2:12 minutes
Bath Time by Sharif Waked is a short video based on the tragi-comic outcome of the Israeli Blockade and the wars in Gaza. The story tells about how, after a war and the ongoing economic pressure, the Gaza Zoo lost several of their animals, and decided that they could paint a donkey so that it could pose as a zebra. The video imagines the donkey in the shower after a shift impersonating a zebra at the Gaza Zoo, as the hot water slowly washes its faux stripes away. Waked uses the real-life anecdote to comment on the performativity of a political reality, and the various roles implicated players choose or are forced to adopt. For the ass to play a zebra, for the Gaza children to pretend that they are looking at one animal even if they know that they are looking at another, and for the world to see an unproportioned act of aggression as one of self-defense. In washing out the paint, though, Waked hints at the inevitability of this reality’s ultimately uncovering.
Sharif Waked is a Palestinian artist who’s work enages with with Islamic culture and history, and its interaction with the Israeli occupation and hegemonic Jewish culture in Palestine. Waked is also interested in derivatives of classical Islamic culture, such as calligraphy, and the way form and content, or images and text interact in this practice. Without really holding a cynical approach, in his dive to the depths of the cultural implications of Israeli occupation, he illuminates anecdotic events that illuminate its cruelty.
Code switching: How Fotomsuseum Winterthur became digital-first - 1854 Photography Subscribe latest Agenda Bookshelf Projects Industry Insights magazine Explore ANY ANSWERS FINE ART IN THE STUDIO PARENTHOOD ART & ACTIVISM FOR THE RECORD LANDSCAPE PICTURE THIS CREATIVE BRIEF GENDER & SEXUALITY MIXED MEDIA POWER & EMPOWERMENT DOCUMENTARY HOME & BELONGING ON LOCATION PORTRAITURE DECADE OF CHANGE HUMANITY & TECHNOLOGY OPINION THEN & NOW Explore Stories latest agenda bookshelf projects theme in focus industry insights magazine ANY ANSWERS FINE ART IN THE STUDIO PARENTHOOD ART & ACTIVISM FOR THE RECORD LANDSCAPE PICTURE THIS CREATIVE BRIEF GENDER & SEXUALITY MIXED MEDIA POWER & EMPOWERMENT DOCUMENTARY HOME & BELONGING ON LOCATION PORTRAITURE DECADE OF CHANGE HUMANITY & TECHNOLOGY OPINION THEN & NOW With the physical space closed for renovation, Fotomuseum Winterthur’s digital curator reveals how ASMR livestreams and ‘sludge content’ are keeping online momentum high Marco De Mutiis, digital curator at Fotomuseum Winterthur, wants the photography world to “stop whining”...
Incompatibles (Unitas) is made from discarded samples of the yarns that are exported from Croatia and not actually available in the local market...
Anne Deguelle — L’Arctique fantôme — L'ahah Moret — Exhibition — Slash Paris Login Newsletter Twitter Facebook Anne Deguelle — L’Arctique fantôme — L'ahah Moret — Exhibition — Slash Paris English Français Home Events Artists Venues Magazine Videos Back Anne Deguelle — L’Arctique fantôme Exhibition Photography Upcoming Anne Deguelle, Glacier, 2014, 40 × 53 cm © Adagp, Paris, 2023 Anne Deguelle L’Arctique fantôme In about 2 months: January 27 → February 17, 2024 vernissage le 27.01.24, 17h → 21h exposition du 27.01 → 17.02.2024 L’ahah #Moret 24-26, rue Moret, 75011 Paris L’ahah est heureuse de présenter cet hiver en L’ahah #Moret une série singulière de photographies dans l’œuvre de l’artiste Anne Deguelle ...
Shot from the rooftop of her house in Majdal Shams, through a complex construction of moving mirrors, this video connects both sides of the border which has cut through Syrian Golan heights since the 1967 Six-Day war...
Ana Roldán’s Primeval forms series looks up close at the fecund shapes of plants often found in the artist’s native Mexico...
© 2023 All rights reserved - The Eye of Photography @ Elina Brotherus @ Omar Victor Diop @ Ousmane Goïta @ Julia Le @ Benjamin Decoin @ Olivier Goy From October 21st to January 7th, 2024, for its 14th edition, 25 international photographers, both established and emerging, can be discovered in an open-air exhibition tour throughout the city, on the beach, and indoors at Point de Vue and Les Franciscaines...
The Fifth Quarter might have taken its mysterious inspiration from the eponymous Stephen King story collated into the Nightmares & Dreamscapes collection...
Tony Cokes’s long-form, multi-channel work Some Munich Moments 1937–1972 forms a layered montage of historical and contemporary source material exploring different periods of Munich’s history...
Creature comforts: "Creatures of Near Kingdoms" | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles Zedeck Siew / Tumblr April 1, 2020 By Kathy Rowland (650 words, 4-minute read) Zedeck Siew’s Creatures of Near Kingdoms is fashioned as a bestiary, detailing the appearance, characteristics, and habitats of 50 animals and 25 plants...
Trayvon is a series of acrylic paintings by Mona Marzouk that engages the courtroom as its points of departure...
Frequencies of Tradition, Monthly film screenings at The Roxie Dates: Wednesdays, April 20, May 18, June 15, July 13, 2022, 6:45 pm (doors open 6:15 pm*) Location: Little Roxie Theatre, 3117 16th Street, San Francisco, CA 94103 Fiona Tan, Ascent (2016), 80:00 mins Wednesday, April 20, 2022, 6:45 pm (doors open 6:15 pm) Ascent (2016) reflects on Japan’s Mount Fuji and its great significance to the country and its people...
QALQALAH 1, an editorial project by Kadist Art Foundation and Bétonsalon – Centre for Art and Research, Paris >>> To download in the “Attachment section” on the right side of the page In echo of their respective programs, Kadist Art Foundation and Bétonsalon – Centre for Art and Research are launching the joint publication Qalqalah , a “reader” gathering contributions from artists and researchers on a variety of interlinked issues...