Inspired by the 1934 novella Duo by the French writer Colette, Sriwhana Spong’s film Beach Study explores ideas of disappearance and the ephemeral, both physically and psychologically. In the film, a female body conducts abstract dance movements on a beach, responding to the environment that surrounds her. This particular beach was one the artist loved as a child, but today it is hardly accessible because it is in the hands of a private landowner. Shot on 16-millimeter film through colored filters, the film has intense flashes of magenta, violet, and amber, and other flickering “light leak” effects. The female body appears and disappears intermittently, creating a surreal and mysterious presence. The overall effect suggests a precarious relationship between memory and experience, transience and monumentality.
Indonesian-New Zealand artist Sriwhana Spong’s practice invests in notions of transition, memory, translation, and the relationship between public and private space, the intuitive and the cerebral, and the body and its surroundings. With a dance background, Spong has a strong interest in choreography and meaningful dialogues and communications that different art forms can generate with each other. Her performances and videos recalls forgotten pieces and reimagines indecipherable sources by dancers she admires such as George Balanchine’s lost ballet The Song of the Nightingale and Vaslav Nijinksy’s “To Mankind” diary entry. By manipulating the sequence of gestures with the traditions and techniques of filmmaking, Spong investigates how the dance movements can register particular events in our collective memories. For Spong, the medium of film is an anthropological tool of inquiry to the search of history, its narrative, construction, transmission and alternation in time and space. Recently, Spong’s practice has shifted to language and focus on the female body, especially toward a group of women mystic writers and creators. Spong questions the ideologies motivating social norms, women’s roles and how inventing a new language is linked to freedom of speech.
Collier Schorr’s prints upend conventions of portrait photography by challenging what it means to “document” a subject...
Video: Catherine Opie on photographing leading British artists | Blog | Royal Academy of Arts Catherine Opie in the RA Collection Gallery Video: Catherine Opie on photographing leading British artists Read more Become a Friend Video: Catherine Opie on photographing leading British artists Published 8 September 2023 Catherine Opie discusses her portraits of David Hockney, Anish Kapoor, Gillian Wearing, Isaac Julien and Lynette Yiadom-Boakye, featured in our free display in the Collection Gallery...
Interview: Chelsea Wolfe Talks Witchcraft and Her New Album | KQED Skip to Nav Skip to Main Skip to Footer upper waypoint The Do List Chelsea Wolfe Says Witchcraft and Sobriety Informed Her Latest Album Krysta Fauria, Associated Press Feb 8 Save Article Save Article Failed to save article Please try again Email Chelsea Wolfe performing in June 2022...
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Jean Miotte — Galerie Almine Rech — Exposition — Slash Paris Connexion Newsletter Twitter Facebook Jean Miotte — Galerie Almine Rech — Exposition — Slash Paris Français English Accueil Événements Artistes Lieux Magazine Vidéos Retour Jean Miotte Exposition Peinture Jean Miotte, Sans titre, 2000 (Détail) Acrylique sur toile — 99,1 × 81,3 × 2,5 cm Courtesy of the artist & Galerie Almine Rech, Paris Jean Miotte Encore 11 jours : 18 novembre → 22 décembre 2023 Jean Miotte (1926-2016), qui a exposé à Paris avec Joan Mitchell, Jean-Paul Riopelle et Sam Francis, est une des figures éminentes de l’abstraction lyrique...
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A public platform awaits you with 'Red Stage' by Rashid Johnson - Creative Time A public platform awaits you with ‘Red Stage’ by Rashid Johnson May 12th, 2021 Tweet Email Creative Time is pleased to present artist Rashid Johnson’s Red Stage , a participatory steel sculpture that celebrates the vibrancy and creativity found in New York’s public spaces as the city awakens from the COVID-19 pandemic...
Global? 1 & 2 documents an annual event during which people of a particular religious group gather around Jejuri in Maharashtra, India...