Bayramiç Stone Mill

2020 - Textile (Textile)

152 x 214 cm

Asli Çavusoglu


In the exhibition Pink as a Cabbage / Green as an Onion / Blue as an Orange , Asli Çavusoglu pursues her work on color to delve into an investigation into alternative agricultural systems and natural dyes made with fruits, vegetables, and plants cultivated by the farming initiatives she has been in touch with. Yet, rather than formulating the history of a particular color, the artist thinks through color, bringing together the various stories and models numerous farming initiatives in Turkey. The fabrics – each corresponding to a unique initiative – evoke the question: How have the social uprisings in Turkey during the last decade shaped the way we reimagine sites of everyday resistance? Can planting seeds constitute a political act? Following the Gezi uprisings in 2013, the artist noted the formation of numerous urban guerilla gardens reclaiming neglected land and the establishment of ecological farming initiatives in rural Turkey advocating for sustainable and community-supported agriculture. Interested in the different models of resistance these initiatives proposed, her work takes the form of an installation of numerous fabrics whose different sizes, textures, patterns and rhythmic surfaces introduce a mapping exercise about their stories. Bayramic Stone Mill , 2020 The artist used the same technique of embroidery on the textile entitled Bayramic, however this time she applied the shape of a grain, characterizing the initiative’s seed bank mission, preserving over fifty types of grains at risk of extinction, using traditional methods of preservation and production to this day.


Asli Çavusoglu’s projects examine how cultural and historical facts are transformed, represented, and interpreted by individuals. Working across various media, Cavusoglu often assumes the role of interpreter, writer, or facilitator in her projects in order to highlight the precarious and subjective nature of our shared stories, questioning those who frame these experiences for the wider public.


Colors:



Related works sharing similar palette

What We Lose When Curating Follows the Money
© » HYPERALLERGIC

What We Lose When Curating Follows the Money Skip to content Gerhard Richter, "Tante Marianne" (1965), oil on canvas (all photos Olivia McEwan/ Hyperallergic ) LONDON — Something feels off from the introductory lines of the exhibition booklet for Tate Modern’s Capturing the Moment ...

Restaurant Tramo in Madrid embraces a more responsible future, bite by bite
© » WALLPAPER*

Restaurant Tramo embraces a responsible future, bite by bite | Wallpaper (Image credit: Photography by Juan Baraja...

The Top Art Exhibitions of 2023
© » ART & OBJECT

The Top Art Exhibitions of 2023 | Art & Object Skip to main content Subscribe to our free e-letter! Webform Your Email Address Role Art Collector/Enthusiast Artist Art World Professional Academic Country USA Afghanistan Albania Algeria American Samoa Andorra Angola Anguilla Antarctica Antigua & Barbuda Argentina Armenia Aruba Ascension Island Australia Austria Azerbaijan Bahamas Bahrain Bangladesh Barbados Belarus Belgium Belize Benin Bermuda Bhutan Bolivia Bosnia & Herzegovina Botswana Bouvet Island Brazil British Indian Ocean Territory British Virgin Islands Brunei Bulgaria Burkina Faso Burundi Cambodia Cameroon Canada Canary Islands Cape Verde Caribbean Netherlands Cayman Islands Central African Republic Ceuta & Melilla Chad Chile China Christmas Island Clipperton Island Cocos (Keeling) Islands Colombia Comoros Congo - Brazzaville Congo - Kinshasa Cook Islands Costa Rica Croatia Cuba Curaçao Cyprus Czechia Côte d’Ivoire Denmark Diego Garcia Djibouti Dominica Dominican Republic Ecuador Egypt El Salvador Equatorial Guinea Eritrea Estonia Eswatini Ethiopia Falkland Islands Faroe Islands Fiji Finland France French Guiana French Polynesia French Southern Territories Gabon Gambia Georgia Germany Ghana Gibraltar Greece Greenland Grenada Guadeloupe Guam Guatemala Guernsey Guinea Guinea-Bissau Guyana Haiti Heard & McDonald Islands Honduras Hong Kong SAR China Hungary Iceland India Indonesia Iran Iraq Ireland Isle of Man Israel Italy Jamaica Japan Jersey Jordan Kazakhstan Kenya Kiribati Kosovo Kuwait Kyrgyzstan Laos Latvia Lebanon Lesotho Liberia Libya Liechtenstein Lithuania Luxembourg Macao SAR China Madagascar Malawi Malaysia Maldives Mali Malta Marshall Islands Martinique Mauritania Mauritius Mayotte Mexico Micronesia Moldova Monaco Mongolia Montenegro Montserrat Morocco Mozambique Myanmar (Burma) Namibia Nauru Nepal Netherlands Netherlands Antilles New Caledonia New Zealand Nicaragua Niger Nigeria Niue Norfolk Island Northern Mariana Islands North Korea North Macedonia Norway Oman Outlying Oceania Pakistan Palau Palestinian Territories Panama Papua New Guinea Paraguay Peru Philippines Pitcairn Islands Poland Portugal Puerto Rico Qatar Romania Russia Rwanda Réunion Samoa San Marino Saudi Arabia Senegal Serbia Seychelles Sierra Leone Singapore Sint Maarten Slovakia Slovenia Solomon Islands Somalia South Africa South Georgia & South Sandwich Islands South Korea South Sudan Spain Sri Lanka St...

Pierre Bal-Blanc: Collective Exhibition for a Single Body
© » KADIST

Curator Pierre Bal-Blanc introduces « Collective Exhibition for a Single Body – The documenta 14 score, Athens 2017 »...

Nunca silencioso y verde
© » KADIST

Daniel Boccato

2016

Parrot Drawings or Paintings look like children’s drawings and seem quite innocent...

Arthur Simms by David Scott
© » BOMB

BOMB Magazine | Arthur Simms Necessary (Required) Cookies that the site cannot function properly without...

The Pixelated Revolution
© » KADIST

Rabih Mroué

2012

The Pixelated Revolution is a lecture-performance by artist Rabih Mroué about the use of mobile phones during the Syrian revolution...

Paris Summer Break
© » KADIST

KADIST Paris programs start again in September 2018...

The Invaders
© » KADIST

Ghita Skali

2021

The Invaders by Ghita Skali is a tale that bites you...

Latiff Mohidin’s “Langkawi”: The Within and Beyond
© » ARTS EQUATOR

Latiff Mohidin’s “Langkawi”: The Within and Beyond | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles Image: Chan + Hori Gallery July 10, 2018 By Gerald Sim (1,500 words, eight minute read) As with any thought-provoking installation, Latiff Mohidin’s “Langkawi” series, on show at Chan+Hori Contemporary , evokes a large range of perceptions from its audience...

These Major Contemporary Artists Are Passionate Collectors of Outsider Art - via Artsy
© » LARRY'S LIST

At the 2020 Outsider Art Fair, a curated show featured works from the collections of Cindy Sherman, KAWS, Nicole Eisenman, Maurizio Cattelan, and others....

Exhibition walk-through of Here We Live
© » KADIST

Exhibition walk-through of Here We Live with Pheng Cheah, leading theorist of cosmopolitanism, Jerome Reyes, artist, and Marie Martraire, director, KADIST San Francisco Presenting videos and installations, alongside archival materials, the exhibition Here We Live , reveals strategies through which communities cope with the cultural tensions linked to the transformations of the places they live...

Turner Prize winner Jesse Darling makes a Miami Beach cameo
© » THEARTNEWSPER

Turner Prize winner Jesse Darling makes a Miami Beach cameo Art market Museums & heritage Exhibitions Books Podcasts Columns Technology Adventures with Van Gogh Search Search Art Basel in Miami Beach 2023 news Turner Prize winner Jesse Darling makes a Miami Beach cameo A self-portrait by Jesse Darling, who won the prestigious British award this week, is on sale at Chapter NY gallery Gareth Harris 9 December 2023 Share Jesse Darling, O Cowardly Word , 2022 Courtesy of the artist and Chapter NY, New York A self-portrait by the Turner prize winner Jesse Darling is available with Chapter NY gallery at Art Basel in Miami Beach...

A Splinter (Study for Painting)
© » KADIST

Hernan Bas

2010

A Splinter (Study for Painting) is a large graphite work on paper by Hernan Bas that was intended as a study for a later painting...

Weekly Southeast Asia Radar: Puja Pantai in Selangor; young Cambodian singers talk old music
© » ARTS EQUATOR

Weekly Southeast Asia Radar: Puja Pantai in Selangor; young Cambodian singers talk old music | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Radar AP January 16, 2020 ArtsEquator’s Southeast Asia Radar features articles and posts about arts and culture in Southeast Asia, drawn from local and regional websites and publications – aggregated content from outside sources, so we are exposed to a multitude of voices in the region...

Diane Arbus: A printed retrospective, 1960-1971
© » KADIST

Pierre Leguillon

2008

End of 2008, Pierre Leguillon presented at KADIST, Paris the first retrospective of the works of Diane Arbus (1923-1971) organized in France since 1980, bringing together all the images commissioned to the New York photographer by the Anglo-American press in the 1960s...

Collector Beth Rudin DeWoody on Curating Her 10,000+ Piece Art Collection
© » ARTSY

Collector Beth Rudin DeWoody on Curating Her 10,000+ Piece Art Collection - Artsy Advertisement Art Market Collector Beth Rudin DeWoody on Curating Her 10,000+ Piece Art Collection Sandra Hale Schulman Mar 4, 2022 4:46pm Portrait of Beth Rudin DeWoody...

White Grounds 14
© » KADIST

Mandy El-Sayegh

2019

Mandy El Sayegh grew up in a medicalized environment, surrounded by anatomy, biology and psychology publications; these books inspire the figures that appear throughout her work...

Abuso de poder (Abuse of Power)
© » KADIST

Marcelo Cidade

2010

Marcelo Cidade’s sculpture Abuso de poder (Abuse of Power, 2010) is a mousetrap elegantly crafted in Carrara marble...