This still life falls apart, or rather floats apart as the composition is proved unstable and constantly morphing. An impossible attempt at achieving a fixed state, some objects remain buoyant and some objects sink, constantly tilting the overall scale and arrangement. Properties of weight, mass and shape have their own will but a hand appears in the scene, pushing back on these mysterious forces.
Alejandro Almanza Pereda has a heightened understanding of the essence of objects. His personal collections inform his practice as he explores laws of physics; gravity, motion, momentum along exposing the objects’ inherent sentimental value. Pereda’s practice spans sculpture, installation, photography and video. Every found object tells a story, and every made composition extracts the meaning of each story.
Why these ephemeral clay artworks by ceramicist Ruth Ju-shih Li will crumble in front of your eyes | South China Morning Post Advertisement Advertisement Art + FOLLOW Get more with my NEWS A personalised news feed of stories that matter to you Learn more Taiwanese-Australian ceramicist Ruth Ju-shih Li installs an ephemeral clay artwork at the New Taipei City Yingge Ceramics Museum, in Taiwan, in 2019...
Migrant Ecologies Project: A Grain of Wheat Inside a Salt Water Crocodile | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Grain of Wheat July 8, 2019 After what seemed like a long walk in silence and darkness into the mountain we came to an almost mythological-looking door with the words ‘Fröhall’ – seed room – written upon it...
In the “Black Paintings” series, although the human body is only suggested, it plays an important role...
White Corner (2006) is a video installation, projected on two protruding perpendicular walls...
The two works in the Kadist collection, Observador Pasivo and 3600 besos por hora by Diaz are culled from a vast compilation of videos and performances for the camera...