2:57 minutes
Choke documents the artist filming a wrestler “choking out” his teammate until he is unconscious. This closed circuit of dominance and submission between two powerful men, is echoed by the closed circuit of the video through which the viewer takes on the role of voyeur. The artist’s presence in the piece not only calls attention to its staging, but inverts the traditional power dynamic of the “male gaze” and gender roles.
Working in video and installation-based performance, Jennifer Locke stages physically intense actions in relation to the camera and specific architecture in order to explore the unstable nature of artist/model/camera/audience hierarchies. These actions focus on cycles of physicality and visibility, and draw from her experiences as a professional dominatrix, champion submission wrestler, and artist’s model. Locke often creates a separation between her live actions and the audience through the use of material barriers, live video feeds, multiple camera perspectives, wireless microphones, and mini-cameras. These audio-visual reiterations produce a ripple effect, flattening, repeating, echoing, amplifying, and displacing the action by turning it —as well as the audience performing its own spectatorship— into an image of itself.
© 2023 All rights reserved - The Eye of Photography Olivier Culmann, URSSAF Normandie, site du Havre @ Olivier Culmann Le Havre, Seine-Maritime, Normandie, France 10/05/2023 © Olivier Culmann / Tendance Floue @ Thomas Jorion @ Sidonie Van Den @ Isabelle Scotta @ Carlo Lombardi S From October 21st to January 7th, 2024, for its 14th edition, 25 international photographers, both established and emerging, can be discovered in an open-air exhibition tour throughout the city, on the beach, and indoors at Point de Vue and Les Franciscaines...
Artist Hajime Sorayama claims Beyoncé copied his work in Renaissance tour Art market Museums & heritage Exhibitions Books Podcasts Columns Technology Adventures with Van Gogh Search Search Intellectual property news Artist Hajime Sorayama claims Beyoncé copied his work in Renaissance tour The artist, known for his distinctive sexualised androids, took to Instagram to denounce what he claims are unauthorised uses of his work in the concert tour’s imagery Theo Belci 12 December 2023 Share Beyoncé performing in a mirrored, retrofuturist costume during her Renaissance World Tour Photo by Raph_PH, via Flickr The Japanese artist Hajime Sorayama has criticised superstar Beyoncé in an Instagram post, claiming the musician appropriated imagery from his trademark erotic robots in visuals and merchandise for her Renaissance tour—which grossed $575m and spawned a successful documentary ...
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