Baobab

2001 - Film & Video (Film & Video)

Tacita Dean

location: Berlin, Germany
year born: 1965
gender: female
nationality: British
home town: Canterbury, United Kingdom

The photographic quality of the film Baobab is not only the result of a highly sophisticated use of black and white and light, but also of the way in which each tree is characterized as an individual, creating in the end a series of portraits. The monumental and unnatural aspect of the baobabs turns them into strange and anthropomorphic personalities. Adding to the descriptive aspect of the film, the sound is a recording of the environment, of sounds made by animals, and participates in this peaceful contemplation. The still, almost fossilized aspect of the landscape makes it look majestic and eternal. « The camera, which examines in Baobab the ancestral and imposing trees of Madagascar, tries to capture the shadow and light effects, specific to photography. » (Essay by Julia Garimorth, in « Tacita Dean: Seven Books », published by Steidl / ARC/ Musée d’Art Moderne de la Ville de Paris, 2003).


Although Tacita Dean works with all kinds of media, her 16mm films are probably among her most well-known works. While they deal with the specificities of the medium – like the notions of time and narrative, through the use of still shots – the aesthetic quality of her films remind of photography or painting (maybe because she had studied painting in school). Memories and atmospheres are conveyed through sensual images, colors and light. In her work, Tacita Dean relates the past to the present, often creating a certain melancholy: the artist focuses on stories, characters or architectural relics, and questions the notion of narrative by using both documentary and fiction devices. Tacita Dean was born in Canterbury, UK, in 1965. She lives and works in Berlin.


Colors:



Serious Games 3, Immersion
© » KADIST

Harun Farocki

2009

For Immersion , Harun Farocki went to visit a research centre near Seattle specialized in the development of virtual realities and computer simulations...

7″ Single 'Pop In'
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Martin Kippenberger

1989

7″ Single ‘Pop In’ by Martin Kippenbergher consisting of a vinyl record and a unique artwork drawn by the artist on the record’s sleeve...

Untitled (Rolled up)
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Jonathan Monk

2003

Untitled (rolled up) , is an abstract portrait of Owen Monk, the artist’s father and features an aluminum ring of 56.6 cm in diameter measuring 1.77 cm in circumference, the size of his father...

Pipe Opening
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Jeff Wall

2002

As suggested by its title, Pipe Opening (2002) depicts a hole in a wood wall exposed by the removal of a pipe...

Suspension
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Sebastián Díaz Morales

2014

In Suspension a young man is hanging in the air, falling, or perhaps drifting through time and space...

The Left Hand Can't See That the Right Hand is Blind
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Douglas Gordon

2004

Douglas Gordon’s single-channel video The Left Hand Can’t See That The Right Hand is Blind, captures an unfolding scene between two hands in leather gloves—at first seemingly comfortable to be entwined, and later, engaged in a struggle...

Blind Spencer (Mirror)
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Douglas Gordon

2002

Blind Spencer is part of the series “Blind Stars” including hundreds of works in which the artist cut out the eyes of Hollywood stars, in a symbolically violent manner...

You see with no lights
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Ryan Gander

2004

You see without light is a group of photographs around the theme of Bauhaus...

South Africa Righteous Space
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Hank Willis Thomas

2014

South Africa Righteous Space by Hank Willis Thomas is concerned with history and identity, with the way race and ‘blackness’ has not only been informed but deliberately shaped and constructed by various forces – first through colonialism and slavery, and more recently through mass media and advertising – and reminds us of the financial and economic stakes that have always been involved in representations of race....

Person with Pillow: Desire, Lust, Fate
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John Baldessari

1991

The voids in Baldessari’s painted photographs are simultaneously positive and negative spaces, both additive and subtractive...

One we are not
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Ryan Gander

2004

Ryan Gander is a collector...

The Nightwatch
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Francis Alÿs

2004

The Nightwatch , which is an ironic reference to the celebrated painting by Rembrandt, follows the course of a fox wandering among the celebrated collections of the National Portrait Gallery in London...

Epiphany…learnt through hardship
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Ryan Gander

2012

Epiphany…learnt through hardship is composed of a bronze sculpture depicting the model of the little dancer of Degas, in the pose of a female nude photographed by Edward Weston (Nude, 1936) accompanied by a blue cube...

Untitled (series)
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Francis Alÿs

2006

This series of small drawings is executed with varying materials—pen, ink, colored pencil, charcoal, and masking tape—on architect’s tracing paper...