Beau Soleil #7 ’s title (translated as Beautiful Sun) gives a good sense of its effect. By virtue of a grid of dots, slightly different in size and placement, a subtle shimmering is created. In readily showing its effect as an image of light, the work exists between abstraction and representation—and perhaps points to the folly of such a distinction—rows and columns of spots become the dawn breaking through thick morning air.
Stephen Beal is a painter and the current president of California College of the Arts. His paintings are all-over patterns, resembling textiles or enlarged reproductions of printing technologies. In this sense, they seem to offer a bridge between Roy Lichtenstein’s hand-painted Ben-Day dots and modernist paintings’ dissolution of the distinction between figure and ground. However, Beal’s handling of paint gives his works a much more painterly quality than the crisp op and pop art his work initially resembles.
Hernan Bas’s recent works, particularly his series “The Conceptualists,” showcase his continued exploration into the realms of queerness, desire, the occult, and the absurd...
A Splinter (Study for Painting) is a large graphite work on paper by Hernan Bas that was intended as a study for a later painting...
This untitled work from 2012 is a print originally made as part of the Wattis Institute for Contemporary Art’s artist limited edition series...