Biennale, Dog
2003 - Drawing & Print (Drawing & Print)
Xu Tan
Biennale, Dog is an appropriation of the posters made to promote biennial art exhibitions. Displayed alongside the official marketing materials of biennials (Shanghai, Berlin, Venice, etc.) Xu’s works provide a satiric and provocative alternative to the official system and make publicly visible images of many realities. Biennials help various localities produce their own art scenes and provide playgrounds for the international art world to expand its activities and influences. This is a highly contradictory process that renders local productions globally visible, but yet risks reducing their complexity, difference, and independence. In a way, these temporary art exhibitions are the perfect example of the negative and positive impact of globalization that affects both social reality and personal destiny. Xu’s Biennials enact and publicize different “possible scenarios” that these contradictory factors might effect on the social imaginary.
Xu Tan began his career as a member of the well-known Guangzhou-based artist collective Big Tail Elephant. His installation and video works explore issues crucial to the post-Cold War, post-colonial, and increasingly globalized world like urbanization, the geopolitical relationships between the developed and developing worlds in terms of political, economic, and cultural production and their impacts on personal lives and their expressions. Xu’s works are often site-specific, dealing intimately with everyday experiences to critically demonstrate the tension between globally circulating images, modes of communication, and the impact they have locally. Powerfully and intelligently, Xu’s work calls for contemporary art to engage with social reality in our time.
Colors:
Related works featuring themes of: » Australia and New Zealand, » Cinematic, » Collective History, » Cross-Cultural Dialogue, » Dutch
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Daniel Crooks
2014The Illusion of Everything (2014) follows an unseen pedestrian as he navigates the Australian city of Melbourne’s dense and intricate network of laneways...
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Bani Abidi
2008The threshold in contemporary Pakistan between the security of private life and the increasingly violent and unpredictable public sphere is represented in Abidi’s 2009 series Karachi ...
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Ari Marcopoulos
2008In Jackass (2008) by Ari Marcopoulos, his two sons, Cairo and Ethan, are pictured relaxing in a disheveled bedroom in their Sonoma home...
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Chen Chieh-Jen
2010Empire’s Borders II – Passage and Empire’s Borders II – Workers are from the three-channel film installation Empire’s Borders II – Western Enterprise, Inc...
Other related works, blended automatically
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© » KADIST
Daniel Crooks
2014The Illusion of Everything (2014) follows an unseen pedestrian as he navigates the Australian city of Melbourne’s dense and intricate network of laneways...
© » KADIST
Bani Abidi
2008The threshold in contemporary Pakistan between the security of private life and the increasingly violent and unpredictable public sphere is represented in Abidi’s 2009 series Karachi ...
Related works sharing similar palette
» see more
© » KADIST
Minia Biabiany
2019Qui vivra verra, Qui mourra saura is an installation by Minia Biabiany composed of the plan of a house made out of strips of salt, and a “garden” made of ceramic pieces, hanging from the ceiling and on the floor, and non woven fabric...
Other works by: » Xu Tan
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Related artist(s) to: Xu Tan » Liu Ding, » Zheng Guogu, » Cao Fei, » Danh Vo, » Hu Fang, » Anton Vidokle, » Nairy Baghramian, » Rosemarie Trockel, » Simon Fujiwara, » Adrián Villar Rojas
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Anton Vidokle
2020Shot in Oliveto Lucano, a village in the south of Italy, AUTOTROFIA (meaning self-eating) by artist Anton Vidokle is a cinéma vérité style film that slides fictive characters into real situations, and vice-versa, to draw a prolonged meditation on the cycle of life, seasonal renewal, and ecological awareness...
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Adrian Villar Rojas
2010The two drawings in the Kadist Collection are part of a larger series entitled Las Mariposas Eternas (The Eternal Butterflies)...
