Cambeck
2011 - Film & Video (Film & Video)
2 min 30
Binelde Hyrcan
Binelde Hyrcan’s video “Cambeck” is a playful study of four boys on a beach in Angola playing in a chauffeured car made of sand. Weaved through the seemingly naïve game are themes of poverty, migration and inequality. Speaking of ‘the good life’ in the United States of America, the young boys discuss separated families as a result of migration, unemployment and education, poverty, the dream of leaving the slum for a building with walls made not of tin, and the luxury of the accessibility of transport. With the innocence of the conversation in the children’s game, the harsh realities of the developing world speak loudly. The artist’s decision to include the voice of the child speaks both to the importance of imagination in survival in the face of major social, economic and political disadvantage and to the generations of children faced with the hardship of poverty and life in a war zone. Imagination and dreaming is a method of endurance and future reparation of the trauma of social devastation. “Cambeck”, playful in its presentation and uncompromising in its delivery, is a significant insight into to the realities lived by the youth in the ongoing Angolan Civil War context.
Growing up during the Angolan Civil War, Binelde Hyrcan (b. 1983, Luanda, Angola) crosses themes of power, poverty, migration and inequality in his painting, sculptural, design, film and performative practice. The artists hard-hitting themes are delicately negotiated with humor, a seductive method of confronting the troubling realities of developing countries, and in particular Angola. The artist’s contribution to the dialogue surrounding the present refugee crisis provides an important perspective of the countries in question and the journey for a better life.
Colors:
Related works sharing similar palette
© » KADIST
Online Seminar: Frequencies of Tradition With Anselm Franke, Ho Tzu Nyen, Chia Wei Hsu, Yuk Hui, siren eun young jung, Jane Jin Kaisen, Ayoung Kim, Hyunjin Kim, Hwayeon Nam, Emily Wilcox, and Soo Ryon Yoon The Times Museum and KADIST present three online sessions that consider tradition as a contested space, where one can critically reflect on Asian modernization and the Western canon...
© » ARTS EQUATOR
Weekly Picks: Malaysia (16 – 22 July 2018) | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Malaysia July 16, 2018 Hua (華) Settler Imaginary in Borneo , at Malaysia Design Archive, 19 July 8pm Academic Dr Zhou Hau Liew presents ‘ Preliminary Thoughts on the Hua Settler Imaginary in Borneo: Cultural Mapping, Revolutionary Communism, and the Ideas of Chineseness ’...
© » KADIST
Zhang Kechun
2020Zhang Kechun’s photographic series The Yellow River documents the effects of modernization along the eponymous Yellow River, the second longest in Asia...
© » ARTNEWS RETROSPECTIVE
A Jacob Lawrence Expert on a Profile of Him from ARTnews’s Archives – ARTnews.com Skip to main content By Alex Greenberger Plus Icon Alex Greenberger Senior Editor, ARTnews View All January 24, 2020 1:35pm George Chinsee Jacob Lawrence (1917–2000) was one of the deftest documentarians of African-American life in the United States, and over the next few years, people across the country will get a chance to see one of his greatest series of paintings, “Struggle: From the History of the American People” (1954–56), united in full for the first time...
© » ARTS EQUATOR
Expand, Exchange, and Beyond: A reflection of the Asian Arts Media Roundtable 2021 at SIFA | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Viewpoints June 9, 2021 By Gladhys Elliona It was a laid-back day at the end of April, when I got the email from ArtsEquator informing me that I had gotten into the Asian Arts Media Roundtable (AAMR) at the Singapore International Festival of Arts 2021...
© » KADIST
Newell Harry
2015(Untitled) Nimoa and Me: Kiriwina Notations by Newell Harry brings together a litany of contemporary politics—mobilization around enduring racism, the legacies of Indigenous and independence struggle, and the prospects of global solidarity against neocolonialism and social injustice...
© » ARTS EQUATOR
Orang Phebien: Telling the story of the Baweanese | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles Illustration: Hadi Osni August 5, 2020 Lesser known narratives involving migration in Singapore are in the spotlight with The Arts House’ latest edition of LumiNation ...
© » ARTSY
How Jonathan LeVine Projects Embraces a Nimble Approach in a Hybrid Art World | Artsy Skip to Main Content Advertisement Art Market How Jonathan LeVine Projects Embraces a Nimble Approach in a Hybrid Art World Maxwell Rabb Jan 23, 2024 10:06PM Portrait of Jonathan LeVine wearing a Fez by Dylan Egan...
© » BROOKLYN STREET ART
Box Trucks – Some of the Best Graffiti On Wheels | Brooklyn Street Art BROOKLYN STREET ART LOVES YOU MORE EVERY DAY Jaime Rojo has built an impressive collection of photographs of these, capturing the essence of New York’s streets through his lens with an array of box trucks that weave and jolt their way through traffic, often seen opening their gates to load and unload amidst the noise of city life...
© » KADIST
Yoshua Okón
2009Canned Laughter was Okón’s response to an invitation from Ciudad Juárez , Mexico, where artists were asked to create works based on their experience of the city...
© » KADIST
Maaike Schoorel
2009This is one of the most important works Schoorel has made to date, a triptych that has as its subject matter a garden scene with what looks like a pond...
© » KADIST
Sandra Monterroso
2023Presented as part of a recent group of works titled The Paradox of Healing, Rhombus for Healing No...