Blood Sugar
2013 - Film & Video (Film & Video)
Cheryl Donegan
Fashion is the focus of Blood Sugar , which consists of a video projected onto a vintage vinyl jacket set at torso height on a dressmaker’s dummy. As suggested by the work’s title, Cheryl Donegan uses the body as a metaphor, relating the continuous cycle and recycle of images that characterizes consumer fashion culture to the flow of sugar in our blood. Formally, the work borrows strategies from conceptual art, and specifically video art from the 1960s and 1970s—such as the use of repetition, patterns, found materials, and a DIY, low-tech aesthetic—and combines it with contemporary cultural forms, in this case, the world of fashion. In the video, as runway models emerge and recede into darkness, digitally inserted images of fabric patterns appear, hover across the screen and dissipate to the sound of a repetitive beat. As the video progresses, footage of a child wearing aluminum foil as clothes and another scene with a group of women wearing ornate dresses is overlaid with a collage of images of consumer objects and commercial spaces. The result is a an meditation on fashion’s most essential elements: fabric, the body and the mediated image.
Cheryl Doneg an is best known for her performance and video work s that deal primarily with id eas of sex, gender , and the ways in which the female body is represented both in art and more broadly across popular culture. During the 1990s, Donegan ’s practice was influenced by of a range of movements that brought into question aspects of feminism, identity polit ics and politically engaged art—t he underground f eminist hardcore punk movement Riot G irl, and the grunge, slacker, and DIY cultures among them. Donegan often uses her body as an apparatus for mark making , incorporating performative actions that are captured by the camera and that result in or relate to process paintings and drawings . Combining these bodily gestures with found consumer objects and imagery , her works interrogate the conventions of different forms of popular culture such as music videos and advertising, while at the same time considering the politics of self-representation. Most recently, she has continued her explorat ion of the mediated image, mark marking an d its relationship to the body through a series of paintings and sculptures, as well as videos distributed on social media.
Colors:
Related works sharing similar palette
© » KADIST
Laura Hyunjhee Kim for Neon Was Never Brighter: A Glimpse Into the Future For the first outdoor contemporary art festival in Chinatown, San Francisco, Neon Was Never Brighter: A Glimpse Into the Future , in collaboration with Chinatown Media & Arts Collaborative (CMAC) and curator Candace Huey, KADIST San Francisco co-presents a new performance, Cosmocrane (2022) by Laura Hyunjhee Kim...
© » KADIST
Pratchaya Phinthong
2018Untitled (Ring) consists of two prominent elements contained in water filled glass sphere...
© » KADIST
Rometti Costales
2013The three cut-outs are made of three aerial photographs coming from the archives of the Ecuadorian Military Geographic Institute...
© » KADIST
Burak Delier
2013Burak Delier’s sculpture Homage to Balotelli’s Missed Trick is a symbol of resistance to the demand for success and performance...
© » ARTS EQUATOR
Migrant Ecologies Project: A Grain of Wheat Inside a Salt Water Crocodile | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Grain of Wheat July 8, 2019 Wheat Grain World Dreams , the centre section from the artist’s book contains a map that includes some of our research questions around, for example, histories of 19th century cash crops and the crimes of the British India Company; and the extension of China’s Belt and Road journey West...
© » KADIST
Tanatchai Bandasak
2019Central Region by Tanatchai Bandasak is a meditation on materiality and time-based media centres on the mysterious, prehistoric ‘standing stones’ of Hintang in Northern Laos: little-studied megaliths which have survived thousands of years of political change and the cataclysmic carpet-bombing of Laos by the United States during the Cold War...
© » ARTS EQUATOR
Singapore Street Art: The Legal Rebels (Part 1) | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Viewpoints Courtesy of Not Safe For TV June 24, 2020 Artist Sam Lo gained notoriety in 2012 after getting arrested for stencilling the phrase ‘My Grandfather Road’ on a public road...
© » KADIST
Jompet Kuswidananto
2011Third Realm (2011) grew out of the artist’s long-term research of Indonesia’s colonial history and the processes of modernization and urbanization that have taken place there...
© » ART & OBJECT
The Metropolitan Museum to Return Looted Cambodian Artifacts | Art & Object Skip to main content Subscribe to our free e-letter! Webform Your Email Address Role Art Collector/Enthusiast Artist Art World Professional Academic Country USA Afghanistan Albania Algeria American Samoa Andorra Angola Anguilla Antarctica Antigua & Barbuda Argentina Armenia Aruba Ascension Island Australia Austria Azerbaijan Bahamas Bahrain Bangladesh Barbados Belarus Belgium Belize Benin Bermuda Bhutan Bolivia Bosnia & Herzegovina Botswana Bouvet Island Brazil British Indian Ocean Territory British Virgin Islands Brunei Bulgaria Burkina Faso Burundi Cambodia Cameroon Canada Canary Islands Cape Verde Caribbean Netherlands Cayman Islands Central African Republic Ceuta & Melilla Chad Chile China Christmas Island Clipperton Island Cocos (Keeling) Islands Colombia Comoros Congo - Brazzaville Congo - Kinshasa Cook Islands Costa Rica Croatia Cuba Curaçao Cyprus Czechia Côte d’Ivoire Denmark Diego Garcia Djibouti Dominica Dominican Republic Ecuador Egypt El Salvador Equatorial Guinea Eritrea Estonia Eswatini Ethiopia Falkland Islands Faroe Islands Fiji Finland France French Guiana French Polynesia French Southern Territories Gabon Gambia Georgia Germany Ghana Gibraltar Greece Greenland Grenada Guadeloupe Guam Guatemala Guernsey Guinea Guinea-Bissau Guyana Haiti Heard & McDonald Islands Honduras Hong Kong SAR China Hungary Iceland India Indonesia Iran Iraq Ireland Isle of Man Israel Italy Jamaica Japan Jersey Jordan Kazakhstan Kenya Kiribati Kosovo Kuwait Kyrgyzstan Laos Latvia Lebanon Lesotho Liberia Libya Liechtenstein Lithuania Luxembourg Macao SAR China Madagascar Malawi Malaysia Maldives Mali Malta Marshall Islands Martinique Mauritania Mauritius Mayotte Mexico Micronesia Moldova Monaco Mongolia Montenegro Montserrat Morocco Mozambique Myanmar (Burma) Namibia Nauru Nepal Netherlands Netherlands Antilles New Caledonia New Zealand Nicaragua Niger Nigeria Niue Norfolk Island Northern Mariana Islands North Korea North Macedonia Norway Oman Outlying Oceania Pakistan Palau Palestinian Territories Panama Papua New Guinea Paraguay Peru Philippines Pitcairn Islands Poland Portugal Puerto Rico Qatar Romania Russia Rwanda Réunion Samoa San Marino Saudi Arabia Senegal Serbia Seychelles Sierra Leone Singapore Sint Maarten Slovakia Slovenia Solomon Islands Somalia South Africa South Georgia & South Sandwich Islands South Korea South Sudan Spain Sri Lanka St...
