Bunny’s Sofa
2007 - Sculpture (Sculpture)
Gimhongsok
To explore the boundaries between artwork and audience, Gimhongsok created a series of sculptural performances in which a person wearing an animal costume poses in the gallery. Bunny’s Sofa is a continuation of this series, but with a different twist. Instead of hiring a real person to dress as the animal, Gimhongsok placed a mannequin inside the rabbit costume. When exhibiting the work, the artist produces a false statement claiming that he has paid an illegal worker from North Korea to wear the suit and to maintain a lounging posture for a certain length of time. But both the performer and the financial transaction existed only in the text, truths concealed by the costume and social propriety. By interchanging physical realities and contexts and obscuring details, Gimhongsok challenges the effectiveness of visual and textual communication to create a potential moral anxiety in the viewers.
Raising questions about South Korea’s position in the world beyond its own social and political borders, Seoul-based artist Gimhongsok investigates communication, language, and popular culture. Gimhongsok’s ideas and deadpan satirical humor manifest themselves in many media and, because his creative process and personal style remain enigmatic, he is considered to be a “mysterious genius” in his homeland. Whether overt or implicit in their message, Gimhongsok’s spectacular works juxtapose image and language to lure viewers into a labyrinthine journey towards ever-elusive meaning.
Colors:
Related works sharing similar palette
© » KADIST
Olivia Erlanger
2016Sideways Time by Olivia Erlanger is the result of the artist’s interest in networks, seen and unseen, financial and ecological, the collapse of which has resulted in the fracturing of a middle class American identity...
© » KADIST
Fernando Palma Rodríguez
2015Aqua by Fernando Palma Rodríguez is an installation formed by four gourds and one movement detector that activates them...
© » ARTS EQUATOR
The Commission: Why do these three meet again? | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Viewpoints Crispian Chan June 28, 2021 By Eugene Tan (1,503 words, 5-minute read) As has become customary for every review of a Singapore International Festival of the Arts (SIFA) 2021 show (or as the festival programme now calls them, “content”), we should applaud the fact that these shows are happening at all...
© » ARTS EQUATOR
It’s Time for French Museums to Return Cambodian Artifacts (via The Diplomat) | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Radar Flickr/ Jean-Pierre Dalbéra December 28, 2018 The debate as to whether international museums and governments should return cultural artifacts acquired during the colonial period is not a new one...
© » ARTSY
Inside Roxane Gay and Debbie Millman’s Stunning Art Collecttion in New York and Los Angeles - Artsy Art Market Inside My Collection: Roxane Gay and Debbie Millman Ayanna Dozier Apr 2, 2022 9:34am Ayanna Dozier Apr 2, 2022 9:34am Roxane Gay is known for her laser-sharp wit in cultural criticism and nonfiction works, but lesser known is her growing practice as an art collector...
© » WALLPAPER*
Tour this House in High Park by Ian MacDonald | Wallpaper (Image credit: Tom Arban) By Ellen Himelfarb published 10 February 2024 With House in High Park, it's clear why Ian MacDonald has become Toronto’s architect of record for a certain homeowner blessed – whether they recognise it or not – with a tricky location...
© » ARTS EQUATOR
Nghệ thuật Xin giấy phép Triển lãm ở Việt Nam | ArtsEquator Skip to content Tại một đất nước như Việt Nam, nơi có những yêu cầu không rõ ràng về việc trưng bày, Linh Lê nhấn mạnh rằng chỉ cần một thứ tưởng chừng đơn giản như xin giấy phép triển lãm có thể trở thành một cách kiểm duyệt biểu đạt nghệ thuật...
© » KADIST
Carolina Caycedo
2014YUMA o la tierra de los amigos (YUMA, or the Land of Friends) by Carolina Caycedo is a large mural containing a series of satellite photographs mounted on acrylic...
© » KADIST
Audra Knutson
2009Audra Knutson’s work, The Death , is a hand-pulled linocut print inspired by Rainer Maria Rilke’s novel The Notebooks of Malte Laurids Brigge ...