50,3 x 65,5 cm
BF15 is a preparatory study for the collective’s intervention at the BF15 gallery in Mexico, near Monterrey. It includes a photograph, a collage, sketches and notes. The intervention consists in the seamless extension of the wall of the BF15 gallery beyond the property boundaries, invading the sidewalk and the street, entering public space. The artists highlight the permeability between public, professional and private space. Through these actions, they question the definition of those notions, and become involved in negotiations, making connections and exchanges. Interrogating the role of each space and its function is central to their work.
Colectivo Tercerunquinto develops work related to the urban, the boundaries between public and private space. By introducing simple signs or gestures – the construction of a concrete slab, displacement of a portion of bitumen on the side of the road, encroachement of grass on a parking, the three artists interrogate public space as the place of possibilities. Their interventions give users an active status with the power to decide on their own environment. For the Hong Kong architecture biennale, the collective intervened in the exhibition spaces. The intervention consisted in constructing a wall which integrated the word ‘Anarchitecture’ (anarchy + architecture) by omitting certain bricks. Therefore it was as if the word had perforated the wall. Through the wall, the spectator could see the city and its transformations. Thus the spectator was invited to develop his critical outlook on the environment. Formed in 1998, the collective is composed of Julio Castro (b. 1976), Gabriel Cazares (b. 1978), and Rolando Flores (b. 1975).
No Lye by Danielle Dean documents a group of five women, including Dean herself, confined to a small, cramped bathroom, communicating only by using slogans culled from beauty advertisements (“beauty is skin deep”, “naturalise, it’s in our nature to be strong and balanced”) and quotes from political speeches (“we must protect our borders”, “we are fighting for our way of life and our ability to fight for freedom”)...
Screening at 7pm at The Roxie In connection to his exhibition, Evidence of Things Not Seen at KADIST , photo-conceptual artist, Hank Willis Thomas selected these films as a homage to innovative and influential creators in the medium of film whose work supports social justice as well as explores contemporary notions of identity, race, history and a national legacy of resistance...
9’oclock (my time is not your time) pertains to a series consisting of three numbers: 5, 10 and 11 works were made for the exhibition “Signs and messages from modern life” at the Kate McGarry Gallery in 2007...
Scaffold by Lotus Laurie Kang features a seemingly disjointed amalgamation of materials between flat fabrics and lumps of aluminum...
Miami Art Week Fairs (Other Than Art Basel) You Should Know advertise donate post your art opening recent articles cities contact about article index podcast main December 2023 "The Best Art In The World" "The Best Art In The World" December 2023 Miami Art Week Fairs (Other Than Art Basel) You Should Know Ki Smith and Sono Kuwayama...
The Battle of Karbala was a military engagement that took place on 10 Muharram, 61 AH (October 10 th , 680) in Karbala, situated in present day Iraq, when Hussein, the grandson of the prophet Muhammad, was killed...
For many years, Nina Könnemann has placed a camera before a billboard situated in the suburb Neukoln in Berlin...
Designed by the artist and fabricated in collaboration with Kashmiri artisans in India, Baseera Khan’s Psychedelic Prayer Rugs combine visual iconography traditional to Islam, such as the crescent moon and lunar calendar, with brightly coloured symbols of personal significance to the artist: a pair of embroidered sneakers, a fragment of an Urdu poem, and the Purple Heart medal...
Taking archaeology as her departure point to examine the trajectories of replicated and displaced objects, “Who will measure the space, who will tell me the time?” was produced in Oaxaca for her exhibition of the same title at the Contemporary Museum of Oaxaca (MACO) in 2015...
In the hologram “Mano con hojas” (”Hand with Leaves”, 2013), nature is portrayed simultaneously as an interconnected system of processes and the essence of the universe...