Bread and Roses

2012 - Painting (Painting)

Hank Willis Thomas

location: New York, New York
year born: 1976
gender: male
nationality: American
home town: Plainfield, New Jersey

Bread and Roses takes its name from a phrase famously used on picket signs and immortalized by the poet James Oppenheim in 1911. “Bread for all, and Roses, too’—a slogan of the women in the West,” is Oppenheim’s opening line, alluding to the workers’ goal for wages and conditions that would allow them to do more than simply survive. Thomas’ painting includes several black, white, brown, yellow, and red raised fists—clenched and high in the air in the internationally recognized symbol of solidarity, resistance, and unity.


Employing the visual language and terminology of mass media, and appropriating symbols and images from popular culture, Hank Willis Thomas’ work seeks to question and subvert established definitions and positions with regards to personal identity and the narrative of race. Working across installation, photography, video, and media work, Thomas maintains his photo conceptualist roots, primarily taking source material from found photographs and archives. These images form the basis from which the artist seeks to uncover the fallacies that history claims as truth. His work illustrates how the way history is represented and consumed reinforces generalizations surrounding identity, gender, race and ethnicity, and that as an artist he has an opportunity to expose or to revise those histories from the points of view of the oppressed.


Colors:



Perro en Tlalpan (Dog in Tlalpan)
© » KADIST

Gabriel Orozco

1992

Gabriel Orozco often documents found situations in the natural or urban landscape...

Stong Sory Vegetables
© » KADIST

Laure Prouvost

2010

In Stong Sory Vegetables , Laure Prouvost explains that she woke up one morning and that some vegetables had fallen from the sky on her bed, making a hole in her ceiling...

Condition Report
© » KADIST

Glenn Ligon

2000

Glenn Ligon’s diptych, Condition Repor t is comprised of two side-by-side prints...

Untitled (Grate I/II: Shan Mei Playground/ Grand Fortune Mansion)
© » KADIST

Adrian Wong

2012

Untitled (Grate I/II: Shan Mei Playground/ Grand Fortune Mansion) is part of a series drawn from architectural objects that mark the boundary of public and private spaces Wong encountered while strolling in Hong Kong...

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South Africa Righteous Space
© » KADIST

Hank Willis Thomas

2014

South Africa Righteous Space by Hank Willis Thomas is concerned with history and identity, with the way race and ‘blackness’ has not only been informed but deliberately shaped and constructed by various forces – first through colonialism and slavery, and more recently through mass media and advertising – and reminds us of the financial and economic stakes that have always been involved in representations of race....

Condition Report
© » KADIST

Glenn Ligon

2000

Glenn Ligon’s diptych, Condition Repor t is comprised of two side-by-side prints...

Canton Novelty
© » KADIST

Fang Lu

2016

Canton Novelty by Fang Lu captures the adventure of a group of three girls, Ruohan, Lily and Zoe on a summer vacation in Guangzhou, China...

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Phenomena
© » KADIST

Yang Xinguang

2009

Although seemingly unadorned at first glance, Yang Xinguang’s sculptural work Phenomena (2009) employs minimalist aesthetics as a means of gesturing towards the various commonalities and conflicts between civilization and the natural world...

Collecting with Purpose – How Nish McCree Is Advancing the Cause of African Art - via APOLLO
© » LARRY'S LIST

The Ghana-based collector is known for discovering talented artists – but there is a more important mission behind her collecting instincts...

“A Land Imagined” and The Ghosts We Forget
© » ARTS EQUATOR

"A Land Imagined" and The Ghosts We Forget | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles Photo courtesy of Akanga Film Asia & Philipp Aldrup Photography Photo courtesy of Akanga Film Asia & Philipp Aldrup Photography February 21, 2019 By Alfonse Chiu (1200 words, six-minute read) The three definitions of the word “ghost” from the Oxford dictionary are as follows: the first, “an apparition of a dead person which is believed to appear or become manifest to the living”; the second, “a slight trace or vestige of something”; and the third, “a faint secondary image caused by a fault in an optical system, duplicate signal transmission, etc.” In all three, presence is a suggestion of memory, amenable to corrections by means of a quick scrub of one’s spectacles...

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20
© » KADIST

Chris Wiley

2012

Architectural details become abstracted renderings in Chris Wiley’s inkjet prints 11 and 20 (both 2012)...

Nothing New
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Oded Hirsch

2012

Oded Hirsch’s video work Nothing New (2012) utilizes seemingly absurdist tropes to raise more trenchant questions about communal action and collective identity in modern day Israel...

Herculine's Profecy
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Juliana Huxtable

2017

Herculine’s Prophecy by Juliana Huxtable features a kneeling demon-figure on what appears to be a screen-print, placed on a wooden table, which has then been photographed and digitally altered to appear like a book cover, with a title and subtitle across the top, and a poem written across the bottom...

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South Africa Righteous Space
© » KADIST

Hank Willis Thomas

2014

South Africa Righteous Space by Hank Willis Thomas is concerned with history and identity, with the way race and ‘blackness’ has not only been informed but deliberately shaped and constructed by various forces – first through colonialism and slavery, and more recently through mass media and advertising – and reminds us of the financial and economic stakes that have always been involved in representations of race....

I Am A Man
© » KADIST

Hank Willis Thomas

2013

The image is borrowed from protests during Civil Rights where African Americans in the south would carry signs with the same message to assert their rights against segregation and racism...

Black Hands, White Cotton
© » KADIST

Hank Willis Thomas

2014

Shot in black and white and printed on a glittery carborundum surface, Black Hands, White Cotton both confronts and abstracts the subject of its title...

Related artist(s) to: Hank Willis Thomas » Abraham Cruzvillegas, » Claire Fontaine, » William E Jones, » Catherine Opie, » Collier Schorr, » Glenn Ligon, » Harun Farocki, » Jens Hoffmann, » Kirsten Pieroth  
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Foreigners Everywhere (Italian)
© » KADIST

Claire Fontaine

2006

Foreigners Everywhere is a series of neon signs in several different languages...

Condition Report
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Glenn Ligon

2000

Glenn Ligon’s diptych, Condition Repor t is comprised of two side-by-side prints...

American Flag (Scratch)
© » KADIST

Collier Schorr

1999

Collier Schorr’s prints upend conventions of portrait photography by challenging what it means to “document” a subject...

Wright Imperial Hotel
© » KADIST

Abraham Cruzvillegas

2004

Wright Imperial Hotel (2004) is a sort of bow and arrow made out of feathers, a São Paulo phone book, and other materials...

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Danish Collector Jens Faurschou Inaugurates New Outpost in Brooklyn - via The Art Newspaper
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The sprawling gallery follows Faurschou’s spaces in Beijing and Copenhagen...

The actors playing The Crown's teen prince heartthrobs
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Luther Ford and Ed McVey interview on playing Prince Harry and William in The Crown advertisement...

Singapore aims to be the No 1 art market in Southeast Asia, and the recent growth in private art spaces and exhibitions could help it realise that ambition
© » SOUTH CHINA MORNING POST

Singapore aims to be the No 1 art market in Southeast Asia, and the recent growth in private art spaces and exhibitions could help it realise that ambition...

Billionaire François Pinault’s $170 M. Paris Museum to Open in June 2020 - via ARTNEWS
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Pinault is one of the most important figures in the French art and fashion worlds....