2:12 minutes
Bath Time by Sharif Waked is a short video based on the tragi-comic outcome of the Israeli Blockade and the wars in Gaza. The story tells about how, after a war and the ongoing economic pressure, the Gaza Zoo lost several of their animals, and decided that they could paint a donkey so that it could pose as a zebra. The video imagines the donkey in the shower after a shift impersonating a zebra at the Gaza Zoo, as the hot water slowly washes its faux stripes away. Waked uses the real-life anecdote to comment on the performativity of a political reality, and the various roles implicated players choose or are forced to adopt. For the ass to play a zebra, for the Gaza children to pretend that they are looking at one animal even if they know that they are looking at another, and for the world to see an unproportioned act of aggression as one of self-defense. In washing out the paint, though, Waked hints at the inevitability of this reality’s ultimately uncovering.
Sharif Waked is a Palestinian artist who’s work enages with with Islamic culture and history, and its interaction with the Israeli occupation and hegemonic Jewish culture in Palestine. Waked is also interested in derivatives of classical Islamic culture, such as calligraphy, and the way form and content, or images and text interact in this practice. Without really holding a cynical approach, in his dive to the depths of the cultural implications of Israeli occupation, he illuminates anecdotic events that illuminate its cruelty.
Tughra is a protocol by Sharif Waked that reproduces the sixteenth century calligraphic monogram for tughra ; also known as the signature of Suleiman the Magnificent...
Code switching: How Fotomsuseum Winterthur became digital-first - 1854 Photography Subscribe latest Agenda Bookshelf Projects Industry Insights magazine Explore ANY ANSWERS FINE ART IN THE STUDIO PARENTHOOD ART & ACTIVISM FOR THE RECORD LANDSCAPE PICTURE THIS CREATIVE BRIEF GENDER & SEXUALITY MIXED MEDIA POWER & EMPOWERMENT DOCUMENTARY HOME & BELONGING ON LOCATION PORTRAITURE DECADE OF CHANGE HUMANITY & TECHNOLOGY OPINION THEN & NOW Explore Stories latest agenda bookshelf projects theme in focus industry insights magazine ANY ANSWERS FINE ART IN THE STUDIO PARENTHOOD ART & ACTIVISM FOR THE RECORD LANDSCAPE PICTURE THIS CREATIVE BRIEF GENDER & SEXUALITY MIXED MEDIA POWER & EMPOWERMENT DOCUMENTARY HOME & BELONGING ON LOCATION PORTRAITURE DECADE OF CHANGE HUMANITY & TECHNOLOGY OPINION THEN & NOW With the physical space closed for renovation, Fotomuseum Winterthur’s digital curator reveals how ASMR livestreams and ‘sludge content’ are keeping online momentum high Marco De Mutiis, digital curator at Fotomuseum Winterthur, wants the photography world to “stop whining”...
Incompatibles (Unitas) is made from discarded samples of the yarns that are exported from Croatia and not actually available in the local market...
QALQALAH 1, an editorial project by Kadist Art Foundation and Bétonsalon – Centre for Art and Research, Paris >>> To download in the “Attachment section” on the right side of the page In echo of their respective programs, Kadist Art Foundation and Bétonsalon – Centre for Art and Research are launching the joint publication Qalqalah , a “reader” gathering contributions from artists and researchers on a variety of interlinked issues...
Frequencies of Tradition, Monthly film screenings at The Roxie Dates: Wednesdays, April 20, May 18, June 15, July 13, 2022, 6:45 pm (doors open 6:15 pm*) Location: Little Roxie Theatre, 3117 16th Street, San Francisco, CA 94103 Fiona Tan, Ascent (2016), 80:00 mins Wednesday, April 20, 2022, 6:45 pm (doors open 6:15 pm) Ascent (2016) reflects on Japan’s Mount Fuji and its great significance to the country and its people...
Tughra is a protocol by Sharif Waked that reproduces the sixteenth century calligraphic monogram for tughra ; also known as the signature of Suleiman the Magnificent...
For the exhibition 1440 sunsets per 24 hours at KADIST Paris in 2017, Haig Aivazian presented a sprawling installation, which sought to enact various instances of the deployment of light and darkness within public space and sports, reflecting on the double-edged abilities of lighting systems to expose, highlight or dissimulate subjects...
This work is part of an ongoing project that looks at international sports competitions as a revealing element of nationalistic aspirations which present contradictions...
Fathers #18 and Fathers #27 is part of a series of photographs and videos made in recent years in Gaza...
Video of Israeli Soldiers Handling Gaza Antiquities Raises Outrage Skip to content A photo of the École Biblique et Archéologique Française de Jerusalem's excavations warehouse in Gaza (image courtesy Jean-Baptiste Humbert) The Israel Antiquities Authority (IAA) drew criticism online on Sunday, January 21, after its Director-General Eli Eskozido posted an Instagram story depicting Israeli soldiers onsite at a storeroom in Gaza filled with apparent antiquities, as well as a photo of a small display of cultural objects in the Knesset (Israeli parliament)...