The series Clouds paintings by Benoît Maire features oil on canvas works in varying format, in which the artist depicts clouds, using a variety of tools, including a spray gun, paintbrush, or palette knife. The cloud motif in this series of paintings questions the limits of abstraction by playing with the concept of pareidolia—a psychological phenomenon by which we recognize familiar shapes in landscapes, clouds, or ink stains. Through his careful composition and use of pentimenti, Maire invites the viewer to project their imagination onto these colorful clouds. Clouds are suggestive elements, made to be reproduced, interpreted as the continuity of our imagination. They are a space of projection, a space of appearance and disappearance. According to Maire, a cloud “[…] doesn’t signify but contains the weight of representation.” Some of his cloud paintings are composed around fragments of newspaper pages chosen by the artist. They reveal historical conflict, such as the moment when the United States entered World War II. These archival inserts selected by the artist for their textual elements and formal opportunities give weight to the otherwise whimsical sensibility and anchors the work from landscape painting to historical painting.
Benoît Maire’s practice exists at the intersection of philosophy and art, thought and matter. Through a mutable approach that combines painting, installation, furniture, and video, the artist establishes an allegorical universe that focuses on the sensorial experience of an artwork and the intrinsic qualities of objects. Often referred to as a visual philosopher, the physical form that his artworks take are inspired by a range of disciplines including history, history of art, philosophy, psychoanalysis, mathematics, geometry, and mythology. Probing distinctions between culture and nature, Maire’s work elaborates on concepts proposed by canonical theorists such as Lyotard, Agamben, Bataille, and Lacan.
Kubra Khademi’s work celebrates the female body and in her detailed drawings and paintings she portrays female bodies floating on white paper...
The performance title A Gente Combinamos De Não Morrer (BANDEIRA #1) / Us Agreed Not To Die (FLAG #1) is taken from a short story by Brazilian writer Conceição Evaristo, whose work addresses violence, resilience, and necropolitics with an Afro-diasporic lens...
Noémie Goudal’s short film, Below the Deep South , is based on the work of palaeoclimatologist James Bendle who, while drilling in Antarctica, discovered coal beneath the ice...
Weekly Southeast Asia Radar: Will Hokkien die out?; Pineapple Lab shuts | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Radar Photo via Phố Văn Blog August 12, 2020 ArtsEquator’s Southeast Asia Radar features articles and posts about arts and culture in Southeast Asia, drawn from local and regional websites and publications – aggregated content from outside sources, so we are exposed to a multitude of voices in the region...
Leonardogillesfleur describes Myself as a Fountain : “The couple kissing in the park...
Auction of the Week: Rare Fancy Vivid Yellow Diamond Achieves $5.5 Million - Galerie Subscribe Art + Culture Interiors Style + Design Emerging Artists Discoveries Artist Guide More Creative Minds Life Imitates Art Real estate Events Video Galerie House of Art and Design Subscribe About Press Advertising Contact Us Follow Galerie Sign up to receive our newsletter Subscribe An Exceptional Unmounted Fancy Vivid Yellow Diamond...
A Brief History of the Female Nude: From Willendorf to Kardashian | Art & Object Skip to main content Subscribe to our free e-letter! Webform Your Email Address Role Art Collector/Enthusiast Artist Art World Professional Academic Country USA Afghanistan Albania Algeria American Samoa Andorra Angola Anguilla Antarctica Antigua & Barbuda Argentina Armenia Aruba Ascension Island Australia Austria Azerbaijan Bahamas Bahrain Bangladesh Barbados Belarus Belgium Belize Benin Bermuda Bhutan Bolivia Bosnia & Herzegovina Botswana Bouvet Island Brazil British Indian Ocean Territory British Virgin Islands Brunei Bulgaria Burkina Faso Burundi Cambodia Cameroon Canada Canary Islands Cape Verde Caribbean Netherlands Cayman Islands Central African Republic Ceuta & Melilla Chad Chile China Christmas Island Clipperton Island Cocos (Keeling) Islands Colombia Comoros Congo - Brazzaville Congo - Kinshasa Cook Islands Costa Rica Croatia Cuba Curaçao Cyprus Czechia Côte d’Ivoire Denmark Diego Garcia Djibouti Dominica Dominican Republic Ecuador Egypt El Salvador Equatorial Guinea Eritrea Estonia Eswatini Ethiopia Falkland Islands Faroe Islands Fiji Finland France French Guiana French Polynesia French Southern Territories Gabon Gambia Georgia Germany Ghana Gibraltar Greece Greenland Grenada Guadeloupe Guam Guatemala Guernsey Guinea Guinea-Bissau Guyana Haiti Heard & McDonald Islands Honduras Hong Kong SAR China Hungary Iceland India Indonesia Iran Iraq Ireland Isle of Man Israel Italy Jamaica Japan Jersey Jordan Kazakhstan Kenya Kiribati Kosovo Kuwait Kyrgyzstan Laos Latvia Lebanon Lesotho Liberia Libya Liechtenstein Lithuania Luxembourg Macao SAR China Madagascar Malawi Malaysia Maldives Mali Malta Marshall Islands Martinique Mauritania Mauritius Mayotte Mexico Micronesia Moldova Monaco Mongolia Montenegro Montserrat Morocco Mozambique Myanmar (Burma) Namibia Nauru Nepal Netherlands Netherlands Antilles New Caledonia New Zealand Nicaragua Niger Nigeria Niue Norfolk Island Northern Mariana Islands North Korea North Macedonia Norway Oman Outlying Oceania Pakistan Palau Palestinian Territories Panama Papua New Guinea Paraguay Peru Philippines Pitcairn Islands Poland Portugal Puerto Rico Qatar Romania Russia Rwanda Réunion Samoa San Marino Saudi Arabia Senegal Serbia Seychelles Sierra Leone Singapore Sint Maarten Slovakia Slovenia Solomon Islands Somalia South Africa South Georgia & South Sandwich Islands South Korea South Sudan Spain Sri Lanka St...
Philemona Williamson — The Borders of Innocence — Galerie Semiose — Exposition — Slash Paris Connexion Newsletter Twitter Facebook Philemona Williamson — The Borders of Innocence — Galerie Semiose — Exposition — Slash Paris Français English Accueil Événements Artistes Lieux Magazine Vidéos Retour Philemona Williamson — The Borders of Innocence Exposition Peinture Philemona Williamson, A Pause Requested, 2020 Courtesy de l’artiste et galerie Semiose, Paris Philemona Williamson The Borders of Innocence Encore 19 jours : 18 novembre → 30 décembre 2023 Au cours de sa prestigieuse carrière longue de plus de quarante ans, l’artiste américaine Philemona Williamson a créé un ensemble d’œuvres suggestives et fascinantes qu’elle décrit comme des « poèmes visuels »...
Weekly Southeast Asia Radar: Cambodia's Goddess of Flower, rave music in Indonesia | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Radar Via Resident Advisor November 28, 2019 ArtsEquator’s Southeast Asia Radar features articles and posts about arts and culture in Southeast Asia, drawn from local and regional websites and publications – aggregated content from outside sources, so we are exposed to a multitude of voices in the region...
Grace Weaver — Hotel Paintings — Galerie Max Hetzler — Exposition — Slash Paris Connexion Newsletter Twitter Facebook Grace Weaver — Hotel Paintings — Galerie Max Hetzler — Exposition — Slash Paris Français English Accueil Événements Artistes Lieux Magazine Vidéos Retour Précédent Suivant Grace Weaver — Hotel Paintings Exposition Collage, peinture Derniers Jours Grace Weaver, Hotel — painting (Smeraldina Rima), 2023 Huile sur toile — 279...
Renaissance nude painting row at French school sparks teacher walkout Art market Museums & heritage Exhibitions Books Podcasts Columns Technology Adventures with Van Gogh Search Search Education news Renaissance nude painting row at French school sparks teacher walkout Some students were reportedly “disturbed” by Giuseppe Cesari work which depicts bathing nymphs Gareth Harris 13 December 2023 Share Giuseppe Cesari's Diana and Actaeon (1603) Photo: Google Cultural Institute via Wikimedia creative commons A 17th-century painting by the Renaissance artist Giuseppe Cesari featuring five nude women is at the centre of a censorship row at a French school...
Weekly Picks: Malaysia (10 – 16 Sept 2018) | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Weekly To Do September 10, 2018 BoboKL Presents: Cheryl Tan with Michael Veerapen , at BoboKL, 14–15 Sept, 9:30pm Cheryl Tan is a performer better known across the border in Singapore for her performances in musical theatre productions like Forbidden City and Dick Lee’s Singapopera ...
‘A mosaic of traditions’: Capturing Bangladesh’s most beloved beach - 1854 Photography Subscribe latest Agenda Bookshelf Projects Industry Insights magazine Explore ANY ANSWERS FINE ART IN THE STUDIO PARENTHOOD ART & ACTIVISM FOR THE RECORD LANDSCAPE PICTURE THIS CREATIVE BRIEF GENDER & SEXUALITY MIXED MEDIA POWER & EMPOWERMENT DOCUMENTARY HOME & BELONGING ON LOCATION PORTRAITURE DECADE OF CHANGE HUMANITY & TECHNOLOGY OPINION THEN & NOW Explore Stories latest agenda bookshelf projects theme in focus industry insights magazine ANY ANSWERS FINE ART IN THE STUDIO PARENTHOOD ART & ACTIVISM FOR THE RECORD LANDSCAPE PICTURE THIS CREATIVE BRIEF GENDER & SEXUALITY MIXED MEDIA POWER & EMPOWERMENT DOCUMENTARY HOME & BELONGING ON LOCATION PORTRAITURE DECADE OF CHANGE HUMANITY & TECHNOLOGY OPINION THEN & NOW Two Bangladeshi life guard at the beach of Cox’s Bazar © Ismail Ferdous For his Leica Award-winning body of work, Sea Beach, Ismail Ferdous returned to the seaside of his childhood...
Deferral Archive is one of the archival extensions of siren eun young jung’s Yeoseong Gukgeuk Project (2008-), a decade-long ethnographic research project into the diminishing genre of Korean traditional theater known as Yeoseong Gukgeuk ...