Conceived as a large-scale mural-like projection, Color of History, Sweating Rocks is a neo-futuristic, hybrid film that combines cinematic language, collage, animation, and inventive forms to highlight the plight of the peoples of the Sahara—and refugees in general—who have been displaced by oil-mining.
Ranu Mukherjee is a multi-disciplinary artist whose practice includes hybrid films, works on paper, and collaborative projects. Her work focuses on processes of creolization, the figure of the nomad, speculative narratives, and the visual and political history of nineteenth-century Indian lithographs. Mukherjee’s work also generally refers to embodiment, ecology, science fiction, and the unknown to explore the narrative excess and material conditions brought on by global capitalism.
In this two-channel video installation, Spaniards Named Her Magdalena, But Natives Called Her Yuma , Carolina Caycedo gathered footage during numerous research trips to dam sites in the Harz Mountains, Saxony, Westphalia and the Black Forest in Germany interspersed with images of the Rio Magdalena region in Colombia...
Pratchaya Phinthong’s work has explored the mineral and karmic economies of Laos, a country that shares language, beliefs, and a long border with his own native region of Isaan (Northeast Thailand)...
The Duty of Interpretation - 3 Quarks Daily Skip to content by Rebecca Baumgartner I’m currently reading The Hunchback of Notre-Dame in translation, and it’s got me thinking about how much we rely on translators to bring us literature from around the world, and how important it is to be able to trust what they tell us...
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Icaro Lira has been developing the project “Museum of the Foreigner” since 2015, in which he recounts the trajectories of populations inside Brazil, from the north to the big cities of the south...
Gozo Yoshimasu’s visual-poetry series Dear Monster (Kaibutsu-kun) explores his response to the March 2011 Tohoku earthquake and tsunami...
Leticia Ramos’s film DROPSPIKE is the second of a five-part film project entitled STORIES OF THE END OF THE WORLD ...
Art Basel in Miami Beach Diary: George Clinton is in the pink, Alex Israel chills out, and life models draw a (drawing) crowd Art market Museums & heritage Exhibitions Books Podcasts Columns Technology Adventures with Van Gogh Search Search Art Basel in Miami Beach 2023 blog Art Basel in Miami Beach Diary: George Clinton is in the pink, Alex Israel chills out, and life models draw a (drawing) crowd Plus: a million reasons to score at basketball, Hew Locke's golden opportunity, and your chance to win a koala The Art Newspaper 7 December 2023 Share Reasons to be cheerful: George Clinton in front of his work Evolutionary Directory: Which way do you want to be “what”? at Jeffrey Deitch’s stand...
Like many of Larry Bell’s works, VFGY9 deals primarily with the viewer’s experience of sight...
SEE WHAT SEE: BOYS' LOVE (BL) DRAMAS | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Viewpoints November 13, 2021 By Lainie Yeoh I grew up in an era where queer films were rare exceptions and it was your holy gay-af duty to watch all the ones you could access...
Cambodia Town Film Festival presents perspectives beyond ‘Crazy Rich Asians’ (via Long Beach Post) | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles September 17, 2018 Kilong Ung was just a teenager when the Khmer Rouge overtook his hometown of Battambang in Cambodia...