50,3 x 65,5 cm
BF15 is a preparatory study for the collective’s intervention at the BF15 gallery in Mexico, near Monterrey. It includes a photograph, a collage, sketches and notes. The intervention consists in the seamless extension of the wall of the BF15 gallery beyond the property boundaries, invading the sidewalk and the street, entering public space. The artists highlight the permeability between public, professional and private space. Through these actions, they question the definition of those notions, and become involved in negotiations, making connections and exchanges. Interrogating the role of each space and its function is central to their work.
Colectivo Tercerunquinto develops work related to the urban, the boundaries between public and private space. By introducing simple signs or gestures – the construction of a concrete slab, displacement of a portion of bitumen on the side of the road, encroachement of grass on a parking, the three artists interrogate public space as the place of possibilities. Their interventions give users an active status with the power to decide on their own environment. For the Hong Kong architecture biennale, the collective intervened in the exhibition spaces. The intervention consisted in constructing a wall which integrated the word ‘Anarchitecture’ (anarchy + architecture) by omitting certain bricks. Therefore it was as if the word had perforated the wall. Through the wall, the spectator could see the city and its transformations. Thus the spectator was invited to develop his critical outlook on the environment. Formed in 1998, the collective is composed of Julio Castro (b. 1976), Gabriel Cazares (b. 1978), and Rolando Flores (b. 1975).
No Lye by Danielle Dean documents a group of five women, including Dean herself, confined to a small, cramped bathroom, communicating only by using slogans culled from beauty advertisements (“beauty is skin deep”, “naturalise, it’s in our nature to be strong and balanced”) and quotes from political speeches (“we must protect our borders”, “we are fighting for our way of life and our ability to fight for freedom”)...
Elizabeth Gilfilen: De-defining the gesture – Two Coats of Paint Elizabeth Gilfilen, Territory 1, 2023, oil on canvas, 48 x 40 inches Contributed by Vittorio Colaizzi / “I vehemently reject the claim that mark making by itself harbors any potential.” This was Isabelle Graw in conversation in 2010 with Achim Hochdörfer ...
Indigenous educator and curator Sandra Benites, of the Guarani-Ñandeva people, narrates the origin myth of the bird Urutau in her native language...
The Utopia Project at Smithsonian Anacostia Community Museum - Steve Lambert The Utopia Project at Smithsonian Anacostia Community Museum - Steve Lambert Steve Lambert wrote a book!!! Art Works News Writing About Steve Contact Resume Now Newsletter Book Creative Commons BY-NC-SA November 2022 Exhibitions Center for Artistic Activism The Utopia Project Location: Anacostia Community Museum, Washington D...
Tughra is a protocol by Sharif Waked that reproduces the sixteenth century calligraphic monogram for tughra ; also known as the signature of Suleiman the Magnificent...
The application of bright colors and kitsch materials in Flower Tree manifests a playful comment on the influence of popular culture and urban lifestyle...
9’oclock (my time is not your time) pertains to a series consisting of three numbers: 5, 10 and 11 works were made for the exhibition “Signs and messages from modern life” at the Kate McGarry Gallery in 2007...