29 x 19 cm
“Films inspired people a lot. they came to perform kissing in front of a camera. In a conservative society such as Saida, people were willing to play the kiss between two people of the same sex, but very rarely between a man and a woman. I remember only one couple who came to the studio and kissed in front of the camera, and they were not married. The rest of them were people of the same sex. One of them plays the woman, while the other plays the man.” Hashem El Madani. Hashem El Madani, a studio photographer in Saida, began working in 1948. Like all studio photographers his subjects came to him. The studio was a constant flux of visitors. It was perceived as a safe haven, where the subjects of his photographs could act out their fantasies within the conventional format of portrait photography. Madani records the poses, clothes and behaviour of his clients reflecting the social and political context in which they lived as well as the norms and the taboos. He portrays anonymous personages, people who normally fall below the radar of public interest.
Zaatari combines the skills of a historian, a curator and an artist. He is interested in salvaging and preserving the past, in challenging the perceived norms of history. ‘Diversity is the most important factor in resisting misrepresentation’ he stated. ‘Focusing on iniduality thus becomes a political mission.’ Akram Zaatari was born in 1966 in Saida, Lebanon. He lives and works in Beirut.
Adnan’s paintings are simple images with bold contrasting colors and rich textures...
For The Reverse Sessions , the artist reversed the order in which instruments are usually created, taking the sounds of a collection of ethnic musical instruments from The Dahlem Museum as the starting point...
For his first NFT release artist Walid Raad made a series of animated birthday cakes, titled Festival of Gratitude , for some of the world’s most toxic and larger-than-life leaders...
“The Lebanese wars of the past three decades affected Lebanon’s residents physically and psychologically: from the hundred thousand plus who were killed; to the two hundred thousand plus who were wounded; to the million plus who were displaced; to the even more who were psychologically traumatized...
The Pixelated Revolution is a lecture-performance by artist Rabih Mroué about the use of mobile phones during the Syrian revolution...
“People often asked if they could pose with the Kodak advertisement where a full scale woman is featured with a camera offering Kodak rolls...
The Pixelated Revolution is a lecture-performance by artist Rabih Mroué about the use of mobile phones during the Syrian revolution...
“People often asked if they could pose with the Kodak advertisement where a full scale woman is featured with a camera offering Kodak rolls...
“While taking the picture it was challenging to make the boys sit properly without moving...
“People often asked if they could pose with the Kodak advertisement where a full scale woman is featured with a camera offering Kodak rolls...
The Pixelated Revolution is a lecture-performance by artist Rabih Mroué about the use of mobile phones during the Syrian revolution...
Wright Imperial Hotel (2004) is a sort of bow and arrow made out of feathers, a São Paulo phone book, and other materials...
Leonardogillesfleur describes Myself as a Fountain : “The couple kissing in the park...
This ephemeral installation by Jirí Kovanda, documented in the same way as his performances with a photograph and a text, belongs to a body of works that took place in his apartment/studio...