Castigos del caucho

2017 - Drawing & Print (Drawing & Print)

42 x 52 cm each

Santiago Yahuarcani


The series Castigos del caucho by Santiago Yahuarcani originates in the oral memory transmitted by the artist’s grandfather, who was a survivor of the Putumayo genocide where thousands of Indigenous people were annihilated and enslaved to extract rubber from the Amazon forest between 1879 and 1912. Yahuarcani’s complex narrative paintings on tree bark highlight a long history of colonial violence against the Uitoto and other Indigenous communities. They also show the destruction of the rainforest under Western models of extraction, privatization, and development. Yahuarcani’s images meticulously depict the immense cruelty and destruction inflicted on the bodies and territories for economic profit. The works remember a history of exploitation and reclaim respect for their ancestral knowledge, calling for urgent action to prevent the devastation of the Amazon.


Santiago Yahuarcani belongs to the Aimen+ (White Heron) clan of the Uitoto people of the northern Amazon. His mother, Martha López Pinedo, was a descendant of Gregorio López, the only member of the Aimen+ ? clan who migrated from La Chorrera (today part of the Colombian Amazon) to the Ampiyacu River region (now the northern Peruvian Amazon). Yahuarcani is a self-taught painter, sculptor, and leader of the Uitoto and Bora peoples of the Ampiyacu river. His life has been dedicated to the development of art and storytelling as a form of expression. Through his work he shares the rich and complex spiritual world of the Uitotos and other Indigenous Amazonian communities. His poignant works expose the violence perpetrated against the Uitoto during the Amazon’s rubber boom (ca. 1860–1920) and the current destruction of the rainforests. Yahuarcani also reclaims the presence and force of the spirits (guardians) of the plants, trees, and animals, who are largely ignored in the modern era.


Colors:



Related works sharing similar palette

Podcast 106: Boom
© » ARTS EQUATOR

Podcast 106: Boom | ArtsEquator Skip to content In our latest podcast, we discuss Boom, a production by A Mirage which took place on 1-20 July 2022...

The Business of Being an Art Collector: A Roundtable Discussion With Three Top Patrons About How the Pursuit Has Changed - via artnet news
© » LARRY'S LIST

Patrizia Sandretto Re Rebaudengo, Dimitris Daskalopoulos, and Paul Ettlinger sit down to discuss how art collecting has evolved....

Petrogenesis, Petra Genetrix
© » KADIST

Ayoung Kim

2019

In 2019, Ayoung Kim traveled to Mongolia to research its widespread animistic belief system towards land, mother rock, stones, and sacred caves that purify human guilt...

New Gallery Tureen Pushes the Envelope in Oak Cliff
© » D MAGAZINE

New Gallery Tureen Pushes the Envelope in Oak Cliff - D Magazine Skip to content Menu Search One brand, four magazines...

Podcast 45: On Southeast Asian Film with Rithy Panh and Park Sungho
© » ARTS EQUATOR

Podcast 45: On Southeast Asian Film with Rithy Panh and Park Sungho | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Viewpoints August 23, 2018 Duration: 35 mins At SeaShorts 2018 , which took place from 1 – 5 August 2018 in George Town, Penang, we caught up with Cambodian film director, screenwriter and producer Rithy Panh, and Park Sungho, programmer for S-Express Cambodia (a selection of Cambodian short films at SeaShorts), who’s also a programmer for the Cambodia International Film Festival ...

Sideways Time
© » KADIST

Olivia Erlanger

2016

Sideways Time by Olivia Erlanger is the result of the artist’s interest in networks, seen and unseen, financial and ecological, the collapse of which has resulted in the fracturing of a middle class American identity...

The Pop Culture-Infused Paintings of Dave Pollot
© » HIGH FRUCTOSE

Dave Pollot revitalizes thrift store paintings with surreal or pop culture-centered flourishes...

Aqua
© » KADIST

Fernando Palma Rodríguez

2015

Aqua by Fernando Palma Rodríguez is an installation formed by four gourds and one movement detector that activates them...

Billionaire François Pinault’s $170 M. Paris Museum to Open in June 2020 - via ARTNEWS
© » LARRY'S LIST

Pinault is one of the most important figures in the French art and fashion worlds....

Em'kal Eyongakpa - Be-side(s) work
© » KADIST

Be-side(s) work; a gathering of thoughts with artist Em’kal Eyongakpa, curator Amal Alhaag, publisher Giulia Brivio and friends Published in November 2014, The publication Be-side(s) works is an archive within an artwork...

MervEspina and the Green Papaya Art Projects (via The Myanmar Times)
© » ARTS EQUATOR

MervEspina and the Green Papaya Art Projects (via The Myanmar Times) | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles September 22, 2018 With the support of Japan Foundation and collaboration of Myanm/Art, MervEspina, artist and researcher from Philippines talked about Green Papaya Art Projects whose essence can be rendered as ‘never ripe, never rotten’...

Sheet 5 (Stamped series)
© » KADIST

John Lucas and Claudia Rankine

2018

Historically, blondeness has been a signifier for desirability and beauty, speaking to “purity” — the purity of whiteness — like no other bodily attribute except, perhaps, blue eyes...

La Loge Harlem
© » KADIST

Abigail DeVille

2017

The work La Loge Harlem focuses on the history of Harlem and its development over the last 200 years...

Charles LeDray: Securing memory
© » TWOCOATSOFPAINT

Charles LeDray: Securing memory – Two Coats of Paint Charles LeDray, Shiner, 2015–2023, wood, mat board, acrylic paint, enamel paint, watercolor, polyurethane, fabric, leather, embroidery floss, acrylic yarn, silicone rubber, Lava soap, mother of pearl, Fimo, pretzel bits, rabbit fur, bubble gum, wax, cinnamon oil, shoe dye, metal, copper wire, electrical tape, acrylic, foil, pumice, plastic, eraser, letterpress print, printed paper, 5 3/4 x 34 x 23 7/8 inches Contributed by Barbara A...

Black Star Press
© » KADIST

Kelley Walker

2004

The triptych Black Star Press is part of the series ‘The Black Star Press project’ initiated in 2004 by the American artist Kelley Walker...

Interview: Tech Visionary Oliver Luckett Shares His Amazing Contemporary Art Collection - via My Modern Met
© » LARRY'S LIST

“Almost every piece of art in our home is either from the artist themselves or from a shared experience.”...

Fordlândia Fieldwork
© » KADIST

Clarissa Tossin

2012

In Fordlândia Fieldwork (2012), Tossin documents the remains of Henry Ford’s rubber enterprise Fordlândia, built in 1928 in the Brazilian Amazon to export cultivated rubber for the booming automobile industry...

N°001 Djoubi et sa meute
© » KADIST

Laura Henno

2018

N°001 Djoubi et sa meute is part of a series of photographs by Laura Henno titled Ge Ouryao! ...

Pinault Collection Museum to Open in Paris in January - Architectural Digest
© » LARRY'S LIST

Located in Paris’s former stock exchange building, the Tadao Ando–designed Bourse de Commerce will display Kering founder François Pinault’s art collections to the public...