Carlton Hotel project is the second part of a research on the Carlton, an iconic building of modernist architecture from the 1960s in Beirut. Designed by Polish architect Karol Shayer, it was destroyed in 2008 (date of the project’s creation). This project is multifaceted, always transforming into different forms and involving a series of collaborations: the first step took place as part of the “traveling curtains project”, which consisted in recuperating the curtains from the Carlton hotel before its demolition and sending them to different cities throughout the world where they would be subject to new interventions and transformations by artists, among whom Marwa Arsanios. A video records the collecting of the curtains. The second step consisted in the transformation of the collected curtains, turned into fashionable clothing items. Finally, the work includes an architectural model of the Carlton Hotel.
Marwa Arsanios is born in 1978 in Washington, United-States. Lives and works in Beyrouth, Lebanon. Marwa Arsanios is based in Beirut, Lebanon. She has just exhibited (precise time reference) in Sweden (with Maria Lind/Tensta Konsthall) and will take part in the next Sharjah Biennale (2015). In 2013, her work was included in the Future Generation Art Prize event at the 55th Venice Biennale, and received a special award from the Pinchuk Art Foundation. Her work was also included in the Munster Kunstverein, Germany. ‘Jerusalem Show’, East Jerusalem; ‘Subversion’, Cornerhouse, Manchester, UK; and ‘In Other’s Words’, NGBK, Berlin, Germany.
L’œil vérité — Le musée au second degré — MAC VAL Musée d'art contemporain du Val-de-Marne — Exposition — Slash Paris Connexion Newsletter Twitter Facebook L’œil vérité — Le musée au second degré — MAC VAL Musée d'art contemporain du Val-de-Marne — Exposition — Slash Paris Français English Accueil Événements Artistes Lieux Magazine Vidéos Retour L’œil vérité — Le musée au second degré Exposition Techniques mixtes À venir Roman Cieslewicz, M...
Art of War 1, City in Broad Daylight, Leaving the House, Justice is a Virtue, and Lions are Stronger than Men are linocut prints from the series Sultana’s Dream ...
What This Find Says About Gender in Ancient Culture | Art & Object Skip to main content Subscribe to our free e-letter! Webform Your Email Address Role Art Collector/Enthusiast Artist Art World Professional Academic Country USA Afghanistan Albania Algeria American Samoa Andorra Angola Anguilla Antarctica Antigua & Barbuda Argentina Armenia Aruba Ascension Island Australia Austria Azerbaijan Bahamas Bahrain Bangladesh Barbados Belarus Belgium Belize Benin Bermuda Bhutan Bolivia Bosnia & Herzegovina Botswana Bouvet Island Brazil British Indian Ocean Territory British Virgin Islands Brunei Bulgaria Burkina Faso Burundi Cambodia Cameroon Canada Canary Islands Cape Verde Caribbean Netherlands Cayman Islands Central African Republic Ceuta & Melilla Chad Chile China Christmas Island Clipperton Island Cocos (Keeling) Islands Colombia Comoros Congo - Brazzaville Congo - Kinshasa Cook Islands Costa Rica Croatia Cuba Curaçao Cyprus Czechia Côte d’Ivoire Denmark Diego Garcia Djibouti Dominica Dominican Republic Ecuador Egypt El Salvador Equatorial Guinea Eritrea Estonia Eswatini Ethiopia Falkland Islands Faroe Islands Fiji Finland France French Guiana French Polynesia French Southern Territories Gabon Gambia Georgia Germany Ghana Gibraltar Greece Greenland Grenada Guadeloupe Guam Guatemala Guernsey Guinea Guinea-Bissau Guyana Haiti Heard & McDonald Islands Honduras Hong Kong SAR China Hungary Iceland India Indonesia Iran Iraq Ireland Isle of Man Israel Italy Jamaica Japan Jersey Jordan Kazakhstan Kenya Kiribati Kosovo Kuwait Kyrgyzstan Laos Latvia Lebanon Lesotho Liberia Libya Liechtenstein Lithuania Luxembourg Macao SAR China Madagascar Malawi Malaysia Maldives Mali Malta Marshall Islands Martinique Mauritania Mauritius Mayotte Mexico Micronesia Moldova Monaco Mongolia Montenegro Montserrat Morocco Mozambique Myanmar (Burma) Namibia Nauru Nepal Netherlands Netherlands Antilles New Caledonia New Zealand Nicaragua Niger Nigeria Niue Norfolk Island Northern Mariana Islands North Korea North Macedonia Norway Oman Outlying Oceania Pakistan Palau Palestinian Territories Panama Papua New Guinea Paraguay Peru Philippines Pitcairn Islands Poland Portugal Puerto Rico Qatar Romania Russia Rwanda Réunion Samoa San Marino Saudi Arabia Senegal Serbia Seychelles Sierra Leone Singapore Sint Maarten Slovakia Slovenia Solomon Islands Somalia South Africa South Georgia & South Sandwich Islands South Korea South Sudan Spain Sri Lanka St...
Mooi indie (which translates to “Beautiful Indies”) is a term used to depict the beauty of nature in the East Indies during the period of Dutch colonialism in Indonesia...
She made gods for 70 years: meet the matriarch of Singapore’s last handcrafted Taoist deity producer | South China Morning Post Advertisement Advertisement Asia travel + FOLLOW Get more with my NEWS A personalised news feed of stories that matter to you Learn more Tan Chwee Lian is the matriarch behind Say Tian Hng, Singapore’s last Taoist idol business...
“School of the seven Bells (SOTSB)” is based on a series of hands games in which an object is passed from hand to hand...
That Time Manet Dueled One of His Critics Skip to content Henri Fantin-Latour depicted both Manet (standing third from right) and Duranty (seated first on left) in his 1864 paiting "Hommage à Delacroix." (image via Wikimedia Commons ) On the morning of February 23, 1870, painter Edouard Manet and art critic Edmond Duranty traveled to the Saint-Germain-en-Laye forest on the outskirts of Paris...
Compositions such as Tree on Keystone (2011) become hyperreal versions of their real-world equivalents...
For his project Book of Veles artist Jonas Bendiksen travelled to the small city of Veles in North Macedonia, inspired by a series of press reports starting in 2016, that revealed Veles as a major source of the fake news stories flooding Facebook and other social media sites celebrating Donald Trump and denigrating Hillary Clinton...
Our Grandmothers’ Gardens by Olga Grotova is based on the history of Soviet allotment gardens, which were small plots of land distributed amongst the families of factory workers to compensate for poor food supply in a country that was over-producing weapons...
Podcast 89: Critics Live: Three Sisters at SIFA 2021 | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Viewpoints The Pond Photography June 22, 2021 Critics Corrie Tan (SG), Elisabeth Vincentelli (US), Jose Solís (US) and Sharaad Kuttan (MY) chat about Three Sisters by Singapore’s Nine Years Theatre and SITI Company from New York, presented at Singapore International Festival of the Arts (SIFA)...
Reeder’s works often start with language—and his Pasta Paintings are no different...