Height variable : 318 x 200 cm
Halfway between a painting and an installation City Sound of Rug gathers found images, synthetic foam, painted metal plates, and prints placed on the floor. Rugs are elements representative of commerce and related to the idea of territory, handicraft and community. In City Sound of Rug, the rugs are used as surfaces upon which prints are manually made. The traces of paint on the synthetic foam and the paint transfers from one rug to another, enable the spectator to see the materials used as tools, elements that constitute the structure of the installation. City Sound of Rug also incorporates advertising billboards of real estate projects. The work focuses on architecture and urbanism. The use of color is essential in this work: the blue, red and green marks become signs and characterize the work like an act of speech.
Born 1975, Frankfurt / Main, Germany Lives and works in Berlin Nora Schulz explores the relations between painting, sculpture, performance, and language. She tends to capture the moment where forms become signs and elements of language. She is interested in translation and in the shifts that occur when external realities and cultural patterns are readapted. She mainly works with industrial materials that she collects in the surroundings of her studio in Berlin (metal of all sorts, rugs, shafts, tubes, ropes). Process and shifting are the bases of her practice which concerns transformation within each context. She remodels found objects into abstract sculpted paintings characterized by precarious balance. Her sculptures often end up taking the shape of printing machines, questioning language and the authority of its grammatical forms in an active process of materialisation.
Sombras de los Valles (Shadows of the Valleys) is part of a series of works created by Bayrol Jiménez in which he is influenced by hand-painted signs and large billboards in Mexico...
Nicolas Daubanes — Du béton, de l’acier et de la viande — La Maréchalerie, centre d’art contemporain — Exhibition — Slash Paris Login Newsletter Twitter Facebook Nicolas Daubanes — Du béton, de l’acier et de la viande — La Maréchalerie, centre d’art contemporain — Exhibition — Slash Paris English Français Home Events Artists Venues Magazine Videos Back Nicolas Daubanes — Du béton, de l’acier et de la viande Exhibition Architecture, installation Closing Nicolas Daubanes, La grâce présidentielle, à la galerie Territoires Partagés, Marseille PAC 2022 © JC Lett Nicolas Daubanes Du béton, de l’acier et de la viande Ends in 6 days: September 22 → December 17, 2023 La pratique artistique de Nicolas Daubanes se déploie à travers le dessin, la sculpture, la vidéo et l’installation...
Art that Moves: Marc Nair | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles Photo: National Arts Council June 19, 2018 Art that Moves is an occasional series where we ask artists and other creative workers to reflect on artworks, performances or events that were personally important to them...
Human Quarry is a large work on paper by Leslie Shows made of a combination of acrylic paint and collage...
Phillip Lai at Kiang Malingue – ARTOMITY 藝源 Phillip Lai / For Caution / Dec 12, 2023 – Jan 27, 2024 / Opening: Saturday, Dec 9, 3pm – 6pm / Wan Chai Gallery / Kiang Malingue 10 Sik On Street Wan Chai, Hong Kong Tuesday – Saturday, 12am – 6pm +852 2810 0317 kiangmalingue.com Kiang Malingue is pleased to present For Caution , an exhibition of new work by Phillip Lai...
A fragile resource: new Pattani Archives space offers rare glimpse into world of influential Indian royal family Art market Museums & heritage Exhibitions Books Podcasts Columns Technology Adventures with Van Gogh Search Search Archives news A fragile resource: new Pattani Archives space offers rare glimpse into world of influential Indian royal family The venue will bring together photographs, works of art, political documents and more that showcase art in the country as it transitioned through independence Malcolm Cossons 13 December 2023 Share Photographs discovered in the Pattani archives feature Mahatma Gandhi Courtesy of Pattani Archives Avni Pattani recalls the moment, in 2020, when she found masses of papers piled inside a house once owned by a family member in Bhavnagar in Gujarat, on the northwestern coast of India...
The Pixelated Revolution is a lecture-performance by artist Rabih Mroué about the use of mobile phones during the Syrian revolution...
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Podcast 62: Unpacking the Contemporary in Traditional Dance | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles July 23, 2019 Duration: 47 min Podcast host Amin Farid alongside fellow dance scholars Elizabeth Chan and Aparna Nambiar discuss their respective fields of study within traditional dance...
Another America — AI-Generated Photos from the 1940s and 50s - AI-generated images by Phillip Toledano | Interview by Jim Casper | LensCulture Interview Another America — AI-Generated Photos from the 1940s and 50s Phil Toledano has often pushed the boundaries of photography to imagine the future; now he’s tapping into AI to create alternative histories, challenging our belief in any images at all...
Vivian Suter paints her canvases and then allows them to come in contact with natural elements...
LAB (2013) conjures the body as the trace of a sooty hand appears, spectrally, on a crumpled paper towel...
Ground Control — (and the stars look very different today) — Topographie de l’art — Exposition — Slash Paris Connexion Newsletter Twitter Facebook Ground Control — (and the stars look very different today) — Topographie de l’art — Exposition — Slash Paris Français English Accueil Événements Artistes Lieux Magazine Vidéos Retour Ground Control — (and the stars look very different today) Exposition Techniques mixtes © Topographie de l’art Ground Control (and the stars look very different today) Encore environ un mois : 24 novembre 2023 → 11 janvier 2024 Demain n’est pas qu’une simple projection d’aujourd’hui ; l’avenir se définit tout aussi bien comme le reflet de notre imaginaire à la surface de miroirs que l’on a plus ou moins éloignés dans le temps...
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