Back images

2015 - Photography (Photography)

Sarah Lai Cheuk Wah


Back images is a series of six photographs by Sarah Lei Cheuk Wah that explore the semiotics of power and their intersection with representations of masculinity. The photographs feature what seem to be stock images of several policemen—their rugged uniforms, vehicles and weapons drenching the photographs with signs of masculinity and power as the policemen carry on with their usual tasks. The series was part of a larger exhibition entitled In Stasis where Lei transformed the booth of an art fair into what appeared to be a security area inside an airport. Inside the booth, two live security guards occupy the space, sitting, moving around and taking turns to sporadically rearrange a couple of retractable belt stanchions. In addition to the photographs and the guards, Lei included a video of a security uniform shoe being polished as well as a painting of the shoe and black shoe polish. When seen together the works are playful depictions of ubiquitous forms of power, surveillance and control, which take on an additional meaning in a post 9/11 context.


Sarah Lai Cheuk Wah is best known for her paintings of common objects and urban landscapes, which she renders realistically in great detail. Her visual language is derived from the ordinary, the mundane and the everyday. Whether a lamp, a slice of butter, a street roundabout, the sea or the moon, Lai captures and subtly modifies what she describes as “the things that go unnoticed.” Her paintings are characterized by soft, delicate shades of pale tones that give the images a hazy, dream-like quality—as if the fading colors had been bleached by the sun or the passing of time. Although Lai was originally trained as a painter, her work reaches beyond the space of a frame, often incorporating found objects, sculptural elements and videos alongside the paintings and playfully placing all the disparate but related elements. In terms of her process, she describes the action of painting as meditative, as a state of mind that allows her reflection, introspection and enables her to build a relationship with the world.


Colors:



Related works sharing similar palette  
» see more

Morán Morán now represent Ryan Trecartin
© » FAD MAGAZINE

Morán Morán now represent Ryan Trecartin - FAD Magazine Skip to content By Mark Westall • 24 November 2023 Share — Morán Morán has announced the gallery representation of Ryan Trecartin...

8×5 Houston: Artists Respond to Mass Incarceration Crisis Interview with Christopher Blay, Chief Curator at the Houston Museum of African American Culture
© » ARTEFUSE

8×5 Houston: Artists Respond to Mass Incarceration Crisis Interview with Christopher Blay, Chief Curator at the Houston Museum of African American Culture...

Qui vivra verra, Qui mourra saura
© » KADIST

Minia Biabiany

2019

Qui vivra verra, Qui mourra saura is an installation by Minia Biabiany composed of the plan of a house made out of strips of salt, and a “garden” made of ceramic pieces, hanging from the ceiling and on the floor, and non woven fabric...

How would you fare in the afterlife? Haw Par Villa: ArtsEquator Edition
© » ARTS EQUATOR

How would you fare in the afterlife? Haw Par Villa: ArtsEquator Edition | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Viewpoints Adeeb Fazah October 29, 2019 Scenario: You are visiting the Ten Courts of Hell in Haw Par Villa...

Related works found in the same semantic group  
» see more

Karachi Series 1 (Ken DeSouza, 7:42pm, 25th August 2008, Ramadan, Karachi)
© » KADIST

Bani Abidi

2008

The threshold in contemporary Pakistan between the security of private life and the increasingly violent and unpredictable public sphere is represented in Abidi’s 2009 series Karachi ...

Jardin
© » KADIST

Benvenuto Chavajay Gonzalez

2013

Jardín (2013) refers to environmental destruction, specifically the preponderance of disposable plastics, as well as Medellín’s long history of dangerous conflict; it was once considered the most violent city in the world because of the drug trafficking there...

Baby Shoes, Never Worn
© » KADIST

John Houck

2013

Baby Shoes, Never Worn is part of photographer John Houck’s series of restrained still-life photographs capturing objects from his childhood...

The Ecdysiast - Molt (Body Inspection)
© » KADIST

Yao Qingmei

2017

Satirizing an airport security checkpoint, The Ecdysiast – Molt (Body Inspection) by Yao Qingmei offers a comedic and critical inquiry into the logics underpinning collective control and surveillance culture...