Ballerina

Created during Zhao Renhui’s residency at Kadist SF in 2014, Zhao Renhui began observing and cataloguing insects inspired by the scientific impulse towards exhaustive taxonomy of Sacramento-based Dr...

Haendel’s series Knights (2011) is a set of impeccably drafted, nine-foot-tall pencil drawings depicting full suits of armor...

Co-presented with the CCA Wattis, as part of the City of Disappearances exhibition, Kadist presents two evenings of outdoor screenings of eight different video artworks on building exteriors in San Francisco...

The small drawings that comprise Study from May Day March, Los Angeles 2010 (Immigration Reform Now) and We Are Immigrants Not Terrorists are based on photographs taken at a political rally in downtown Los Angeles in which thousands of individuals demonstrated for immigrants’ rights...

Title, Theme Announced for Sixth Aichi Triennale – Artforum Read Next: ART BASEL REVEALS EXHIBITOR LIST FOR 2024 SWISS FAIR Subscribe Search Icon Search Icon Search for: Search Icon Search for: Follow Us facebook twitter instagram youtube Alerts & Newsletters Email address to subscribe to newsletter...

Unraveling, or “unweaving” sections of fabric, Maria Fernanda Plata arrived at delicate and tenuous-looking forms, both ghostly and gentle...

Oren Pinhassi’s work examines the relationship between the human figure and the built environment...

Blue time is a song co-written by artists Saâdane Afif and Lili Reynaud Dewar...

Power Forward Wednesday, January 24, 2018 Bar 6pm, Program 7pm Ezekiel Kweku & Ameer Lo ggins in conversation, moderated by Sarah Hotchkiss Editors Astria Suparak & Brett Kashmere in person To celebrate the launch of Sports , the newest issue of artist-run publication INCITE: Journal of Experimental Media , KADIST hosts an evening of athletics, politics, art, and dialogue...

Bruce Conner is best known for his experimental films, but throughout his career he also worked with pen, ink, and paper to create drawings ranging from psychedelic patterns to repetitious inkblot compositions...

Matthew Barney’s REPRESSIA (decline) at the Los Angeles County Museum of Art advertise donate post your art opening recent articles cities contact about article index podcast main December 2023 "The Best Art In The World" "The Best Art In The World" December 2023 Matthew Barney’s REPRESSIA (decline) at the Los Angeles County Museum of Art Matthew Barney, Cremaster 5 (production still), 1997 (fig...

Wheat’s work is built on a strong conceptual framework that weaves together commentary on social and political issues and the radical potential for change...

Shot in black and white and printed on a glittery carborundum surface, Black Hands, White Cotton both confronts and abstracts the subject of its title...

Primero estaba el mar ( First Was the Sea , 2012) is a system of equivalences between syllables and silhouettes of waveforms cast in cement...

BOMB Magazine | Yu-Wen Wu Interviewed Necessary (Required) Cookies that the site cannot function properly without...

Mateo Lopez uses paper as a medium to conjure personal experiences...

Mary Weatherford Revisits an ARTnews Profile of Joan Mitchell – ARTnews.com Skip to main content By Alex Greenberger Plus Icon Alex Greenberger Senior Editor, ARTnews View All September 4, 2020 10:27am ©ARTnews In 1957, art critic Irving Sandler paid a visit to the studio of painter Joan Mitchell , an Abstract Expressionist known for her brushy images capturing nature...

The Karrabing Film Collective is a media group consisting of more than 30 intergenerational Aboriginal filmmakers from Australia’s Northern Territory...

Amy Bravo — I’m Going There With You — Semiose Gallery — Exhibition — Slash Paris Login Newsletter Twitter Facebook Amy Bravo — I’m Going There With You — Semiose Gallery — Exhibition — Slash Paris English Français Home Events Artists Venues Magazine Videos Back Previous Next Amy Bravo — I’m Going There With You Exhibition Installation, painting, sculpture, mixed media Upcoming Amy Bravo, Elegy to the Mustache, 2024 Graphite, wax pastel, acrylic on canvas, found objects, mirror and plaster — 54 × 36 × 1 in...

In Studies of Chinese New Villages II Gan Chin Lee’s realism appears in the format of a fieldwork notebook; capturing present-day surroundings while unpacking their historical memory...