Baobab

2001 - Film & Video (Film & Video)

Tacita Dean

location: Berlin, Germany
year born: 1965
gender: female
nationality: British
home town: Canterbury, United Kingdom

The photographic quality of the film Baobab is not only the result of a highly sophisticated use of black and white and light, but also of the way in which each tree is characterized as an individual, creating in the end a series of portraits. The monumental and unnatural aspect of the baobabs turns them into strange and anthropomorphic personalities. Adding to the descriptive aspect of the film, the sound is a recording of the environment, of sounds made by animals, and participates in this peaceful contemplation. The still, almost fossilized aspect of the landscape makes it look majestic and eternal. « The camera, which examines in Baobab the ancestral and imposing trees of Madagascar, tries to capture the shadow and light effects, specific to photography. » (Essay by Julia Garimorth, in « Tacita Dean: Seven Books », published by Steidl / ARC/ Musée d’Art Moderne de la Ville de Paris, 2003).


Although Tacita Dean works with all kinds of media, her 16mm films are probably among her most well-known works. While they deal with the specificities of the medium – like the notions of time and narrative, through the use of still shots – the aesthetic quality of her films remind of photography or painting (maybe because she had studied painting in school). Memories and atmospheres are conveyed through sensual images, colors and light. In her work, Tacita Dean relates the past to the present, often creating a certain melancholy: the artist focuses on stories, characters or architectural relics, and questions the notion of narrative by using both documentary and fiction devices. Tacita Dean was born in Canterbury, UK, in 1965. She lives and works in Berlin.


Colors:



Serious Games 3, Immersion
© » KADIST

Harun Farocki

2009

For Immersion , Harun Farocki went to visit a research centre near Seattle specialized in the development of virtual realities and computer simulations...

Person with Pillow: Desire, Lust, Fate
© » KADIST

John Baldessari

1991

The voids in Baldessari’s painted photographs are simultaneously positive and negative spaces, both additive and subtractive...

Work No. 299
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Martin Creed

2003

This photograph of Martin Creed himself was used as the invitation card for a fundraising auction of works on paper at Christie’s South Kensington in support of Camden Arts Centre’s first year in a refurbished building in 2005...

Ghost games
© » KADIST

Anri Sala

2002

Ghost Games , follows the enigmatic dance of crabs “steered” by a flashlight in the night of darkness of a South American beach...

Untitled
© » KADIST

Martin Kippenberger

1989

Untitled is a work on paper by Martin Kippenberger comprised of several seemingly disparate elements: cut-out images of a group of dancers, a japanese ceramic vase, and a pair of legs, are all combined with gestural, hand-drawn traces and additional elements such as a candy wrapper from a hotel in Monte Carlo and a statistical form from a federal government office in Wiesbaden, Germany...

Suspension
© » KADIST

Sebastián Díaz Morales

2014

In Suspension a young man is hanging in the air, falling, or perhaps drifting through time and space...

shores shored (Working Title)
© » KADIST

Michael Dean

2016

The sculpture shores shored (Working Title) makes reference to the human form...

Untitled (Rolled up)
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Jonathan Monk

2003

Untitled (rolled up) , is an abstract portrait of Owen Monk, the artist’s father and features an aluminum ring of 56.6 cm in diameter measuring 1.77 cm in circumference, the size of his father...

Untitled (series)
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Francis Alÿs

2006

This series of small drawings is executed with varying materials—pen, ink, colored pencil, charcoal, and masking tape—on architect’s tracing paper...

Nachbau
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Simon Starling

2007

Invited in 2007 to the Museum Folkwang in Essen (Germany), Simon Starling questioned its history: known for its collections and particularly for its early engagement in favor of modern art (including the acquisition and exhibition of works by Cézanne, Gauguin, Van Gogh, Matisse), then destroyed during the Second World War, the museum was pillaged for its masterpieces of ‘degenerate art’ by the nazis...

The Left Hand Can't See That the Right Hand is Blind
© » KADIST

Douglas Gordon

2004

Douglas Gordon’s single-channel video The Left Hand Can’t See That The Right Hand is Blind, captures an unfolding scene between two hands in leather gloves—at first seemingly comfortable to be entwined, and later, engaged in a struggle...

A vehicle with no Lights
© » KADIST

Ryan Gander

2004

A vehicle without light is a group of more personal photographs...

South Africa Righteous Space
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Hank Willis Thomas

2014

South Africa Righteous Space by Hank Willis Thomas is concerned with history and identity, with the way race and ‘blackness’ has not only been informed but deliberately shaped and constructed by various forces – first through colonialism and slavery, and more recently through mass media and advertising – and reminds us of the financial and economic stakes that have always been involved in representations of race....

One Must
© » KADIST

John Baldessari

1997

In One Must , an image of a pair of scissors, accompanied by the words of work’s title, poses an ominous question about the relationship between the image and the text...

7″ Single 'Pop In'
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Martin Kippenberger

1989

7″ Single ‘Pop In’ by Martin Kippenbergher consisting of a vinyl record and a unique artwork drawn by the artist on the record’s sleeve...