Collectors’ Favorites is an episode of local cable program from the mid-1990s in which ordinary people were invited to present their personal collections—a concept that in many ways anticipates current reality TV shows and internet videos. When it comes her turn to “perform,” Bornstein displays mundane and disposable—but elaborately archived or framed—consumer objects such as coffee lids, plastic straws, candy wrappers, and product labels. Through the medium of public broadcasting, then, she makes visual the frequently overlooked but massive cultural penetration of advertising, and its proliferation of “throwaway culture” via images. Further, Bornstein suggests that within a massive and mercurial social network that often places value arbitrarily, any worthless mass-market products can be turned into coveted objects via absurd relations and vice versa.
Jennifer Bornstein’s works range from performance, conceptual photography, film, drawing, and etchings to curatorial practice. By foregrounding the self-constructed nature of narrative and subjectivity, Bornstein’s practice is a constant rethinking of relations, both social and historical—but not so much in terms of negation and rupture, but rather connection, mutuality, and reintegration.
In the work titled The Glossies (1980), an affinity for photography manifested itself before McCollum actually began to use photography as a medium...
The Tower of Babel is an installation of large-format photographs that forces the audience to occupy a central position through its monumental scale...
In the work titled The Glossies (1980), an affinity for photography manifested itself before McCollum actually began to use photography as a medium...
In Monster (1996-97), the artist’s face becomes grotesque through the application of strips of transparent adhesive tape, typical of Gordon’s performance-based films that often depict his own body in action...
In Thomson’s Untitled (TIME) , every front cover of TIME magazine is sequentially projected to scale at thirty frames per second...
In Studies of Chinese New Villages II Gan Chin Lee’s realism appears in the format of a fieldwork notebook; capturing present-day surroundings while unpacking their historical memory...
30 Proposals of Flag explores the relationships between signs, meanings, aesthetics, and nations...
Oren Pinhassi’s work examines the relationship between the human figure and the built environment...
‘GONE?’ by Slawn next on CIRCA halting billboards worldwide including Africa - FAD Magazine Skip to content By Mark Westall • 1 December 2023 Share — SLAWN, Photo: Leroy Boateng © CIRCA Heralding their entrance into the African content, CIRCA presents GONE? , a site-specific study on the theme of hope by Nigerian -born, London-based artist Slawn ...
This work refers to the “Dream Machines”, an experimental object invented by the painter and writer Brion Gysin and the scientist Ian Sommerville, and which is composed of a light bulb with light passing through slits in a rotating cylinder...
Bowers’ Radical Hospitality (2015) is a sculptural contradiction: its red and blue neon letters proclaim the words of the title, signaling openness and generosity, while the barbed wires that encircle the words give another message entirely...
The small drawings that comprise Study from May Day March, Los Angeles 2010 (Immigration Reform Now) and We Are Immigrants Not Terrorists are based on photographs taken at a political rally in downtown Los Angeles in which thousands of individuals demonstrated for immigrants’ rights...
The video Swimming in rivers of Glue is composed of various images of nature, exploring the themes of exploration of space and its colonization...
In a style that is unique of Tokoudagba, he evokes the kings, gods and their symbols related to the earth, water, air and fire, usually on a white background...