Collectors’ Favorites

1994 - Film & Video (Film & Video)

Jennifer Bornstein

location: United States
year born: 1970
gender: male
nationality: American
home town: Seattle, Washington

Collectors’ Favorites is an episode of local cable program from the mid-1990s in which ordinary people were invited to present their personal collections—a concept that in many ways anticipates current reality TV shows and internet videos. When it comes her turn to “perform,” Bornstein displays mundane and disposable—but elaborately archived or framed—consumer objects such as coffee lids, plastic straws, candy wrappers, and product labels. Through the medium of public broadcasting, then, she makes visual the frequently overlooked but massive cultural penetration of advertising, and its proliferation of “throwaway culture” via images. Further, Bornstein suggests that within a massive and mercurial social network that often places value arbitrarily, any worthless mass-market products can be turned into coveted objects via absurd relations and vice versa.


Jennifer Bornstein’s works range from performance, conceptual photography, film, drawing, and etchings to curatorial practice. By foregrounding the self-constructed nature of narrative and subjectivity, Bornstein’s practice is a constant rethinking of relations, both social and historical—but not so much in terms of negation and rupture, but rather connection, mutuality, and reintegration.


Colors:



20 Surrogates
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Allan McCollum

1982

In the work titled The Glossies (1980), an affinity for photography manifested itself before McCollum actually began to use photography as a medium...

Pleasant Sensation Passing Through Flesh - 3
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Yang Zhenzhong

2012

Peasant Sensation Passing Through Flesh – 3 consists of a massage chair fixed to a wall...

603 Football Field
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Qing Zhang

2006

603 Football Field presents a soccer game played inside a small student apartment in Shanghai...

Tree on Keystone
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Lucas Blalock

2011

Compositions such as Tree on Keystone (2011) become hyperreal versions of their real-world equivalents...

From the series the Old and the New (XI)
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Carlos Garaicoa

2010

From the series the Old and the New (XI) by Carlos Garaicoa belongs to the series Lo viejo y lo nuevo / Das Alte und das Neue (The Old and the New) which was first exhibited in 2010 at Barbara Gross Gallery in Germany...

Nothing New
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Oded Hirsch

2012

Oded Hirsch’s video work Nothing New (2012) utilizes seemingly absurdist tropes to raise more trenchant questions about communal action and collective identity in modern day Israel...

Untitled #1 #2 #3
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Piero Golia

2007

Golia’s Untitled 3 is an installation in which a mechanical device is programmed to shoot clay pigeons that are thrown up in front of a white wall...

Two videos, three photographs, several related masterpieces, and American Art
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Yan Xing

2013

The title of this series – Two videos, three photographs, several related masterpieces and American art – is paradoxical, suggesting the work is conceived in relation to its medium and a situation in art history and the region of the world in which it was made...

Perro en Tlalpan (Dog in Tlalpan)
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Gabriel Orozco

1992

Gabriel Orozco often documents found situations in the natural or urban landscape...

The White Album
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Mungo Thomson

2008

The White Album (2008) presents a compilation of one hundred issues of Artforum magazine released between 1970 and 1979...

Sexy
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Yan Xing

2011

Sexy shows Yan Xing unsuccessfully trying to reach orgasm in freezing temperatures among the falling rocks and howling winds of a precarious canyon...

Calendars (2020-2096)
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Heman Chong

2012

The work Calendars is composed of 1001 images of deserted public areas in Singapore printed on pages of a calendar set from the year of 2020 until 2096...

7-headed Lalandau Hat
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Yee I-Lann

2020

7-headed Lalandau Hat by Yee I-Lann is an intricately woven sculpture evoking the ceremonial headdress worn by Murut men in Borneo...

Ammo Bunker
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Mario Ybarra Jr.

2009

Ammo Bunker (2009) is a multipart installation that includes large-scale wall prints and an architectural model...

Untitled (TIME)
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Mungo Thomson

2010

In Thomson’s Untitled (TIME) , every front cover of TIME magazine is sequentially projected to scale at thirty frames per second...

This Exhibition
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Tino Sehgal

2004

Tino Sehgal’s This Exhibition requires an interpreter (in this particular piece, a gallery attendant) to faux faint each and every time a visitor enters into a given space...

The Nightwatch
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Francis Alÿs

2004

The Nightwatch , which is an ironic reference to the celebrated painting by Rembrandt, follows the course of a fox wandering among the celebrated collections of the National Portrait Gallery in London...