2:57 minutes
Choke documents the artist filming a wrestler “choking out” his teammate until he is unconscious. This closed circuit of dominance and submission between two powerful men, is echoed by the closed circuit of the video through which the viewer takes on the role of voyeur. The artist’s presence in the piece not only calls attention to its staging, but inverts the traditional power dynamic of the “male gaze” and gender roles.
Working in video and installation-based performance, Jennifer Locke stages physically intense actions in relation to the camera and specific architecture in order to explore the unstable nature of artist/model/camera/audience hierarchies. These actions focus on cycles of physicality and visibility, and draw from her experiences as a professional dominatrix, champion submission wrestler, and artist’s model. Locke often creates a separation between her live actions and the audience through the use of material barriers, live video feeds, multiple camera perspectives, wireless microphones, and mini-cameras. These audio-visual reiterations produce a ripple effect, flattening, repeating, echoing, amplifying, and displacing the action by turning it —as well as the audience performing its own spectatorship— into an image of itself.
Sign #1 , Sign #2 , Sign #3 were included in “Found Object Assembly”, Copeland’s 2009 solo show at Jack Hanley Gallery, San Francisco...
Human Quarry is a large work on paper by Leslie Shows made of a combination of acrylic paint and collage...
For his series of digital collages Excerpt (Sealed)… Rhodes appropriated multiple images from mass media and then sprayed an X on top of their glass and frame...
The five works included in the Kadist Collection are representative of Pettibon’s complex drawings which are much more narrative than comics or cartoon...
Sign #1 , Sign #2 , Sign #3 were included in “Found Object Assembly”, Copeland’s 2009 solo show at Jack Hanley Gallery, San Francisco...
Human Quarry is a large work on paper by Leslie Shows made of a combination of acrylic paint and collage...
Drawn from the widely circulated images of protests around the world in support of women rights and racial equality, the phrase I can’t believe we are still protesting is both the title of Wong Wai Yin’s photographic series and a reference to similar messages seen on protest signages...
Poised with tool in hand, Jeffry Mitchell’s The Carpenter (2012) reaches forward, toward his workbench...
© 2023 All rights reserved - The Eye of Photography Olivier Culmann, URSSAF Normandie, site du Havre @ Olivier Culmann Le Havre, Seine-Maritime, Normandie, France 10/05/2023 © Olivier Culmann / Tendance Floue @ Thomas Jorion @ Sidonie Van Den @ Isabelle Scotta @ Carlo Lombardi S From October 21st to January 7th, 2024, for its 14th edition, 25 international photographers, both established and emerging, can be discovered in an open-air exhibition tour throughout the city, on the beach, and indoors at Point de Vue and Les Franciscaines...
Tania Bruguera’s reading at Hamburger Bahnhof shut down after heated pro-Palestine protests Art market Museums & heritage Exhibitions Books Podcasts Columns Technology Adventures with Van Gogh Search Search Israel-Hamas war news Tania Bruguera’s reading at Hamburger Bahnhof shut down after heated pro-Palestine protests A statement from the museum says the incident involved activists using “hate speech” towards one of the readers and a museum director Gareth Harris 12 February 2024 Share Tania Bruguera invited artists, activists and members of the public, read from Hannah Arendt’s The Origins of Totalitarianism © Estudio Bruguera / Nationalgalerie – Staatliche Museen zu Berlin / Jacopo La Forgia The artist and activist Tania Bruguera’s non-stop reading of Hannah Arendt’s The Origins of Totalitarianism at Hamburger Bahnhof in Berlin was halted on Saturday (10 February) after pro-Palestine protestors disrupted the event...