4 sheets of 270 x 135 cm
In a broader sense, the meaning of ‘blackout’ —primarily an electrical failure or momentary interruption, opens up to new organizations, perceptions and different ways of experiencing time and space. Every person caught in a blackout must redefine the potentiality of public space, relate to strangers and invent new temporary forms of organization. A blackout acts as the breaking point of an established order, on a personal level as a loss of consciousness or on a collective level, as the temporary disruption of political institutions for example. This is a special blackout edition! was conceived in collaboration with the artist Rossella Biscotti in relation to the research on the term ‘blackout’, conducted during her residency at Kadist. Her enquiry in Paris started by looking into the city’s electricity and communication network, while she traced historical references of major power failures such as the New York blackout of 1977.
Departing from social and political history, the work of Rossella Biscotti (b. Molfetta, Italy, 1978) transforms and modifies truth through a variety of mediums: sound, film, sculpture and textile. The artist employs a documentary-styled aesthetic to highlight the impossibility to fully account for a truth told to us and heralds a heterogeneous trans-social theory that asserts multiple realities. Her work questions how objectivity is easily given to historical documents and juridical actions and considers the past as an effective vector of possible change. Biscotti’s work reflects the active role art plays in the construction of contemporary knowledge, while questioning the legitimacy of history and of those by whom it was built.
For the exhibition 1440 sunsets per 24 hours at KADIST Paris in 2017, Haig Aivazian presented a sprawling installation, which sought to enact various instances of the deployment of light and darkness within public space and sports, reflecting on the double-edged abilities of lighting systems to expose, highlight or dissimulate subjects...
The flat, wide river holds on its surface a tour-boat of memories, as Som Supaparinya documents her Grandfather’s return via cruise to familiar territories in rural Thailand that were submerged after the Thai government installed a series of dams...
To make Minimal Secret (2012), Jarpa created sculptures based on pages of declassified CIA information about the United States’ involvement in Chile...
Podcast 52: Interview with Joseph Gonzales | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Viewpoints February 27, 2019 Duration: 34 min In the first dance podcast of 2019, host Amin Farid chats with Professor Joseph Gonzales of the Dance faculty at Hong Kong Academy for Performing Arts, on his career journey from being a performer to the founder of ASK Dance Company in Malaysia, as well as his experiences as an educator at ASWARA (National Academy of Arts, Culture and Heritage) Malaysia, curriculum developer, other manifold hats he wears, and his thoughts on dance practices across Southeast Asia...
Weekly Southeast Asia Radar: Hikayat Raja Babi; new media and freedom | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Radar Varuth Hirunyatheb August 6, 2020 ArtsEquator’s Southeast Asia Radar features articles and posts about arts and culture in Southeast Asia, drawn from local and regional websites and publications – aggregated content from outside sources, so we are exposed to a multitude of voices in the region...
Nuevo Dragon City is a reenactment of a historical event from 1927 in which six Chinese were either trapped or voluntarily hid themselves inside a building in northern Mexico...
Peter Doig — Reflets du siècle — Musée d’Orsay — Exhibition — Slash Paris Login Newsletter Twitter Facebook Peter Doig — Reflets du siècle — Musée d’Orsay — Exhibition — Slash Paris English Français Home Events Artists Venues Magazine Videos Back Peter Doig — Reflets du siècle Exhibition Painting Peter Doig,Two Trees, 2017 (Détail) The Metropolitan Museum of Art, New York © Peter Doig...
The West Hollywood Artist Who Immortalised LA’s Golden Boys | AnOther A new exhibition in New York showcases the work of Kenneth Kendall, an artist who sculpted James Dean, Marlon Brando and more in the bohemian atmosphere of late 20th-century Los Angeles February 06, 2024 Text Miss Rosen Back in the 1950s, Hollywood’s fabled Melrose Avenue was still a sleepy street home to cabinetmakers and print shops catering to the local community...
In pictures: Art Basel in Miami Beach's Meridians section features big works tackling big topics Art market Museums & heritage Exhibitions Books Podcasts Columns Technology Adventures with Van Gogh Search Search Art Basel in Miami Beach 2023 feature In pictures: Art Basel in Miami Beach's Meridians section features big works tackling big topics Curator Magalí Arriola picks out some highlights from the fair's large-scale presentation Elena Goukassian 9 December 2023 Share Lee Mullican, Entrance of the Entertainers (1984-85) Liliana Mora Although this year’s Meridians section at Art Basel in Miami Beach lacks an official theme, many of its large-scale works reference some sort of metaphorical largeness—whether global connectivity, the environment or the universal language of music...
A line is not a border — Group show — Xippas Gallery — Exhibition — Slash Paris Login Newsletter Twitter Facebook A line is not a border — Group show — Xippas Gallery — Exhibition — Slash Paris English Français Home Events Artists Venues Magazine Videos Back A line is not a border — Group show Exhibition Installation, painting, photography, sculpture.....