The artist writes about her work Borrando la Frontera, a performance done at Tijuana/San Diego border: “I visually erased the train rails that serve as a divider between the US and Mexico. I painted them sky blue, creating a “Hole in the Wall” This deconstruction of “feminized” work explores the difficulties in reconciling both low wages and undervalued work via social and political infrastructures, confronting issues of labor and power. The images that I myself perform, present a duality: women dressed in a black tango dance attire while engaging in de-skilled domestic chores; the surreal within non-fiction. The work underscores the intersection of everyday tasks and fantasy. The “little black dress” reflects the notion of prosperity in the US; moreover, the black dress is also transformed into a funerary symbol of luto, the Mexican tradition of wearing black for a year after a death.”
Ana Teresa Fernández explores the double standards imposed on women and their sexuality through performance-based paintings.
Barry McGee’s Untitled is a collection of roughly fifty, framed photographs, paintings, and text pieces clustered together in corner...
The Crime of Art is an animation by Kota Ezawa that appropriates scenes from various popular Hollywood films featuring the theft of artworks: a Monet painting in The Thomas Crown Affair (1999), a Rembrandt in Entrapment (1999), a Cellini in How to Steal a Million (1966), and an emerald encrusted dagger in Topkapi (1964)...
Paint and Unpaint is an animation by Kota Ezawa based on a scene from a popular 1951 film by Hans Namuth featuring Jackson Pollock...
Visalia Livestock Market, Visalia, California results from Lockhart’s prolonged investigation of an agricultural center and community...
Lynn Hershman Leeson’s genre-bending documentary Strange Culture tells the story of how one man’s personal tragedy turns into persecution by a paranoid, conservative, and overzealous government...
Using the seminal 1958 film Vertigo as a launchpad, Lynn Hershman Leeson explores the blurred lines between fact and fantasy in VertiGhost , a film commissioned by the Fine Arts Museums in San Francisco...
Video: Catherine Opie on photographing leading British artists | Blog | Royal Academy of Arts Catherine Opie in the RA Collection Gallery Video: Catherine Opie on photographing leading British artists Read more Become a Friend Video: Catherine Opie on photographing leading British artists Published 8 September 2023 Catherine Opie discusses her portraits of David Hockney, Anish Kapoor, Gillian Wearing, Isaac Julien and Lynette Yiadom-Boakye, featured in our free display in the Collection Gallery...
To explore the boundaries between artwork and audience, Gimhongsok created a series of sculptural performances in which a person wearing an animal costume poses in the gallery...
Lynn Hershman Leeson’s genre-bending documentary Strange Culture tells the story of how one man’s personal tragedy turns into persecution by a paranoid, conservative, and overzealous government...
Using the seminal 1958 film Vertigo as a launchpad, Lynn Hershman Leeson explores the blurred lines between fact and fantasy in VertiGhost , a film commissioned by the Fine Arts Museums in San Francisco...
In this work, a woman sits on a couch with her shirt pulled up to expose her pierced nipples, which are connected by a chain...
In 1940 Rivera came to San Francisco for what would be his last mural project in the city, Pan-American Unity ...
A short video about Tate Modern by Emma Wolukau-Wanambwa depicts just two shots, both featuring the artist...
40 ans du Frac ! — Gunaikeîon — Frac île-de-france, les Réserves — Exposition — Slash Paris Connexion Newsletter Twitter Facebook 40 ans du Frac ! — Gunaikeîon — Frac île-de-france, les Réserves — Exposition — Slash Paris Français English Accueil Événements Artistes Lieux Magazine Vidéos Retour 40 ans du Frac ! — Gunaikeîon Exposition Techniques mixtes Vue de l’exposition 40 ans du Frac ! — Gunaikeîon au Frac île-de-france, les Réserves, Romainville © Frac Île-de-France 40 ans du Frac ! Gunaikeîon Encore 2 mois : 15 octobre 2023 → 24 février 2024 Pour les 40 ans des Frac, il s’agit à la fois de repenser l’histoire de l’institution, écrite notamment par le biais de sa collection, et de tendre vers des futurs communs et désirables...
MUM , the acronym used to title a series of Rogan’s small interventions on found magazines, stands for “Magic Unity Might,” the name of a vintage trade magic publication...
While his works can function as abstract, they are very much rooted in physicality and the possibilities that are inherent in the materials themselves...
In his evocative Landscape Paintings, McMillian uses second-hand bedsheets, sourced from thrift shops, as his starting point...
In the series Horizons (2010), Lipps uses appropriation to riff on Modernism’s fascination with abstract form...
A short video about Tate Modern by Emma Wolukau-Wanambwa depicts just two shots, both featuring the artist...
Xaviera Simmons often employs her own body and collected materials in the service of her photographs and performances...