The series Clouds paintings by Benoît Maire features oil on canvas works in varying format, in which the artist depicts clouds, using a variety of tools, including a spray gun, paintbrush, or palette knife. The cloud motif in this series of paintings questions the limits of abstraction by playing with the concept of pareidolia—a psychological phenomenon by which we recognize familiar shapes in landscapes, clouds, or ink stains. Through his careful composition and use of pentimenti, Maire invites the viewer to project their imagination onto these colorful clouds. Clouds are suggestive elements, made to be reproduced, interpreted as the continuity of our imagination. They are a space of projection, a space of appearance and disappearance. According to Maire, a cloud “[…] doesn’t signify but contains the weight of representation.” Some of his cloud paintings are composed around fragments of newspaper pages chosen by the artist. They reveal historical conflict, such as the moment when the United States entered World War II. These archival inserts selected by the artist for their textual elements and formal opportunities give weight to the otherwise whimsical sensibility and anchors the work from landscape painting to historical painting.
Benoît Maire’s practice exists at the intersection of philosophy and art, thought and matter. Through a mutable approach that combines painting, installation, furniture, and video, the artist establishes an allegorical universe that focuses on the sensorial experience of an artwork and the intrinsic qualities of objects. Often referred to as a visual philosopher, the physical form that his artworks take are inspired by a range of disciplines including history, history of art, philosophy, psychoanalysis, mathematics, geometry, and mythology. Probing distinctions between culture and nature, Maire’s work elaborates on concepts proposed by canonical theorists such as Lyotard, Agamben, Bataille, and Lacan.
In this work, Saâdane Afif quotes André Cadere’s round wooden batons using the copy share and remix principles...
In 2010, Kadist Art Foundation, David Roberts Foundation and Nomas Foundation successively presented an exhibition of the work of Etienne Chambaud in collaboration with Vincent Normand: The Siren’s Stage / Le Stade des Sirènes...
Although at first the work Sounds of War presents itself with a degree of playfulness and humour, a close inspection reveals its painful undertone...
This photograph is part of the series titled “Iris Tingitana project” (2007) focusing on the disappearance of the iris...
The Town consists of footage taken from Auder’s studio of the skyline of New York, tracking planes as they fly across the sky and pass tall buildings...
In this photographic series, Yto Barrada was interested in the logos of the buses that travel between North Africa and Europe...
Talking Head is a short film in black and white of Auder’s daughter Alexandra, hidden behind a hemp plant, playing with a plastic wrapper and babbling in an imaginative way...
Monteverdi Ici – Deeply, Feeling Filling the World by Laure Prouvost is a tapestry that references a video by the artist entitled Monteverdi Ici (2018)...
The Parle Ment Metal Woman Welcoming You is a character originated from a series of works combining sculpture and video with a specific role— lying on the floor playing a romantic elevator tune, this Metal Woman welcomes and flirts with viewers in the space where she is posed...
In Stong Sory Vegetables , Laure Prouvost explains that she woke up one morning and that some vegetables had fallen from the sky on her bed, making a hole in her ceiling...
Monteverdi Ici by Laure Prouvost is a non-narrative video work that depicts the back of the artist’s naked body standing, with her back towards the camera in a field...