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Binelde Hyrcan’s video “Cambeck” is a playful study of four boys on a beach in Angola playing in a chauffeured car made of sand. Weaved through the seemingly naïve game are themes of poverty, migration and inequality. Speaking of ‘the good life’ in the United States of America, the young boys discuss separated families as a result of migration, unemployment and education, poverty, the dream of leaving the slum for a building with walls made not of tin, and the luxury of the accessibility of transport. With the innocence of the conversation in the children’s game, the harsh realities of the developing world speak loudly. The artist’s decision to include the voice of the child speaks both to the importance of imagination in survival in the face of major social, economic and political disadvantage and to the generations of children faced with the hardship of poverty and life in a war zone. Imagination and dreaming is a method of endurance and future reparation of the trauma of social devastation. “Cambeck”, playful in its presentation and uncompromising in its delivery, is a significant insight into to the realities lived by the youth in the ongoing Angolan Civil War context.
Growing up during the Angolan Civil War, Binelde Hyrcan (b. 1983, Luanda, Angola) crosses themes of power, poverty, migration and inequality in his painting, sculptural, design, film and performative practice. The artists hard-hitting themes are delicately negotiated with humor, a seductive method of confronting the troubling realities of developing countries, and in particular Angola. The artist’s contribution to the dialogue surrounding the present refugee crisis provides an important perspective of the countries in question and the journey for a better life.
Online Seminar: Frequencies of Tradition With Anselm Franke, Ho Tzu Nyen, Chia Wei Hsu, Yuk Hui, siren eun young jung, Jane Jin Kaisen, Ayoung Kim, Hyunjin Kim, Hwayeon Nam, Emily Wilcox, and Soo Ryon Yoon The Times Museum and KADIST present three online sessions that consider tradition as a contested space, where one can critically reflect on Asian modernization and the Western canon...
Contrast to the bustling and unrelenting experience of a city such as Hong Kong, Chris Huen Sin Kan paints the tranquil interiors of his apartment, where he leads a modest and almost hermit-like life...
“Dark Clouds Of The Future” is a cinematographic video animation of the abandoned gold mine in Brazil, Serra Pelada (“Naked Mountain”)...
Gregory Halpern spent five years shooting ZZYZX , and another year editing the results, from an estimated thousand rolls of film, about half of which were shot in the final year after his Guggenheim Fellowship enabled him to live in California...
Presented as part of a recent group of works titled The Paradox of Healing, Rhombus for Healing No...
Box Trucks – Some of the Best Graffiti On Wheels | Brooklyn Street Art BROOKLYN STREET ART LOVES YOU MORE EVERY DAY Jaime Rojo has built an impressive collection of photographs of these, capturing the essence of New York’s streets through his lens with an array of box trucks that weave and jolt their way through traffic, often seen opening their gates to load and unload amidst the noise of city life...
Solo (2003) is a video exhibited as a video/sound installation depicting shots of drum, voice, guitar, clavier/synthesizer, and a melodica player cut into segmented fragments from the perspective of a studio recording set...
Weekly Picks: Malaysia (16 – 22 July 2018) | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Malaysia July 16, 2018 Hua (華) Settler Imaginary in Borneo , at Malaysia Design Archive, 19 July 8pm Academic Dr Zhou Hau Liew presents ‘ Preliminary Thoughts on the Hua Settler Imaginary in Borneo: Cultural Mapping, Revolutionary Communism, and the Ideas of Chineseness ’...
AI Artwork Projected on Historic Gaudí House Draws Nearly 100K People Skip to content Sofia Crespo, "Structures of Being" (2024), projection mapping at Casa Batlló (photo by Claudia Maurino, courtesy Casa Batlló) BARCELONA — Architect-designer Antoni Gaudí, legend of Catalan Modernisme, is often quoted as having said, “Nothing is invented, for it’s written in nature first.” Whether or not that’s apocryphal, his legacy suggested something holier than human at work...
Women Are the Post-Apocalyptic Future Skip to content Dana Schutz, "Civil Planning" (2004), oil on canvas (all photos Ela Bittencourt/ Hyperallergic ) BERLIN and PARIS — In recent years, impending ecological apocalypse has spurred a number of contemporary artists to visualize fears of an environmental collapse...