Cemetery #1
2002 - Photography (Photography)
40,6 x 50,8 cm
Gabriel Orozco
Gabriel Orozco comments: “In the exhibition [Documenta 11, Kassel, 2002], I tried to connect with the photographs I took in Mali in July. I traveled to Mali for three weeks and took some photographs related to my work. They are very different, but there are links as the graveyard of Timbuktu, which I discovered during the trip. I found the cemetery because I was interested in pottery and ceramics. Research traditions of ceramics were the reason for my trip to Africa in Mali, to understand, learn, appreciate what they did, because it is an important tradition in Mali. And then I discovered the cemetery in Timbuktu. It is interesting to see how the work will take you to discover places you would never have discovered if you did not work. So the link between what you do and what you find in a second time is very interesting. In this context, the exhibition presents one hand tables with ceramics. In addition, photographs of Mali are on the walls. There is no direct link. But it is obvious that the same person who is interested in these things. And there are many reasons for this.
Gabriel Orozco could be described as a traveler-artist, without a fixed studio. He works following contexts and produces work that flows. “Special Service” (1997) is a collage on a plane ticket, and indicates nomadism, between territories. The artist, who is the son of muralist Mario Orozco Riviera, questions the boundaries of his artistic identity in Mexico. In “Crazy tourist” (1991), Orozco creates a situation with oranges in the Brazilian market tables in a desert. The artist uses objects or “poor” situations, found in the everyday landscape, natural or urban. By their division, their juxtaposition, or collage, inventing semantic or sensitive scenarios, always surprising, sometimes humorous and sometimes lyrical … The sculptural practice of the artist, inseparable from his drawings, photographs, or films, invents relationships of space, and disrupts our perception of objects. Such is the case of “Yielding Stone” (1992), a photo of a plasticine ball, the weight of the artist, rolled through the streets of New York. Gabriel Orozco was born in 1962 in Jalapa, Mexico. He lives and works in New York, Mexico, and Paris.
Colors:
Related works sharing similar palette
© » KADIST
Paloma Contreras Lomas
2020Paloma Contreras Lomas has frequently used animals as metaphors in her work...
© » THEARTNEWSPER
New book sees ‘outsider artists’ as part of a creative spectrum rather than a world apart Art market Museums & heritage Exhibitions Books Podcasts Columns Technology Adventures with Van Gogh Search Search Books review New book sees ‘outsider artists’ as part of a creative spectrum rather than a world apart The publication also explores how artists on the periphery might interact with the art market Claudia Barbieri Childs 6 February 2024 Share Portuguese-born, UK-based artist Manuel Bonifacio’s Motorbike and Man (2012) Courtesy the Outside In Collection The book Outside In: Exploring the margins of art presents works by a group of mostly contemporary “outsider” artists and argues a case for critiquing them on merit—and the outsider art category in general—within the mainstream of the art canon...
© » KADIST
Karla Kaplun
2019Studying the body in movement, this series of drawings depart from Karla Kaplun’s work A ztec BLAST® Workout (AWB) ...
© » MODERN MET PHOTOGRAPHY
AI Helps Families Forge "New Moments" with Lost Loved Oes Home / Photography AI Used to Help Families Forge “New Moments” With Lost Loved Ones By Jessica Stewart on January 31, 2024 Photographer and lawyer Alper Yesiltas has been an early adopter of AI, using the technology to see how he can manipulate existing imagery...
© » DAZED DIGITAL
You can now bag tickets to see London’s fashion trailblazers in the flesh | Dazed â¬…ï¸ Left Arrow *ï¸âƒ£ Asterisk â Star Option Sliders âœ‰ï¸ Mail Exit Fashion Round-up Hosted by LFW partner 1664 Blanc, the series of talks at Selfridges will feature NEWGEN designers including Aaron Esh and Tolu Coker – plus more fashion news you missed 10 February 2024 Text Elliot Hoste This February, it’ll be exactly 40 years since our capital opened its doors to the world’s fashion industry...
© » SLASH PARIS
Prix Marcel Duchamp — 2023 — Centre Georges Pompidou — Exposition — Slash Paris Connexion Newsletter Twitter Facebook Prix Marcel Duchamp — 2023 — Centre Georges Pompidou — Exposition — Slash Paris Français English Accueil Événements Artistes Lieux Magazine Vidéos Retour Prix Marcel Duchamp — 2023 Exposition Techniques mixtes À venir Prix Marcel Duchamp 2023 — Bertille Bak, Bouchra Khalili, Tarik Kiswanson et Massinissa Selmani © ADIAF Prix Marcel Duchamp 2023 Dans 9 mois : 2 octobre 2023 → 2 janvier 2024 Bertille Bak, Bouchra Khalili, Tarik Kiswanson et Massinissa Selmani sont les quatre artistes nominés par un comité de sélection composé de onze collectionneurs de l’ADIAF pour l’attribution du 23e Prix Marcel Duchamp...
© » ARTS EQUATOR
The future of the arts in Singapore and Australia: Highlights from the Statistically Speaking webinar | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles February 12, 2021 ArtsEquator organised a webinar titled “Statistically Speaking: Analysing arts audience engagement in Singapore and Australia” on Thursday, 28 January...
© » KADIST
Sin Wai Kin
2017A woman you thought you knew by Sin Wai Kin originates from a performance series titled A View from Elsewhere ...
© » KADIST
Manuel Solano
2020Since Manuel Solano became blind, they developed a technique that relies on audio descriptions that allow for an assistant to place pins and threads on a grid that guides the artist’s hands through the surface...
© » SLASH PARIS
Guillaume Chamahian — Détritique 2 — Galerie Analix Forever — Exposition — Slash Paris Connexion Newsletter Twitter Facebook Guillaume Chamahian — Détritique 2 — Galerie Analix Forever — Exposition — Slash Paris Français English Accueil Événements Artistes Lieux Magazine Vidéos Retour Guillaume Chamahian — Détritique 2 Exposition Photographie, techniques mixtes, vidéo À venir Guillaume Chamahian, Le baiser, 2023 Impression sur plaque de grès Guillaume Chamahian Détritique 2 Dans 2 jours : Mercredi 20 décembre 2023 15:00 → 21:00 Artiste du réel, de ses représentations, traitements et retraitements, Guillaume Chamahian travaille à la croisée de la photographie documentaire, de l’art conceptuel, de la dénonciation politique et l’art d’investigation...