38:35 minutes
Black Ocean by Liu Yujia portrays a desert landscape in a state of both destruction and construction, revealing the desert’s simultaneous fragility and indestructibility. The structure of the storytelling of this film was inspired by Italian writer Italo Calvino’s novel, Invisible Cities (1972). Several chapters from the book are interwoven in the film incorporating the discussions of cities and landscapes narrated by Marco Polo and Kublai Khan in the novel. Their debate provides a window through which the viewer may enter, wander, get lost, and find an exit, or do several of these at the same time. The artist describes the work as that which “looks at the fragility and resilience of the spectacles built and destroyed by humans.” The great expanses of desert, subject to industrial processes are rendered strange and absurd under the wide angles of Liu Yuji’s lens.
Artist Liu Yujia’s practice revolves mainly around video and photography. Exploring the boundary between the real and the virtual, with objects, time, space and landscapes reconstructed and narrated in fragments, a common situational experience emerges. It is from here that we might imagine and discuss the human condition. Meditative and fixated on symbolic objects which become characters in themselves, much of Liu Yujia’s work takes place in the absence of humans where only their spectral presence can be felt.
Learn How to Draw Realistic Portraits in This Online Class Home / Classes / Academy Discover the Secrets of Drawing Realistic Portraits (Now on Pre-Sale!) By Jessica Stewart on December 5, 2023 Have you ever seen a realistic portrait and wished that you knew how to create something similar? Thanks to My Modern Met Academy's new course, Realistic Portrait Drawing Made Easy , you'll discover all the tips, tricks, and techniques to produce a portrait that looks incredibly real...
Untitled (1992) responds to the same principles of an economy of means as the artist’s actions and installations: three empty cardboard boxes which have contained photographic film are piled one on top of the other...
In his White Discharge series (2002 to today), arguably his best known works, Kaneuji assembles old toys and plastic scarps into dramatic mounded heaps and covers the surface with white plastic resin, drawing on allusions to landfills, commodity fetishism, and creative repurposing...
Press Release: Art21 to Release New Film: “Aliza Nisenbaum: Painting from Life” | Art21 Our Series Art in the Twenty-First Century Extended Play New York Close Up Artist to Artist William Kentridge: Anything Is Possible Specials Art21.live An always-on video channel featuring programming hand selected by Art21 Playlists Curated by Art21 staff, with guest contributions from artists, educators, and more Art21 Library Explore over 700 videos from Art21's television and digital series Latest Video 55:12 Bodies of Knowledge Art in the Twenty-First Century Season 11 July 26, 2023 Search Searching Art21… Welcome to your watchlist Look for the plus icon next to videos throughout the site to add them here...
Damsel Elysium Wonders, "If a Tree's Voice was Something We Could Understand, What Would it Say?" - Something Curated Copy Features Interviews Profiles Guides Jobs Interviews - 26 Jan 2024 - Share London based multi-instrumentalist, composer, experimental sound and visual artist, Damsel Elysium utilises double bass, violin, piano and original field recordings to explore intangible connections between humans and the natural world...
Solid are the Winds: Aeolian Encounters at The 9th Asia Pacific Triennial (Part I) | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles Natasha Harth for QAGOMA untitled (giran) (2018), Jonathan Jones in collaboration with Dr Uncle Stan Grant Snr AM January 10, 2019 By Marcus Yee (1259 words, five-minute read) This is the first of a two-part essay on the 9th Asia Pacific Triennial running at the Queensland Art Gallery, Brisbane, Australia, from 24 November 2018 to 28 April 2019...
“Maqe II” is at first glance a romantic image of three diaphanous angels hovering in the luminous sky over a South African township...
BIPAM 2021: Delight, despair, dialogue and the despot | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Viewpoints September 17, 2021 By Nabilah Said (1,800 words, 6-minute read) I’ve never actually attended the Bangkok International Performing Arts Meeting (BIPAM)...
Yuca_tech: Energy by Hand is an installation by Amor Muñoz that resulted from a local technology lab in a small village in the Yucatán henequen zone, in the Mayan region of Mexico...
Hopf’s works reference the effects that developments in economics and technology have had on our bodily and mental composition...
Yannig Hedel — At First Glance — De Prime Abord — Bigaignon Gallery — Exhibition — Slash Paris Login Newsletter Twitter Facebook Yannig Hedel — At First Glance — De Prime Abord — Bigaignon Gallery — Exhibition — Slash Paris English Français Home Events Artists Venues Magazine Videos Back Previous Next Yannig Hedel — At First Glance — De Prime Abord Exhibition Photography Yannig Hedel Courtesy de l’artiste et galerie Bigaignon, Paris Yannig Hedel At First Glance — De Prime Abord Ends in 27 days: January 25 → March 9, 2024 After “Quarter Past Twelve” in 2018, and “Passé Composé” in 2021, we are particularly pleased to present the exhibition “At First Glance”, the third solo show by Yannig Hedel at the gallery...
Monuments of the Disclosed by Ahmet Ögüt is an NFT series of digital monuments to whistleblowers...