Collectors’ Favorites

In the work titled The Glossies (1980), an affinity for photography manifested itself before McCollum actually began to use photography as a medium...

Behind the simplicity and beauty of this untitled photograph of a brilliantly-colored flowerbed by Félix González-Torres are two remarkable stories of love, loss, and resilience...

PANGKIS by Yee I-Lann is a looped video performance...

In the work titled The Glossies (1980), an affinity for photography manifested itself before McCollum actually began to use photography as a medium...

The work Calendars is composed of 1001 images of deserted public areas in Singapore printed on pages of a calendar set from the year of 2020 until 2096...

The Class (2005) by Araya Rasdjarmrearnsook challenges the viewer’s personal sense of morality and tolerance by depicting a classroom from hell...

In Studies of Chinese New Villages II Gan Chin Lee’s realism appears in the format of a fieldwork notebook; capturing present-day surroundings while unpacking their historical memory...

30 Proposals of Flag explores the relationships between signs, meanings, aesthetics, and nations...

JENG JENG JENG: Singapore Theatre Year In Review 2021 | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Viewpoints December 2, 2021 JENG JENG JENG…! Year in Review is back! Where did 2021 go? How did the year unravel, and where have we arrived at? In a year where the arts has had to acquiesce to multiple rules, hopeful for a return to normalcy, 2021 had us hurtling through an unknown abyss of multiple emotions best captured through this year’s theme: JENG JENG JENG! From anticipation, to tentative excitement, shock, surprise and even the indescribable, our beloved colloquialism JENG JENG JENG covers it all...

‘GONE?’ by Slawn next on CIRCA halting billboards worldwide including Africa - FAD Magazine Skip to content By Mark Westall • 1 December 2023 Share — SLAWN, Photo: Leroy Boateng © CIRCA Heralding their entrance into the African content, CIRCA presents GONE? , a site-specific study on the theme of hope by Nigerian -born, London-based artist Slawn ...

This work refers to the “Dream Machines”, an experimental object invented by the painter and writer Brion Gysin and the scientist Ian Sommerville, and which is composed of a light bulb with light passing through slits in a rotating cylinder...

Bowers’ Radical Hospitality (2015) is a sculptural contradiction: its red and blue neon letters proclaim the words of the title, signaling openness and generosity, while the barbed wires that encircle the words give another message entirely...

In One Must , an image of a pair of scissors, accompanied by the words of work’s title, poses an ominous question about the relationship between the image and the text...

The small drawings that comprise Study from May Day March, Los Angeles 2010 (Immigration Reform Now) and We Are Immigrants Not Terrorists are based on photographs taken at a political rally in downtown Los Angeles in which thousands of individuals demonstrated for immigrants’ rights...

He was the son of Susan and Michael Hort, a collecting couple that is widely known....

‘They feel they are part of that’: community engagement the aim of art initiative in Hong Kong that brings together a project’s developer and neighbours...

Simpson’s sculptural practice connects architecture, clothing, furniture and the body to explore the functional and sociological roles and the influence of the design and architecture of various cultures and periods in history...

In “And so it is” shows the image of a faceless man before a microphone, ready to deliver an important message...