16H x 20W inches
Charco portátil congelado (Frozen Portable Puddle, 1994) is a photographic record of an installation of the same name that Gabriel Orozco made at Witte de With Center for Contemporary Art in Rotterdam for the group exhibition WATT (1994). The artist arrived a week prior to the opening with no artwork to install, and created three spontaneous works from locally sourced materials. This one was made of white plastic record sleeves that Orozco arranged on the damp roof of the gallery. He left it out overnight, and by morning there was a layer of ice coating it—a serendipitous frozen portable puddle. The work highlights Orozco’s flexible practice and trust in chance encounters.
Gabriel Orozco could be described as a traveler-artist, without a fixed studio. He works following contexts and produces work that flows. “Special Service” (1997) is a collage on a plane ticket, and indicates nomadism, between territories. The artist, who is the son of muralist Mario Orozco Riviera, questions the boundaries of his artistic identity in Mexico. In “Crazy tourist” (1991), Orozco creates a situation with oranges in the Brazilian market tables in a desert. The artist uses objects or “poor” situations, found in the everyday landscape, natural or urban. By their division, their juxtaposition, or collage, inventing semantic or sensitive scenarios, always surprising, sometimes humorous and sometimes lyrical … The sculptural practice of the artist, inseparable from his drawings, photographs, or films, invents relationships of space, and disrupts our perception of objects. Such is the case of “Yielding Stone” (1992), a photo of a plasticine ball, the weight of the artist, rolled through the streets of New York. Gabriel Orozco was born in 1962 in Jalapa, Mexico. He lives and works in New York, Mexico, and Paris.
Drawn from the widely circulated images of protests around the world in support of women rights and racial equality, the phrase I can’t believe we are still protesting is both the title of Wong Wai Yin’s photographic series and a reference to similar messages seen on protest signages...
Weekly Picks: Singapore (30 July - 5 August 2018) | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Singapore July 30, 2018 How To Be Happy (again) by Ethos Books 5 Aug 2018 As part of Esplanade’s Spoken Word Sunday series, How To Be Happy (again) will start the series off this sunday! It will be an evening of rhyme and rhythm filled with words exploring happiness and the notion of a greater good...
Kimbell Art Museum acquires important cultural touchstone of Olmec art Art market Museums & heritage Exhibitions Books Podcasts Columns Technology Adventures with Van Gogh Search Search Museums & Heritage news Kimbell Art Museum acquires important cultural touchstone of Olmec art The jade statuette of an Olmec ruler holding a baby were-jaguar will be exhibited as the centrepiece of the Texas museum's ancient American collection Theo Belci 14 December 2023 Share Standing Figure Holding a Were-Jaguar Baby (around 900BC-300BC) Photo: Justin Kerr., courtesy of the Justin Kerr Maya archive, Dumbarton Oaks, Trustees for Harvard University, Washington, DC The Kimbell Art Museum in Fort Worth, Texas, has acquired Standing Figure Holding a Were-Jaguar Baby (around 900BC-300BC), a jade statuette at the centre of Olmec civilisation studies since the mid-20th century...
The virtual reality work Aquaphobia by Jakob Kudsk Steensen examines it’s title subject matter – the fear of water...
Central Station, Alignment, and Sumo are “situation portraits” that present whimsical characters within distorted and troubling worlds...
Presented as part of a recent group of works titled The Paradox of Healing, Rhombus for Healing No...
In conjunction with his first NFT sale of White Male Dread Scott made and circulated a poster titled Whites For Sale ...
Things Entangling Edited by Che Kyongfa and Elodie Royer Designed by Toshimasa Kimura Published by Museum of Contemporary Art Tokyo (MOT) and KADIST The publication is available in pdf — see links on the right side of this page Things Entangling was published on the occasion of the eponymous collective exhibition presented at MOT, Tokyo from June 9 to September 27, 2020, the culmination of a long-term curatorial collaboration between MOT and KADIST...
I Am Cuba— “Soy Cuba” in Spanish; “Ya Kuba” in Russian—is a Soviet/Cuban film produced in 1964 by director Mikhail Kalatozov at Mosfilm...
Coco Fusco "Tomorrow, I will become an Island" KW Institute of Contemporary Art / Berlin | | Flash Art Flash Art uses cookies strictly necessary for the proper functioning of the website, for its legitimate interest to enhance your online experience and to enable or facilitate communication by electronic means...
Weekly Southeast Asia Radar: Protests over Marcos-sponsored play; the Spaniard in Singapore films | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Radar The Star/Azhar Mahfof September 11, 2019 ArtsEquator’s Southeast Asia Radar features articles and posts about arts and culture in Southeast Asia, drawn from local and regional websites and publications – aggregated content from outside sources, so we are exposed to a multitude of voices in the region...