148 x 115 cm
In her 2003 series “Better Lives”, Sue Williamson explores stories of immigrants in search of a better life in a historically contentious South Africa. In an attempt to address and confront xenophobia in South African history, Better Lives series subverts racism and prejudice by emphasizing the immigrant as human, and thus gives the subjects a voice. “Better Lives: Richard Belalufu” tells a tale of surviving in a hostile South Africa through the undercurrent reflections on violence, abuse and the difficulty of finding home as an immigrant. Referring to South African studio-photography, the Better Lives series is a demanding confrontation of the subjects whose gaze answers directly to the viewer. Richard Belalufu is an immigrant from the Democratic Republic of Congo. He arrived in Cape Town in 1994, leaving his family behind when he heard the Mobutu regime was hunting him down, as he was playing the role of a double agent. He has a diploma in electro-mechanical engineering, and he had an important job for a big company in DRC but now works on a construction site in Cape Town. Family were finally able to join him some years later. He finds life very hard. Xenophobia is a big problem.
Sue Williamson (b. 1941, Lichfield, United Kingdom) currently based in Cape Town, occupies an influential and highly respected position in the South African art world, not only for her artistic practice but also for her long history as a writer and cultural worker. Trained as a printmaker, Williamson now includes installation, photography and video in her oeuvre. As part of the generation of South African artists who practiced in the 1970s and who addressed social change in the then apartheid South Africa, Williamson’s practice has continued to remain interested in political struggle and emancipation. In her work, she brings the marginalized into the mainstream consciousness of society, making visible the unseen, sheaving away layers of illusion to re-present reality in a fresh light. Her recent video work is concerned with South African immigrants and with the concept of return.
Jean Miotte — Almine Rech Gallery — Exhibition — Slash Paris Login Newsletter Twitter Facebook Jean Miotte — Almine Rech Gallery — Exhibition — Slash Paris English Français Home Events Artists Venues Magazine Videos Back Jean Miotte Exhibition Painting Jean Miotte, Sans titre, 2000 (Détail) Acrylic on canvas — 39 × 32 × 1 in Courtesy of the artist & Galerie Almine Rech, Paris Jean Miotte Ends in 11 days: November 18 → December 22, 2023 Jean Miotte is one of the prominent figures of lyrical abstraction within the New School of Paris...
Heat Waves by Kent Chan examines the contexts, politics, and proliferation of the different aesthetics of heat by drawing from the aesthetics of regions defined by hot and humid climates and associated with histories of coloniality such as ‘the global south’ and the ‘developing world’...
In Beyond Guilt the two artists create a portrait of our generation in three parts...
Meet me in the darkroom: Paul Mpagi Sepuya’s 25 years of Queer reflexivity - 1854 Photography Subscribe latest Agenda Bookshelf Projects Industry Insights magazine Explore ANY ANSWERS FINE ART IN THE STUDIO PARENTHOOD ART & ACTIVISM FOR THE RECORD LANDSCAPE PICTURE THIS CREATIVE BRIEF GENDER & SEXUALITY MIXED MEDIA POWER & EMPOWERMENT DOCUMENTARY HOME & BELONGING ON LOCATION PORTRAITURE DECADE OF CHANGE HUMANITY & TECHNOLOGY OPINION THEN & NOW Explore Stories latest agenda bookshelf projects theme in focus industry insights magazine ANY ANSWERS FINE ART IN THE STUDIO PARENTHOOD ART & ACTIVISM FOR THE RECORD LANDSCAPE PICTURE THIS CREATIVE BRIEF GENDER & SEXUALITY MIXED MEDIA POWER & EMPOWERMENT DOCUMENTARY HOME & BELONGING ON LOCATION PORTRAITURE DECADE OF CHANGE HUMANITY & TECHNOLOGY OPINION THEN & NOW Dark Room Model Study (0X5A1728) , 2021...
Darling, this is Switzerland | Contemporary And search for something search C& AMÉRICA LATINA EN FR MEMBERSHIP EN FR Editorial All Editorial Features Installation Views Inside the Library Interviews News Opinions Events All Events Art Fairs Conferences Exhibitions Festivals Performances Screenings Talks / Workshops C& Projects C& Artists’ Editions C& Commissions C& Center of Unfinished Business Show me your shelves! C& Education Mentoring Program Critical Writing Workshops Lectures / Seminars Membership Opportunities Print C& Audio Archive On Tour Places Explore IN CONVERSATION INSTALLATION VIEW WE GOT ISSUES DETOX LABORATORY OF SOLIDARITY CONSCIOUS CODES CURRICULUM OF CONNECTIONS LOVE ACTUALLY OVER THE RADAR BLACK CULTURES MATTER INSIDE THE LIBRARY LOOKING BACK Follow About Contact Newsletter Advertise Imprint Data protection Membership Contemporary And (C&) is funded by: Editorial All Editorial Features Installation Views Inside the Library Interviews News Opinions Events All Events Art Fairs Conferences Exhibitions Festivals Performances Screenings Talks / Workshops C& Projects C& Artists’ Editions C& Commissions C& Center of Unfinished Business Show me your shelves! C& Education Mentoring Program Critical Writing Workshops Lectures / Seminars Membership Opportunities Print C& Audio Archive On Tour Places Explore IN CONVERSATION INSTALLATION VIEW WE GOT ISSUES DETOX LABORATORY OF SOLIDARITY CONSCIOUS CODES CURRICULUM OF CONNECTIONS LOVE ACTUALLY OVER THE RADAR BLACK CULTURES MATTER INSIDE THE LIBRARY LOOKING BACK GO TO C& AMÉRICA LATINA About Contact Newsletter Advertise Imprint Data protection Membership Greetings from Rosie Olang’ Odhiambo Darling, this is Switzerland On a curatorial research trip through Switzerland, curator Rosie Olang’ Odhiambo shares her impressions in five postcards with a loved one in Nairobi...
Like many of his other sculptural works, the source of I am the Greatest is actually a historical photograph of an identical button pin from the 1960s...
Percent for Art is seemingly concerned with “art enrichment” by state or city arts agencies role in it, managing the artist rosters, maintaining public art collections, commissioning artworks, selecting installation sites, among other things for aesthetic and cultural enhancement in both public and private real estate developments...
If you’re looking for a new way to electrify your social media channels, explore dizzying generative animation tools to enhance your art practice, or have a tight deadline for a campaign that needs a mind-melting visual effect, there’s a new graphics tool to add to your arsenal – and you don’t even need to learn to code...
Interview: Chelsea Wolfe Talks Witchcraft and Her New Album | KQED Skip to Nav Skip to Main Skip to Footer upper waypoint The Do List Chelsea Wolfe Says Witchcraft and Sobriety Informed Her Latest Album Krysta Fauria, Associated Press Feb 8 Save Article Save Article Failed to save article Please try again Email Chelsea Wolfe performing in June 2022...
Collier Schorr’s prints upend conventions of portrait photography by challenging what it means to “document” a subject...
In Rogers’ Columbine works, the artist explores the 1999 high school shooting that took place in Littleton, Colorado, claiming 34 victims...
Global? 1 & 2 documents an annual event during which people of a particular religious group gather around Jejuri in Maharashtra, India...
Alternate Realities Thinking and Talking about Arts and Culture in Southeast Asia Articles Looi Wan Ping, Tiger Tiger Pictures January 16, 2020 By Poh Yong Han (1,279 words, 7-minute read) I Dream of Singapore follows an injured Bangladeshi migrant worker, Feroz, who is temporarily residing at a Transient Workers Count Too (TWC2) shelter, Dayspace, as he waits for his case to be sorted out so he can make his compensation claims...