Black Hands, White Cotton

Gabriel Orozco often documents found situations in the natural or urban landscape...

The five works included in the Kadist Collection are representative of Pettibon’s complex drawings which are much more narrative than comics or cartoon...

Glenn Ligon’s diptych, Condition Repor t is comprised of two side-by-side prints...

Dr...

Starting with Bruce Nauman’s iconic artwork, The True Artist Helps the World by Revealing Mystic Truths (Window or Wall Sign) , Mungo Thomson’s neon sign is one of a series that replaces Nauman’s quixotic mini-manifesto with aphorisms from ‘recovery’ culture, especially those made popular by alcoholics anonymous...

603 Football Field presents a soccer game played inside a small student apartment in Shanghai...

South Africa Righteous Space by Hank Willis Thomas is concerned with history and identity, with the way race and ‘blackness’ has not only been informed but deliberately shaped and constructed by various forces – first through colonialism and slavery, and more recently through mass media and advertising – and reminds us of the financial and economic stakes that have always been involved in representations of race....

Glenn Ligon’s diptych, Condition Repor t is comprised of two side-by-side prints...

Dr...

Retired Pillar represents the death and deterioration of legacy of colonial Shanghai...

Unraveling, or “unweaving” sections of fabric, Maria Fernanda Plata arrived at delicate and tenuous-looking forms, both ghostly and gentle...

Co-presented with the CCA Wattis, as part of the City of Disappearances exhibition, Kadist presents two evenings of outdoor screenings of eight different video artworks on building exteriors in San Francisco...

This untitled ink and pencil drawing by James “Yaya” Hough is made on what the artist calls “institutional paper”, or the state-issued forms that monitor the daily activities of prisoners, of which, each detainee is generally required to fill out in triplicate...

Amy Bravo — I’m Going There With You — Galerie Semiose — Exposition — Slash Paris Connexion Newsletter Twitter Facebook Amy Bravo — I’m Going There With You — Galerie Semiose — Exposition — Slash Paris Français English Accueil Événements Artistes Lieux Magazine Vidéos Retour Précédent Suivant Amy Bravo — I’m Going There With You Exposition Installations, peinture, sculpture, techniques mixtes À venir Amy Bravo, Elegy to the Mustache, 2024 Graphite, pastel, acrylique sur toile, miroir, plâtre et objets trouvés — 137 × 91,5 × 2,5 cm Courtesy Semiose, Paris Amy Bravo I’m Going There With You Dans environ un mois : 16 mars → 27 avril 2024 La encrucijada / la croisée des chemins « Un poulet est sacrifié à une croisée de chemins, un simple monticule de terre un autel en terre pour Eshu, dieu Yoruba de l’indétermination, qui bénit le choix de chemin qu’elle a fait...

Architectural details become abstracted renderings in Chris Wiley’s inkjet prints 11 and 20 (both 2012)...

Oded Hirsch’s video work Nothing New (2012) utilizes seemingly absurdist tropes to raise more trenchant questions about communal action and collective identity in modern day Israel...

In Action no...

For his series of digital collages Excerpt (Sealed)… Rhodes appropriated multiple images from mass media and then sprayed an X on top of their glass and frame...

South Africa Righteous Space by Hank Willis Thomas is concerned with history and identity, with the way race and ‘blackness’ has not only been informed but deliberately shaped and constructed by various forces – first through colonialism and slavery, and more recently through mass media and advertising – and reminds us of the financial and economic stakes that have always been involved in representations of race....

Intentionally Left Blanc alludes to the technical process of its own (non)production; a procedure known as retro-reflective screen printing in which the image is only fully brought to life through its exposure to flash lighting...

The image is borrowed from protests during Civil Rights where African Americans in the south would carry signs with the same message to assert their rights against segregation and racism...

Foreigners Everywhere is a series of neon signs in several different languages...

Glenn Ligon’s diptych, Condition Repor t is comprised of two side-by-side prints...

Catherine Opie’s candid photograph Cathy (bed Self-portrait) (1987) shows the artist atop a bed wearing a negligee and a dildo; the latter is attached to a whip that she holds in her teeth...

Wright Imperial Hotel (2004) is a sort of bow and arrow made out of feathers, a São Paulo phone book, and other materials...

Although typically sold today as a novelty item for flower arrangements and interior decorating flourishes, cotton can also be seen as a proxy, through synecdoche, for US slavery...

In conjunction with his first NFT sale of White Male Dread Scott made and circulated a poster titled Whites For Sale ...

Jota Mombaça: THE SINKING SHIP/PROSPERITY see: in the absence of place the planet’s foreigner exits any sense of geography locality is lost, not here nor there...

Clothing, power and portraiture | Article | Royal Academy of Arts Caption toggle button Clothing, power and portraiture By Richard Drayton Published on 29 January 2024 Historian Richard Drayton decodes the potent messages behind the clothing worn in late 18th-century portraits...