Blue Elbow (Coude Bleu)
2015 - Sculpture (Sculpture)
99.9 x 41.9 x 27 cm
Jumana Manna
Blue Elbow (Coude bleu) is made from plaster, burlap, lacquer, pigments and plastics. The materials related to the techniques of the sculpture or the painting but also others, which refer to commerce, to objects of consumption. The chair refers directly to the body as does the title of the work, Blue Elbow . The amphora itself becomes organic and opposes the rigidity of the chair. The chair becomes elbow and the evocation of the blue brings back to the body, to a wound, to an injury. She calls the vases of this series “Muscle Vases”. The work is part of the Menace of the Origins project which begun at the Sculpture Center in New York in 2014. The project highlights the potential violence of archaeological excavations and the instrumentalization of remains. Manna often refers to a predominantly masculine and western violence that comes from the experience of the power here represented by penetration. For Manna, sculptures are a privileged space for exploring materiality, the physical relation that the body has with objects, space and materials; she states: “I am interested in the way objects are vehicles or agents like our bodies are ships of subjectivity”.
Jumana Manna is a Berlin-based artist whose work revolves around the body, national identity, and historical narratives. She produces films and installations that employ methodologies sometimes attributed to the historian or the anthropologist. She immerses herself in her projects to define a practice that questions the limits of the body in relation to historical and national narratives. She creates sculptures that are both deconstructions and aggregations of many elements. She uses resin but also bones, wood, or ready-made objects. The objects are reused in ways other than the ones that have been assigned to them, allowing for new stories to be told, and affirming their material dimension.
Colors:
Related works sharing similar palette
© » KADIST
Nikita Kadan
2018East of Ukraine became a place of armed conflict with Russia-backed separatists, who proclaimed parts of (the) Donetsk and Lughansk oblast (administrative region in Ukrainian) to be ‘People’s republics’...
© » KADIST
The Atlas Group
1996It is a little known fact that Lebanese historians were also gamblers during the war...
© » KADIST
Nikita Gale
2020RUINER III by Nikita Gale is part of an on-going numbered series of abstract sculptures in which various ancillary materials necessary for sound production and recording such as towels, foam, and audio cables, are riddled around piping resembling crowd control bollards, lighting trusses, and other like stage architecture...
© » KADIST
Christopher Badger
2011Drowned Wood Standing Coiled (2011) consists of two sculptures, inextricably linked...
© » KADIST
Fabien Giraud & Raphael Siboni
2015-In which predicting its past it lives working and dies fighting- Fifth episode of The Unmanned , “La Mémoire de Masse” unfolds during the second Canuts revolts in Lyon in 1834...
© » KADIST
Tessa Mars
2022In this untitled acrylic painting, Tessa Mars explores the long-lasting effects of colonialism on the Afro-Caribbean diaspora, particularly in terms of female vulnerability and resilience...
© » KADIST
Sheroanawe Hakihiiwe
2019Perawesi / Estómago de animal / Stomach of animal by Sheroanawe Hakihiiwe exemplify his most abstract work, where he choses particular elements of a living organism to create his renditions...
© » KADIST
Fabiola Torres-Alzaga
2013Fabiola Torres-Alzaga plays with magic, illusion, and sleight-of-hand, fabricating installations, drawings, and films that toy with our perceptions...
© » ARTS EQUATOR
Weekly Southeast Asia Radar: Is Filipino gender neutral?; Cultural tours go online | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Radar JL JAVIER via CNN Philippines July 9, 2020 ArtsEquator’s Southeast Asia Radar features articles and posts about arts and culture in Southeast Asia, drawn from local and regional websites and publications – aggregated content from outside sources, so we are exposed to a multitude of voices in the region...
