Baby Shoes, Never Worn is part of photographer John Houck’s series of restrained still-life photographs capturing objects from his childhood. The image depicts a box, addressed to the artist’s mother, that once contained—it can be assumed—baby shoes. Houck layers the photograph with multiple exposures, lending an uneasy tripling effect to the static object. Borrowing his title from Ernest Hemingway’s enigmatic, apocryphal six-word novel (“For Sale: Baby Shoes, Never Worn”), Houck’s photograph engages the ideal and image of childhood from the distanced point of view of the camera’s lens.
An MFA graduate from UCLA, John Houck works primarily in the medium of photography and specializes in still-life vignettes. To make his works, Houck arranges an object on a sheet of paper, photographs, and prints it, then places that print back into a new composition, repeating the process again and again until arriving at an aggregate image. The layers appear to be digitally altered, but he does not utilize any postproduction interventions. But Houck is not a purist by any means; he is significantly influenced by his professional experience as a computer programmer, and his artistic methodology mirrors a kind of algorithmic code. By referencing a conventional artistic genre through an iterative and contingent process, Houck offers up photography as a mode of thought.
Defunct Mnemonics (2012) plays off woodworking traditions found in indigenous art in order to create a body of formally minimal objects that are both beautiful in their restraint and profoundly moving in their associations with the totemic...
Guy Leclercq — Épures et couleurs — Dutko / Quai Voltaire Gallery — Exhibition — Slash Paris Login Newsletter Twitter Facebook Guy Leclercq — Épures et couleurs — Dutko / Quai Voltaire Gallery — Exhibition — Slash Paris English Français Home Events Artists Venues Magazine Videos Back Guy Leclercq — Épures et couleurs Exhibition Painting View of the artist’s studio Guy Leclercq Épures et couleurs Ends in 27 days: December 7, 2023 → January 13, 2024 Dutko Gallery is pleased to present from December 7th until January 13th a selection of the most recent works by Belgian artist Guy Leclercq...
Guy Leclercq — Épures et couleurs — Galerie Dutko / Quai Voltaire — Exposition — Slash Paris Connexion Newsletter Twitter Facebook Guy Leclercq — Épures et couleurs — Galerie Dutko / Quai Voltaire — Exposition — Slash Paris Français English Accueil Événements Artistes Lieux Magazine Vidéos Retour Guy Leclercq — Épures et couleurs Exposition Peinture L’atelier de l’artiste Guy Leclercq Épures et couleurs Encore 27 jours : 7 décembre 2023 → 13 janvier 2024 La Galerie Dutko présente du 7 décembre 2023 au 13 janvier 2024 les œuvres récentes de l’artiste belge Guy Leclercq...
Bruce Conner is best known for his experimental films, but throughout his career he also worked with pen, ink, and paper to create drawings ranging from psychedelic patterns to repetitious inkblot compositions...
In Dorian, a cinematic perfume, video is used as a community gatherer, a tool to speak about particular subcultures, in this case the trans-gender drag queen New York community, past and present...
Podcast 61: The Media Landscape in Thailand | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles Asian Arts Media Roundtable July 11, 2019 Duration: 20 min In our latest podcast, Thai theatre critic Amitha Amranand gives a comprehensive overview of the media landscape in Thailand, discussing the impact of the political and legal system on the arts and the paradoxical freedom that arts journalists have in the country...
The installation Music Stands: Free Exercise 7, 8, and 9 by Marina Rosenfeld consists of music stand-like structures and a corresponding set of panels and acoustic devices that direct, focus, obstruct, reflect and project sound in the gallery...
Purⓔ《纯ⓔ》: How do we talk about Art Form X? | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Viewpoints Courtesy of M1 CONTACT July 13, 2020 By Jocelyn Chng (1,800 words, 4-minute read) When I accepted the opportunity to write this piece on Purⓔ 《 纯 ⓔ》 , I did it feeling a bit like a shipwreck survivor re-approaching water for the first time...
Tarek Atoui — The Drift — Institut d'art contemporain de Villeurbanne — Exposition — Slash Paris Connexion Newsletter Twitter Facebook Tarek Atoui — The Drift — Institut d'art contemporain de Villeurbanne — Exposition — Slash Paris Français English Accueil Événements Artistes Lieux Magazine Vidéos Retour Tarek Atoui — The Drift Exposition Techniques mixtes Performance de Tarek Atoui lors du vernissage Tarek Atoui: Cycles in 11, à la Sharjah Art Foundation © Sharjah Art Foundation Tarek Atoui The Drift Encore environ 2 mois : 13 octobre 2023 → 28 janvier 2024 L’IAC invite l’artiste Tarek Atoui à présenter sa première exposition monographique d’ampleur en Europe...
Adição por subtração 4 (Addition by Subtraction, 2010) is an intervention into the white cube with both beautiful and intimidating results...
Mary Weatherford Revisits an ARTnews Profile of Joan Mitchell – ARTnews.com Skip to main content By Alex Greenberger Plus Icon Alex Greenberger Senior Editor, ARTnews View All September 4, 2020 10:27am ©ARTnews In 1957, art critic Irving Sandler paid a visit to the studio of painter Joan Mitchell , an Abstract Expressionist known for her brushy images capturing nature...
Zhang Kechun’s photographic series The Yellow River documents the effects of modernization along the eponymous Yellow River, the second longest in Asia...
The small drawings that comprise Study from May Day March, Los Angeles 2010 (Immigration Reform Now) and We Are Immigrants Not Terrorists are based on photographs taken at a political rally in downtown Los Angeles in which thousands of individuals demonstrated for immigrants’ rights...
Gastaldon has made a number of soft sculptures using materials associated with knitting and sewing that have alternately fetishistic, nightmarish or contemplative qualities...
This installation combines the display of real objects with the deceptively painterly amalgamation of their content as the subject of a photograph...