Collectors’ Favorites

1994 - Film & Video (Film & Video)

Jennifer Bornstein

location: United States
year born: 1970
gender: male
nationality: American
home town: Seattle, Washington

Collectors’ Favorites is an episode of local cable program from the mid-1990s in which ordinary people were invited to present their personal collections—a concept that in many ways anticipates current reality TV shows and internet videos. When it comes her turn to “perform,” Bornstein displays mundane and disposable—but elaborately archived or framed—consumer objects such as coffee lids, plastic straws, candy wrappers, and product labels. Through the medium of public broadcasting, then, she makes visual the frequently overlooked but massive cultural penetration of advertising, and its proliferation of “throwaway culture” via images. Further, Bornstein suggests that within a massive and mercurial social network that often places value arbitrarily, any worthless mass-market products can be turned into coveted objects via absurd relations and vice versa.


Jennifer Bornstein’s works range from performance, conceptual photography, film, drawing, and etchings to curatorial practice. By foregrounding the self-constructed nature of narrative and subjectivity, Bornstein’s practice is a constant rethinking of relations, both social and historical—but not so much in terms of negation and rupture, but rather connection, mutuality, and reintegration.


Colors:



20 Surrogates
© » KADIST

Allan McCollum

1982

In the work titled The Glossies (1980), an affinity for photography manifested itself before McCollum actually began to use photography as a medium...

The Tower of Babel: Destruction
© » KADIST

Du Zhenjun

2010

The Tower of Babel is an installation of large-format photographs that forces the audience to occupy a central position through its monumental scale...

5
© » KADIST

Jiang Zhi

2012

5 is a three channel video about the dualities of death and resurrection, reminiscence and fantasy, chronological and retrospective narration...

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20 Surrogates
© » KADIST

Allan McCollum

1982

In the work titled The Glossies (1980), an affinity for photography manifested itself before McCollum actually began to use photography as a medium...

The Making of Monster
© » KADIST

Douglas Gordon

1996

In Monster (1996-97), the artist’s face becomes grotesque through the application of strips of transparent adhesive tape, typical of Gordon’s performance-based films that often depict his own body in action...

Untitled (TIME)
© » KADIST

Mungo Thomson

2010

In Thomson’s Untitled (TIME) , every front cover of TIME magazine is sequentially projected to scale at thirty frames per second...

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Studies of Chinese New Villages II
© » KADIST

Gan Chin Lee

2019

In Studies of Chinese New Villages II Gan Chin Lee’s realism appears in the format of a fieldwork notebook; capturing present-day surroundings while unpacking their historical memory...

30 Proposals of Flag
© » KADIST

Jao Chia-En

2009

30 Proposals of Flag explores the relationships between signs, meanings, aesthetics, and nations...

Untitled (Figure no. 1)
© » KADIST

Oren Pinhassi

2020

Oren Pinhassi’s work examines the relationship between the human figure and the built environment...

‘GONE?’ by Slawn next on CIRCA halting billboards worldwide including Africa
© » FAD MAGAZINE

‘GONE?’ by Slawn next on CIRCA halting billboards worldwide including Africa - FAD Magazine Skip to content By Mark Westall • 1 December 2023 Share — SLAWN, Photo: Leroy Boateng © CIRCA Heralding their entrance into the African content, CIRCA presents GONE? , a site-specific study on the theme of hope by Nigerian -born, London-based artist Slawn ...

Related artist(s) to: Jennifer Bornstein » Loris Gréaud, » San Francisco, » Andrea Bowers, » Ann Hatch, » Bill Timken, » California College, » Dan Fox, » John Baldessari, » Keren Cytter, » Lara Favaretto  
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Dream Machines
© » KADIST

Loris Gréaud

2004

This work refers to the “Dream Machines”, an experimental object invented by the painter and writer Brion Gysin and the scientist Ian Sommerville, and which is composed of a light bulb with light passing through slits in a rotating cylinder...

Radical Hospitality
© » KADIST

Andrea Bowers

2015

Bowers’ Radical Hospitality (2015) is a sculptural contradiction: its red and blue neon letters proclaim the words of the title, signaling openness and generosity, while the barbed wires that encircle the words give another message entirely...

Study from May Day March, Los Angeles 2010 (Immigration Reform Now) and We Are Immigrants Not Terrorists
© » KADIST

Andrea Bowers

2010

The small drawings that comprise Study from May Day March, Los Angeles 2010 (Immigration Reform Now) and We Are Immigrants Not Terrorists are based on photographs taken at a political rally in downtown Los Angeles in which thousands of individuals demonstrated for immigrants’ rights...

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Peter Hort, Collector Who Forged Strong Connections in the New York Art World, Dies at 51 - via ARTnews
© » LARRY'S LIST

He was the son of Susan and Michael Hort, a collecting couple that is widely known....

‘They feel they are part of that’: community engagement the aim of art initiative in Hong Kong that brings together a project’s developer and neighbours
© » SOUTH CHINA MORNING POST

‘They feel they are part of that’: community engagement the aim of art initiative in Hong Kong that brings together a project’s developer and neighbours...

Swimming in Rivers of Glue
© » KADIST

Julieta Aranda

2016

The video Swimming in rivers of Glue is composed of various images of nature, exploring the themes of exploration of space and its colonization...

Ouguede
© » KADIST

Cyprien Tokoudagba

In a style that is unique of Tokoudagba, he evokes the kings, gods and their symbols related to the earth, water, air and fire, usually on a white background...