In City Golf (2008) the artist Gao Mingyan films himself playing 18 “holes” of golf throughout the mega-city of Shanghai. For each hole, Gao traveled to significant places from his memory – his first school, his childhood playground, and his former date hangouts – and proceeded to play a makeshift round of golf at each location. In revisiting locales from his youth, Gao attempts to forge a linear connection between all the important places that comprise a life’s experience, his performative “passing” through each location poetically referencing his own passage through time. Gao’s project, however, raises deeper questions about transgression. In order to construct these temporary “holes,” Gao has to willing subvert how these locations function as public site, a significant intervention of private will into a communal space in a country, China, where the tensions between private/public are decidedly political.
Gao Mingyan produces video based-works that examine the political and epistemological violence of our contemporary moment. While his work may seem to document the everyday and mundane, he is decidedly interested in how the dissemination of popular media affects our perception of social tensions and anxieties. His practice stems from the belief that our contemporary moment is defined by a constant state of warfare in which epistemological forms of political and economic warfare inflict as much harm as live ammunition. His work, by extension, considers how even our physical movements throughout social space can be marked as forms of trespass.
ArtTable Survey Sheds Light on Hardships Faced by Arts Workers of Color Skip to content Protesters outside the since-removed Roosevelt statue in front of the American Museum of Natural History in a 2017 protest (photo Hrag Vartanian/ Hyperallergic ) It’s no secret that women and non-men, especially those of color, have historically been subjected to structural pay inequities...
BSA Images Of The Week: 11.05.23 | Brooklyn Street Art BROOKLYN STREET ART LOVES YOU MORE EVERY DAY Welcome to BSA Images of the Week! Nobody was out Friday night when we went to see “Stop Making Sense” on the screen; the streets of Manhattan and Brooklyn at 10 pm were rather lightly attended, possibly because everyone was recovering from a mid-week Halloween/Day of the Dead blast of drunkenness, revelry, laughter, and tears...
Betty Tompkins Presents 1,000 Different Ways to Describe a Woman – Art Report News ARTISTS Artist Highlights Artist Interviews Studio Visit VIDEOS ART+ Community Listicles No Result View All Result News ARTISTS Artist Highlights Artist Interviews Studio Visit VIDEOS ART+ Community Listicles No Result View All Result No Result View All Result Betty Tompkins Presents 1,000 Different Ways to Describe a Woman by Jenny Held Jan 26, 2016 in NEWS 0 Betty Tompkins Exhibit...
Awol Erizku’s image Origin of Afro-Esotericism has compositional force and a rhythmic use of full-blast color...
Game (Six Pieces) by Erbossyn Meldibekov is inspired by the popular Rubik’s cube puzzle and is composed of three colors (red, green and white) instead of six, referencing the colors of the Afghan flag...
Afire: Christian Petzold’s combustible feast – Two Coats of Paint Afire (directed by Christian Petzold), 2023, Leon on the beach (Thomas Schubert) , courtesy of Janus Films Contributed by Jonathan Stevenson / Instability hovers on several fronts – environmental, political, economic – and German filmmaker Christian Petzold manifests his concern about it with remarkable astuteness...
Will Rogan’s video Eraser (2014) shows a hearse parked in a clearing amidst leaf barren trees...
Capture is a photographic series by Paolo Cirio in which the artist sourced 1000 public images of police officers’ faces and processed them with facial recognition technology...
Tuco Wallach Pacifico / Kitsuné Project – Part 1 / Christmas | Brooklyn Street Art BROOKLYN STREET ART LOVES YOU MORE EVERY DAY We’re pleased to continue positively into the new year by sharing a heartwarming journey into the world of family made street art, where personal ties and creativity intertwine beautifully...
Le président de la Société des amis du Louvre sur la sellette Offrir Le Monde Article réservé aux abonnés A 78 ans, Louis-Antoine Prat a toujours l’œil et la moustache qui frisent à l’évocation de ses coups d’éclat, qu’il s’agisse des trophées qu’il fait entrer dans les collections du Louvre, de la Société des amis duquel il est le président depuis 2016, ou dans sa propre collection privée, l’une des plus belles en France, exposée actuellement au Musée des beaux-arts d’Orléans...