Blood Sugar
2013 - Film & Video (Film & Video)
Cheryl Donegan
Fashion is the focus of Blood Sugar , which consists of a video projected onto a vintage vinyl jacket set at torso height on a dressmaker’s dummy. As suggested by the work’s title, Cheryl Donegan uses the body as a metaphor, relating the continuous cycle and recycle of images that characterizes consumer fashion culture to the flow of sugar in our blood. Formally, the work borrows strategies from conceptual art, and specifically video art from the 1960s and 1970s—such as the use of repetition, patterns, found materials, and a DIY, low-tech aesthetic—and combines it with contemporary cultural forms, in this case, the world of fashion. In the video, as runway models emerge and recede into darkness, digitally inserted images of fabric patterns appear, hover across the screen and dissipate to the sound of a repetitive beat. As the video progresses, footage of a child wearing aluminum foil as clothes and another scene with a group of women wearing ornate dresses is overlaid with a collage of images of consumer objects and commercial spaces. The result is a an meditation on fashion’s most essential elements: fabric, the body and the mediated image.
Cheryl Doneg an is best known for her performance and video work s that deal primarily with id eas of sex, gender , and the ways in which the female body is represented both in art and more broadly across popular culture. During the 1990s, Donegan ’s practice was influenced by of a range of movements that brought into question aspects of feminism, identity polit ics and politically engaged art—t he underground f eminist hardcore punk movement Riot G irl, and the grunge, slacker, and DIY cultures among them. Donegan often uses her body as an apparatus for mark making , incorporating performative actions that are captured by the camera and that result in or relate to process paintings and drawings . Combining these bodily gestures with found consumer objects and imagery , her works interrogate the conventions of different forms of popular culture such as music videos and advertising, while at the same time considering the politics of self-representation. Most recently, she has continued her explorat ion of the mediated image, mark marking an d its relationship to the body through a series of paintings and sculptures, as well as videos distributed on social media.
Colors:
Related works sharing similar palette
© » KADIST
Laura Hyunjhee Kim for Neon Was Never Brighter: A Glimpse Into the Future For the first outdoor contemporary art festival in Chinatown, San Francisco, Neon Was Never Brighter: A Glimpse Into the Future , in collaboration with Chinatown Media & Arts Collaborative (CMAC) and curator Candace Huey, KADIST San Francisco co-presents a new performance, Cosmocrane (2022) by Laura Hyunjhee Kim...
© » KADIST
Frieda Toranzo Jaeger
2017This triptych is based on a Tesla whose interior the artist customized on the Tesla website...
© » KADIST
Shimabuku
2006For the two-channel work Asking the Repentistas – Peneira & Sonhador – to remix my octopus works Shimabuku asked two Brazilian street singers to compose a ballad about his previous works with octopi (in which he created traditional Japanese ceramic vessels to catch octopi, with a fisherman who took him on his boat to test them out as we can see on one of the channel)...
© » KADIST
Chen Chieh-Jen
2010Empire’s Borders II – Passage and Empire’s Borders II – Workers are from the three-channel film installation Empire’s Borders II – Western Enterprise, Inc...
© » KADIST
Li Xiaofei
Combined into a single two-channel HD video, Li Xiaofei’s Ponytail and Chongming Island II are silent portraits of the women assembly line workers at a Chinese kitchenware factory...
© » SLASH PARIS
Sinae Lee — Exposition personnelle — L'ahah Moret — Exposition — Slash Paris Connexion Newsletter Twitter Facebook Sinae Lee — Exposition personnelle — L'ahah Moret — Exposition — Slash Paris Français English Accueil Événements Artistes Lieux Magazine Vidéos Retour Sinae Lee — Exposition personnelle Exposition Vidéo À venir Sinae Lee, J’ai besoin de la chance, vue de l’installation vidéo à la biennale de la jeune création, Houilles © Marc Domage Sinae Lee Exposition personnelle Dans 8 mois : 2 → 23 mars 2024 L’ahah #Moret est heureuse d’inviter l’artiste Sinae Lee pour une exposition personnelle du 02 mars au 23 mars 2024...
© » SLASH PARIS
Gildas Le Reste — & Guests — Catherine Putman Gallery — Exhibition — Slash Paris Login Newsletter Twitter Facebook Gildas Le Reste — & Guests — Catherine Putman Gallery — Exhibition — Slash Paris English Français Home Events Artists Venues Magazine Videos Back Previous Next Gildas Le Reste — & Guests Exhibition Drawing, print, painting Gildas Le Reste, Notes de voyage #1, 2023 Ink on paper mounted on canvas Gildas Le Reste & Guests Ends in 27 days: January 27 → March 9, 2024 Galerie Catherine Putman has pleasure in making a double invitation to Gildas Le Reste as both artist and exhibition curator...
© » KADIST
Gilad Ratman
2014Originally a multi-channel video installation with sculptures and sound, this iteration of The Workshop by Gilad Ratman is a three-channel distillation of the expansive project that follows a group’s underground pilgrimage from Mt...
© » KADIST
Pratchaya Phinthong
2018Untitled (Ring) consists of two prominent elements contained in water filled glass sphere...
