The series Clouds paintings by Benoît Maire features oil on canvas works in varying format, in which the artist depicts clouds, using a variety of tools, including a spray gun, paintbrush, or palette knife. The cloud motif in this series of paintings questions the limits of abstraction by playing with the concept of pareidolia—a psychological phenomenon by which we recognize familiar shapes in landscapes, clouds, or ink stains. Through his careful composition and use of pentimenti, Maire invites the viewer to project their imagination onto these colorful clouds. Clouds are suggestive elements, made to be reproduced, interpreted as the continuity of our imagination. They are a space of projection, a space of appearance and disappearance. According to Maire, a cloud “[…] doesn’t signify but contains the weight of representation.” Some of his cloud paintings are composed around fragments of newspaper pages chosen by the artist. They reveal historical conflict, such as the moment when the United States entered World War II. These archival inserts selected by the artist for their textual elements and formal opportunities give weight to the otherwise whimsical sensibility and anchors the work from landscape painting to historical painting.
Benoît Maire’s practice exists at the intersection of philosophy and art, thought and matter. Through a mutable approach that combines painting, installation, furniture, and video, the artist establishes an allegorical universe that focuses on the sensorial experience of an artwork and the intrinsic qualities of objects. Often referred to as a visual philosopher, the physical form that his artworks take are inspired by a range of disciplines including history, history of art, philosophy, psychoanalysis, mathematics, geometry, and mythology. Probing distinctions between culture and nature, Maire’s work elaborates on concepts proposed by canonical theorists such as Lyotard, Agamben, Bataille, and Lacan.
Kubra Khademi’s work celebrates the female body and in her detailed drawings and paintings she portrays female bodies floating on white paper...
That Time Manet Dueled One of His Critics Skip to content Henri Fantin-Latour depicted both Manet (standing third from right) and Duranty (seated first on left) in his 1864 paiting "Hommage à Delacroix." (image via Wikimedia Commons ) On the morning of February 23, 1870, painter Edouard Manet and art critic Edmond Duranty traveled to the Saint-Germain-en-Laye forest on the outskirts of Paris...
Weekly Southeast Asia Radar: Cambodia's Goddess of Flower, rave music in Indonesia | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Radar Via Resident Advisor November 28, 2019 ArtsEquator’s Southeast Asia Radar features articles and posts about arts and culture in Southeast Asia, drawn from local and regional websites and publications – aggregated content from outside sources, so we are exposed to a multitude of voices in the region...
Leonardogillesfleur describes Myself as a Fountain : “The couple kissing in the park...
'Get the Picture' is a cheeky dive into the art world's 'strategic snobbery' : NPR Accessibility links Skip to main content Keyboard shortcuts for audio player 'Get the Picture' is a cheeky dive into the art world's 'strategic snobbery' First of all, can we stop using the word "liminal"? Bianca Bosker spent five years doing in-depth research for Get the Picture — an irreverent book about "strategic snobbery" in the art world...
Poised with tool in hand, Jeffry Mitchell’s The Carpenter (2012) reaches forward, toward his workbench...
The performance title A Gente Combinamos De Não Morrer (BANDEIRA #1) / Us Agreed Not To Die (FLAG #1) is taken from a short story by Brazilian writer Conceição Evaristo, whose work addresses violence, resilience, and necropolitics with an Afro-diasporic lens...
Weekly Southeast Asia Radar: Will Hokkien die out?; Pineapple Lab shuts | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Radar Photo via Phố Văn Blog August 12, 2020 ArtsEquator’s Southeast Asia Radar features articles and posts about arts and culture in Southeast Asia, drawn from local and regional websites and publications – aggregated content from outside sources, so we are exposed to a multitude of voices in the region...
RA Architecture Prize Winner 2023: Shane de Blacam | Blog | Royal Academy of Arts de Blacam and Meagher Architects, Munster Technological University, Cork, 2010 Photo: Peter Cook RA Architecture Prize Winner 2023: Shane de Blacam Read more Become a Friend RA Architecture Prize Winner 2023: Shane de Blacam By Shane O’Toole Published 1 September 2023 Shane de Blacam’s former student, critic Shane O’Toole, celebrates the architect’s thoughtful transformation of public places across his home country of Ireland...
Philemona Williamson — The Borders of Innocence — Galerie Semiose — Exposition — Slash Paris Connexion Newsletter Twitter Facebook Philemona Williamson — The Borders of Innocence — Galerie Semiose — Exposition — Slash Paris Français English Accueil Événements Artistes Lieux Magazine Vidéos Retour Philemona Williamson — The Borders of Innocence Exposition Peinture Philemona Williamson, A Pause Requested, 2020 Courtesy de l’artiste et galerie Semiose, Paris Philemona Williamson The Borders of Innocence Encore 19 jours : 18 novembre → 30 décembre 2023 Au cours de sa prestigieuse carrière longue de plus de quarante ans, l’artiste américaine Philemona Williamson a créé un ensemble d’œuvres suggestives et fascinantes qu’elle décrit comme des « poèmes visuels »...