Back images is a series of six photographs by Sarah Lei Cheuk Wah that explore the semiotics of power and their intersection with representations of masculinity. The photographs feature what seem to be stock images of several policemen—their rugged uniforms, vehicles and weapons drenching the photographs with signs of masculinity and power as the policemen carry on with their usual tasks. The series was part of a larger exhibition entitled In Stasis where Lei transformed the booth of an art fair into what appeared to be a security area inside an airport. Inside the booth, two live security guards occupy the space, sitting, moving around and taking turns to sporadically rearrange a couple of retractable belt stanchions. In addition to the photographs and the guards, Lei included a video of a security uniform shoe being polished as well as a painting of the shoe and black shoe polish. When seen together the works are playful depictions of ubiquitous forms of power, surveillance and control, which take on an additional meaning in a post 9/11 context.
Sarah Lai Cheuk Wah is best known for her paintings of common objects and urban landscapes, which she renders realistically in great detail. Her visual language is derived from the ordinary, the mundane and the everyday. Whether a lamp, a slice of butter, a street roundabout, the sea or the moon, Lai captures and subtly modifies what she describes as “the things that go unnoticed.” Her paintings are characterized by soft, delicate shades of pale tones that give the images a hazy, dream-like quality—as if the fading colors had been bleached by the sun or the passing of time. Although Lai was originally trained as a painter, her work reaches beyond the space of a frame, often incorporating found objects, sculptural elements and videos alongside the paintings and playfully placing all the disparate but related elements. In terms of her process, she describes the action of painting as meditative, as a state of mind that allows her reflection, introspection and enables her to build a relationship with the world.
The five works included in the Kadist Collection are representative of Pettibon’s complex drawings which are much more narrative than comics or cartoon...
The video I am protesting against myself presents a puppet in a garbage can citing numerous reasons why one should protest against it...
n the opening scene of the video Power (La Fuerza) we see a mature woman asleep in a dark room...
Anne Deguelle — L’Arctique fantôme — L'ahah Moret — Exhibition — Slash Paris Login Newsletter Twitter Facebook Anne Deguelle — L’Arctique fantôme — L'ahah Moret — Exhibition — Slash Paris English Français Home Events Artists Venues Magazine Videos Back Anne Deguelle — L’Arctique fantôme Exhibition Photography Upcoming Anne Deguelle, Glacier, 2014, 40 × 53 cm © Adagp, Paris, 2023 Anne Deguelle L’Arctique fantôme In about 2 months: January 27 → February 17, 2024 vernissage le 27.01.24, 17h → 21h exposition du 27.01 → 17.02.2024 L’ahah #Moret 24-26, rue Moret, 75011 Paris L’ahah est heureuse de présenter cet hiver en L’ahah #Moret une série singulière de photographies dans l’œuvre de l’artiste Anne Deguelle ...
© 2023 All rights reserved - The Eye of Photography Art Paris 2023 Champ-de-Mars © Marc Domage Art Paris 2023 - Almine Rech Art Paris 2023 - Galerie Dina Vierny Art Paris 2023 - Galerie Zlotowksi Art Paris 2023 - Vue École militaire 1 The 26th edition of Art Paris 2024 will be held from April 4 to 7 at the Grand Palais Éphémère...
Message to the Extraterrestrials consists of a slide projector beaming images into the side of the telescope...
Zaha Hadid Architects Unveil Hydrogen Refueling Station, and More News | Art & Object Skip to main content Subscribe to our free e-letter! Webform Your Email Address Role Art Collector/Enthusiast Artist Art World Professional Academic Country USA Afghanistan Albania Algeria American Samoa Andorra Angola Anguilla Antarctica Antigua & Barbuda Argentina Armenia Aruba Ascension Island Australia Austria Azerbaijan Bahamas Bahrain Bangladesh Barbados Belarus Belgium Belize Benin Bermuda Bhutan Bolivia Bosnia & Herzegovina Botswana Bouvet Island Brazil British Indian Ocean Territory British Virgin Islands Brunei Bulgaria Burkina Faso Burundi Cambodia Cameroon Canada Canary Islands Cape Verde Caribbean Netherlands Cayman Islands Central African Republic Ceuta & Melilla Chad Chile China Christmas Island Clipperton Island Cocos (Keeling) Islands Colombia Comoros Congo - Brazzaville Congo - Kinshasa Cook Islands Costa Rica Croatia Cuba Curaçao Cyprus Czechia Côte d’Ivoire Denmark Diego Garcia Djibouti Dominica Dominican Republic Ecuador Egypt El Salvador Equatorial Guinea Eritrea Estonia Eswatini Ethiopia Falkland Islands Faroe Islands Fiji Finland France French Guiana French Polynesia French Southern Territories Gabon Gambia Georgia Germany Ghana Gibraltar Greece Greenland Grenada Guadeloupe Guam Guatemala Guernsey Guinea Guinea-Bissau Guyana Haiti Heard & McDonald Islands Honduras Hong Kong SAR China Hungary Iceland India Indonesia Iran Iraq Ireland Isle of Man Israel Italy Jamaica Japan Jersey Jordan Kazakhstan Kenya Kiribati Kosovo Kuwait Kyrgyzstan Laos Latvia Lebanon Lesotho Liberia Libya Liechtenstein Lithuania Luxembourg Macao SAR China Madagascar Malawi Malaysia Maldives Mali Malta Marshall Islands Martinique Mauritania Mauritius Mayotte Mexico Micronesia Moldova Monaco Mongolia Montenegro Montserrat Morocco Mozambique Myanmar (Burma) Namibia Nauru Nepal Netherlands Netherlands Antilles New Caledonia New Zealand Nicaragua Niger Nigeria Niue Norfolk Island Northern Mariana Islands North Korea North Macedonia Norway Oman Outlying Oceania Pakistan Palau Palestinian Territories Panama Papua New Guinea Paraguay Peru Philippines Pitcairn Islands Poland Portugal Puerto Rico Qatar Romania Russia Rwanda Réunion Samoa San Marino Saudi Arabia Senegal Serbia Seychelles Sierra Leone Singapore Sint Maarten Slovakia Slovenia Solomon Islands Somalia South Africa South Georgia & South Sandwich Islands South Korea South Sudan Spain Sri Lanka St...
He Xiangyu’s Terminal 3 presents excerpts from the lives of young African acrobats attending the Hebei Wuqiao Acrobatic Arts School in China...
Review into British Museum thefts calls for fundamental reforms Art market Museums & heritage Exhibitions Books Podcasts Columns Technology Adventures with Van Gogh Search Search British Museum thefts news Review into British Museum thefts calls for fundamental reforms The Independent Collection Security Review urges the museum to take urgent action, including fully recording the collection and tough management changes Martin Bailey 13 December 2023 Share The report has been heavily criticised by Ittai Gradel, the Danish gems specialist who privately warned the British Museum about the theft in 2020 Photo: Jeff Whyte The independent review into thefts at the British Museum reveals serious problems with the institution’s governance...
Bill Viola | Royal Albert Memorial Museum & Art Gallery Discover the work of internationally renowned video artist Bill Viola at Exeter’s Royal Albert Memorial Museum & Art Gallery (RAMM) ARTIST ROOMS Bill Viola presents three works from the ‘Passions’, a series of video works created between 2000 and 2002 that explore human emotions...
Truth or Dare with “Lear is Dead” by Nine Years Theatre Thinking and Talking about Arts and Culture in Southeast Asia Articles November 5, 2018 By Teo Xiao Ting (1,069 words, six-minute read) After a gleaming heap of corpses dissipates into the afterlife and comes back for a closing bow, Lear is Dead ends with the quiver of revelation...
Ana Roldán’s Primeval forms series looks up close at the fecund shapes of plants often found in the artist’s native Mexico...
After the Finish Line is a recent film by Adelita Husni-Bey produced for the exhibition Movement Break at Kadist-SF in 2015...
Caroline Monnet, Mobilize A screening program followed by the artist in with conversation with Adam Piron, Assistant Curator for Film at LACMA Montreal-based artist Caroline Monnet explores Indigenous identity, bicultural living, and complex cultural histories through photography, sculpture, film, video, and installation...
Enrique Ramirez’s La Memoria Verde is a work of poetry, politics, and memory created in response to the curatorial statement for the 13th Havana Biennial in 2019, The Construction of the Possible ...
Migrant Ecologies Project: A Grain of Wheat Inside a Salt Water Crocodile | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Grain of Wheat July 8, 2019 For the benefit of the possible intelligences that may find these treasures after humans have long gone, we have translated one of the photographs of our wheat gleaning ceremony in Singapore into binary code...