Dimensions variable
Following a series of related works, Brutalismo Americano by Marlon de Azambuja is a site-specific sculptural installation produced during the artist’s residency at Kadist, San Francisco in 2017. Treating the city as an object of attention, de Azambuja collected building materials from the surrounding area over a period of ten days to conceive of an architecture in situ. The work is not meant to mimic any of San Francisco’s own architecture, or to be a maquette or portrait of the cityscape, but instead a singular, constructive gesture. Appearing exactly as they are, the large mass of tiles, bricks, and glass are stacked into individual buildings. Carefully raised upward and resting on a few small points, Brutalismo Americano mobilizes a thinking process about the forces that give shape to the places we live and work, and to the values that suspend them.
Based on ideas of architecture, and by means of appropriation of public space and studio-based material operations, Marlon de Azambuja’s work creates new idioms for thinking and inhabiting the built environment. He began his informal training as an artist in Curitiba, Brazil, interacting with space, form, and working in a diverse array of media. Consistently, de Azambuja’s practice examines the cultural and aesthetic impact of urban space and the influence that Brazilian modernist architecture has on the collective consciousness.
Women Art Revolution Alicia Smith, Amapola Prada, Claudia Joskowicz, Clarisse Hahn, Fang Lu, Laura Huertas Millán, Lynn Hershman Leeson, siren eun young jung Women Art Revolution draws a selection of works from the KADIST collection that aim to initiate conversations around women’s issues, feminism, and feminist art...
Shooshie Sulaiman’s pictures of unidentified figures initially appear alien and even monstrous: rendered hairless in unusual and even sickly colors, they stand in stark contrast to the aesthetic ideals of conventional portraiture...
What the Arts in Malaysia Needs: More Transparency, Less Intermediaries | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles July 2, 2018 By Kathy Rowland (2145 words, 8 minute read) 2 July 2018 – The receding brown moon on millions of Malaysians’ fingernails are a biological marker of the eight weeks since the end of the Najib administration...
Having a press card allowed Viktor Kochetov to photograph freely in public places, access to which was strictly regulated for amateurs...
Weekly Southeast Asia Radar: 70 years of filmmaking in Indonesia; Malaysia's digital theatre | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Radar Liver and Lungs Production August 19, 2020 ArtsEquator’s Southeast Asia Radar features articles and posts about arts and culture in Southeast Asia, drawn from local and regional websites and publications – aggregated content from outside sources, so we are exposed to a multitude of voices in the region...
The title of Alicia Smith’s video work, Teomama , means “God Carrier” in the Aztec language of Nahuatl...
Artists reflect on Success – Art and Cake July 4, 2023 July 4, 2023 Author Artists reflect on Success Amanda Maciel Antunes POLAROID Mount Wilson I’VE GOT TO TELL YOU SOMETHING self portrait I define success by the ability to contribute to the visualization of the invisible, to communicate the incommunicable and define the elusive...
Photos: Studio visit with Ana Villagomez advertise donate post your art opening recent articles cities contact about article index podcast main December 2023 "The Best Art In The World" "The Best Art In The World" December 2023 Photos: Studio visit with Ana Villagomez PHOTOS BY MARCARSON December 14, 2023 Studio visit photos with Ana Villagomez forth coming solo show spring 2024 with Nino Mier Gallery, Los Angeles...