guessing the former North Korean dictator’s favorite Hollywood films...

Related works sharing similar palette  
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Map of the universo from El Cerro
© » KADIST

Chemi Rosado-Seijo

2016

Map of the Universe from El Cerro continues Chemi Rosado-Seijo’s long-term engagement with the community of El Cerro , a rural, working-class community living in the mountains of Naranjito, Puerto Rico...

Dominique Petitgand
© » KADIST

Dominique Petitgand à propos de “Le bout de la langue” (2003)...

Antoine Jacobsohn, Ruth Noack & Shooshie Sulaiman
© » KADIST

Antoine Jacobsohn , responsible of the King’s Kitchen Garden, (Versailles), and Ruth Noack , curator and writer (Berlin) in conversation with Shooshie Sulaiman about her practice and storytelling through gardening....

Periquitos (Parakeets)
© » KADIST

Marepe

2007

Marepe (an acronym for Marcos Reis Peixoto) is from northeastern Brazil, and his sculptures and installations are steeped in its culture, traditions, festivals; his personal memories associated with his birthplace; and his interactions with European culture...

Other works by: » Gabriel Orozco  
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Perro en Tlalpan (Dog in Tlalpan)
© » KADIST

Gabriel Orozco

1992

Gabriel Orozco often documents found situations in the natural or urban landscape...

Cemetery #1
© » KADIST

Gabriel Orozco

2002

Gabriel Orozco comments: “In the exhibition [Documenta 11, Kassel, 2002], I tried to connect with the photographs I took in Mali in July...

Charco portatil congelado (Frozen Portable Puddle)
© » KADIST

Gabriel Orozco

1994

Charco portátil congelado (Frozen Portable Puddle, 1994) is a photographic record of an installation of the same name that Gabriel Orozco made at Witte de With Center for Contemporary Art in Rotterdam for the group exhibition WATT (1994)...

Related artist(s) to: Gabriel Orozco » Francis Alÿs, » Louise Bourgeois, » Cai Guo-Qiang, » Mona Hatoum, » Olafur Eliasson, » Ed Ruscha, » Rosemarie Trockel, » Shirin Neshat, » Danh Vo, » Jeff Wall  
» see more

Pipe Opening
© » KADIST

Jeff Wall

2002

As suggested by its title, Pipe Opening (2002) depicts a hole in a wood wall exposed by the removal of a pipe...

Splinters and Seconal
© » KADIST

Ed Ruscha

1973

In 1970, Ruscha began a series of paintings made from stains...

Untitled (series)
© » KADIST

Francis Alÿs

2006

This series of small drawings is executed with varying materials—pen, ink, colored pencil, charcoal, and masking tape—on architect’s tracing paper...