Black Painting No. 52
2008 - Painting (Painting)
130 x 110cm
Nguyen Thai Tuan
In the “Black Paintings” series, although the human body is only suggested, it plays an important role. Some body parts are absent, mostly the faces which are usually an affirmation of the individual. The characters recall ghosts testifying as to the traumas of war. They evoke the absence of oneself, corporal dispossession but also the story of a society still under authoritarian power. In this way, the absence of faces symbolically refers to censorship. The painted characters are overall described in a typology: the only thing we know is if they are men or women; monks, prisoners, or soldiers. The monochrome background accentuates the theatrical aspect of the composition that stages puppets and ghosts. Some of the paintings seem to develop a narration that is left pending, incomplete. Photography is a manifest reference in the series: testimony to what has occurred, inexorably related to death, absence and loss. The black or dark background creates a space where memory can arise, a space where the stories still need to be written; but also a negative space. “Obscurity always reveals mystery and the unknown. Obscurity forces us to search further and look for the truth, but also creates fear and violence” (Nguyen Thai Tuan).
Nguyen Thai Tuan was born in 1965, he studied at the school of Fine Arts of Hue where he studied propaganda art, which he got bored of very quickly. He is one of the most important Vietnamese artists of his generation that remained and worked in his country, while many other artists were trained in the United States. His work questions the history and fragility of humanist values and the affirmation of subjectivity in opposition to political power. He produced several series of paintings, among which is Heritage that shows in the background buildings and monuments related to Vietnamese history. He seeks to portray a critical space between the past and the present.
Colors:
Related works sharing similar palette
© » KADIST
Prajakta Potnis
2020he woke up with seeds in his lungs by Prajakta Potnis is a set of x-ray films presented through backlit light boxes of found objects constructed to evoke the body or organs that turns the host into a foreign element...
© » SLASH PARIS
Martha Wilson — Invisible, Works on Aging (1972-2022) — Frac Sud, Cité de l’art contemporain — Exposition — Slash Paris Connexion Newsletter Twitter Facebook Martha Wilson — Invisible, Works on Aging (1972-2022) — Frac Sud, Cité de l’art contemporain — Exposition — Slash Paris Français English Accueil Événements Artistes Lieux Magazine Vidéos Retour Martha Wilson — Invisible, Works on Aging (1972-2022) Exposition Photographie Martha Wilson, Beastly + Beauty, 1974 et 2009 Photographies noir et blanc, texte, 43,2 × 59,7 cm, édition de 3 © DR Martha Wilson Invisible, Works on Aging (1972-2022) Encore 7 mois : 1 juillet 2023 → 4 février 2024 Le Frac Sud — Cité de l’Art Contemporain est heureux de consacrer, après Martha Wilson in Halifax: 1972-1974 au Centre Pompidou en 2021, sa première exposition monographique d’envergure en France à Martha Wilson, figure pionnière et tutélaire des engagements féministes au travers de l’art rerprésentée par la galerie michèle Didier...
© » KADIST
Birender Kumar Yadav
2015Birender Kumar Yadav comes from Dhanbad, India, a city built on its proximity of iron ore and coal and once forested and inhabited by Indigenous people who compose the Gondwana...
© » KADIST
Zarouhie Abdalian
2010The first iteration of Flutter was specifically conceived for the Pro Arts Gallery space in Oakland in 2010, viewable from the public space of a sidewalk, and the version acquired by the Kadist Collection is an adaptation of it...
© » SLASH PARIS
Valérie Jouve — Le monde est un abri — CPIF — Centre photographique d’Ile-de-France — Exposition — Slash Paris Connexion Newsletter Twitter Facebook Valérie Jouve — Le monde est un abri — CPIF — Centre photographique d’Ile-de-France — Exposition — Slash Paris Français English Accueil Événements Artistes Lieux Magazine Vidéos Retour Valérie Jouve — Le monde est un abri Exposition Photographie, vidéo À venir Sans titre (Les Façades), 2020-2023 / Sans titre (Les Personnages avec Abu Hassan), 2009, courtesy de l’artiste et de la galerie Xippas (Paris, Genève, Punta del Este) Photomontage Courtesy de Valérie Jouve et de la galerie Xippas (Paris, Genève, Punta del Este) Valérie Jouve Le monde est un abri Dans environ 2 mois : 11 février → 14 avril 2024 Après la parution en novembre 2022 de son dernier livre ( Valérie Jouve , Flammarion/ CNAP ) mettant en récit quinze années de travail, Valérie Jouve formule une nouvelle proposition pour le vaste espace du Centre Photographique d’Île-de-France (Pontault-Combault, Seine-et-Marne)...
© » ARTOMITY
Bram Bogart at White Cube Hong Kong – ARTOMITY 藝源 Bram Bogart / Signs / Nov 24, 2023 – Jan 6, 2024 / Opening: Thursday, Nov 23, 6pm – 8pm / White Cube Hong Kong 50 Connaught Road, Central Hong Kong +852 2592 2000 Tuesday – Saturday, 11am – 7pm whitecube.com White Cube Hong Kong is pleased to present the first exhibition in Asia of the late Dutch-born Belgian artist Bram Bogart (1921–2012)...
© » KADIST
Zarouhie Abdalian, Rocky Cajigan, Jesse Chun, Nikita Gale, Shilpa Gupta, Baseera Khan, Tarik Kiswanson, Alexis Smith, and Cecilia Vicuña Be here, or even better, be nowhere brings together artists who employ sculpture, drawing, video, and sound to probe social and historical structures and infrastructures, such as migration, colonialism, carceral systems, and space militarization...
© » KADIST
Arabella Campbell
2011In Gradation (2011), nine raspberries lined up on a lichen-dotted rock progress from left to right, dark to light, plump and juicy to not-yet-ripe...
© » KADIST
Amalia Pica
2013Memorial for intersections #2 (2013) is a minimalist, black metallic structure that contains the brightly colored translucent circles, triangles, rectangles, and squares that originally were presented in Pica’s performance work A ? B ? C (2013)...
© » ROYAL ACADEMY
Video: introducing 'Entangled Pasts, 1768–now: Art, Colonialism and Change' | Blog | Royal Academy of Arts Lubaina Himid RA in her studio Video: introducing ‘Entangled Pasts, 1768–now: Art, Colonialism and Change’ Read more Become a Friend Video: introducing ‘Entangled Pasts, 1768–now: Art, Colonialism and Change’ Published 2 November 2023 Artist Lubaina Himid RA talks to us about our next exhibition in the Main Galleries...
© » KADIST
Sue Williamson
2003In her 2003 series “Better Lives”, Sue Williamson explores stories of immigrants in search of a better life in a historically contentious South Africa...
© » SLASH PARIS
Valérie Jouve — Le monde est un abri — CPIF — Centre photographique d’Ile-de-France — Exhibition — Slash Paris Login Newsletter Twitter Facebook Valérie Jouve — Le monde est un abri — CPIF — Centre photographique d’Ile-de-France — Exhibition — Slash Paris English Français Home Events Artists Venues Magazine Videos Back Valérie Jouve — Le monde est un abri Exhibition Photography, video Upcoming Sans titre (Les Façades), 2020-2023 / Sans titre (Les Personnages avec Abu Hassan), 2009, courtesy de l’artiste et de la galerie Xippas (Paris, Genève, Punta del Este) Photomontage Courtesy de Valérie Jouve et de la galerie Xippas (Paris, Genève, Punta del Este) Valérie Jouve Le monde est un abri In about 2 months: February 11 → April 14, 2024 Après la parution en novembre 2022 de son dernier livre ( Valérie Jouve , Flammarion/ CNAP ) mettant en récit quinze années de travail, Valérie Jouve formule une nouvelle proposition pour le vaste espace du Centre Photographique d’Île-de-France (Pontault-Combault, Seine-et-Marne)...
© » KADIST
James T. Hong
2012Taiwan WMD (Taiwan and Weapons of Mass Destruction) is part of a long-term research started in early 2010 on the history and aftermath effects of Japanese biological and chemical warfare in China during WWII, as well as the unknown history of Taiwan’s nuclear program...
© » KADIST
Pratchaya Phinthong
2018Untitled (Ring) consists of two prominent elements contained in water filled glass sphere...