Bread and Roses takes its name from a phrase famously used on picket signs and immortalized by the poet James Oppenheim in 1911. “Bread for all, and Roses, too’—a slogan of the women in the West,” is Oppenheim’s opening line, alluding to the workers’ goal for wages and conditions that would allow them to do more than simply survive. Thomas’ painting includes several black, white, brown, yellow, and red raised fists—clenched and high in the air in the internationally recognized symbol of solidarity, resistance, and unity.
Employing the visual language and terminology of mass media, and appropriating symbols and images from popular culture, Hank Willis Thomas’ work seeks to question and subvert established definitions and positions with regards to personal identity and the narrative of race. Working across installation, photography, video, and media work, Thomas maintains his photo conceptualist roots, primarily taking source material from found photographs and archives. These images form the basis from which the artist seeks to uncover the fallacies that history claims as truth. His work illustrates how the way history is represented and consumed reinforces generalizations surrounding identity, gender, race and ethnicity, and that as an artist he has an opportunity to expose or to revise those histories from the points of view of the oppressed.
Although seemingly unadorned at first glance, Yang Xinguang’s sculptural work Phenomena (2009) employs minimalist aesthetics as a means of gesturing towards the various commonalities and conflicts between civilization and the natural world...
Americans for the Arts Remembers Star of Film, TV, and Stage, Angela Lansbury | Americans for the Arts Jump to navigation Americans for the Arts Arts Action Fund National Arts Marketing Project pARTnership Movement Animating Democracy Facebook Twitter LinkedIn Instagram YouTube Load Picture Home News Room Americans for the Arts Remembers Star of Film, TV, and Stage, Angela Lansbury Hello Guest | Login Americans for the Arts Remembers Star of Film, TV, and Stage, Angela Lansbury Friday, October 14, 2022 Americans for the Arts mourns the loss of beloved Artists Committee member Dame Angela Lansbury , who passed away in her Los Angeles home on October 11, 2022, at the age of 96...
Rojas’s two pieces in the Kadist Collection— Untitled (four-legged…) and Untitled (Bird’s Eyes) —are representative of her pictorial style which uses bold colorful blocks of paint and female and animal characters...
Defined as entropy, the second law of thermodynamics proposes that energy is more easily dispersed than it is concentrated...
Glorie #7 by Caspar Heinemann is made from cardboard boxes in which the artist received deliveries at home during lockdown, as well as other materials that he uses in an improvisatory way...
In Amapola Prada’s work Movement, we see three spotlit, female bodies lying inert in a darkened room, alongside three dressed, standing figures holding long, wooden spoons...
Daniel Boyd’s work WTEIA3 is part of a series of paintings that reference the stick charts used by indigenous communities on the Marshall Islands...
À Ố Làng Phố: Less trick, more treat in Vietnamese bamboo circus | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles Nguyen The Duong March 2, 2020 The following review is made possible through a Critical Residency programme supported by By Nabilah Said (730 words, 6-minute read) You go into a circus performance with certain expectations...
Negligee (2013) serves as an example of this tension, with its artful angle and play with shadow and light upon the sensual subject, rendering the image ambiguous...
"Jogging" To Survive: Hanane Hajj Ali at M1 Singapore Fringe Festival 2019 | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles Marwan Tahtah January 21, 2019 By Stephanie Burridge (800 words, four-minute read) Metaphors abound in this complex work about living, loving and surviving...