3 canvas; 47H x 35W inches each
Pablo Rasgado’s paintings and installations serve as a visual record of contemporary urban human behavior. Rasgado wanders through the urban landscape in Mexico City and other major cities, looking for moments of intrigue in the dirt and debris. He captures these details by extracting materials from the sites and deploying them in the gallery. Raw materials thus become abstract paintings, which are both actively engaged with the site of their origin and politically and socially charged. Avenida Corona del Rosal (2011) is a section of wall extracted from the Mexico City street named in the title. It has been “painted” with an accumulation of byproducts of automobiles—diesel soot, dirt, tire and brake particles—to create an ironically poetic and beautiful portrait of the pollution that ravishes the city.
Pablo Rasgado reconfigures everyday life into new abstractions. Often thinking through architecture, public space, and the sculptural relationship to the human body, his work often carries political or social commentary.
Wright Imperial Hotel (2004) is a sort of bow and arrow made out of feathers, a São Paulo phone book, and other materials...
Wright Imperial Hotel (2004) is a sort of bow and arrow made out of feathers, a São Paulo phone book, and other materials...
This work, a large oil painting on canvas, shows a moment from Amorales’s eight-minute two-channel video projection Useless Wonder (2006)...
Zhang Kechun’s photographic series The Yellow River documents the effects of modernization along the eponymous Yellow River, the second longest in Asia...
silentstar, delicacy by Duane Linklater is a replica of a baby pink hoodie that the artist wore as a teenager, embellished with hand-painted elements and band patches...
Weekly Southeast Asia Radar: Why I sing in English; how Cambodian art can survive | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Radar Nyein Su Wai Kyaw Soe | Frontier March 12, 2020 ArtsEquator’s Southeast Asia Radar features articles and posts about arts and culture in Southeast Asia, drawn from local and regional websites and publications – aggregated content from outside sources, so we are exposed to a multitude of voices in the region...
Purⓔ《纯ⓔ》: How do we talk about Art Form X? | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Viewpoints Courtesy of M1 CONTACT July 13, 2020 By Jocelyn Chng (1,800 words, 4-minute read) When I accepted the opportunity to write this piece on Purⓔ 《 纯 ⓔ》 , I did it feeling a bit like a shipwreck survivor re-approaching water for the first time...
Taking archaeology as her departure point to examine the trajectories of replicated and displaced objects, “Who will measure the space, who will tell me the time?” was produced in Oaxaca for her exhibition of the same title at the Contemporary Museum of Oaxaca (MACO) in 2015...
Nicolás Bacal uses everyday materials to evoke systems in his sculptures and installations...
A residency program in the blazing hot city of Honda, Colombia, inspired artist Nicolás Consuegra to consider the difficulty in understanding the needs of a distant community...
In Fordlândia Fieldwork (2012), Tossin documents the remains of Henry Ford’s rubber enterprise Fordlândia, built in 1928 in the Brazilian Amazon to export cultivated rubber for the booming automobile industry...
Halfway between a painting and an installation City Sound of Rug gathers found images, synthetic foam, painted metal plates, and prints placed on the floor...
Political artist, painter, writer, performer, photographer, David Wojnarowicz, who died of AIDS in 1992 in New York City, was one of the leading figures of the New York Downtown artistic scene of the 80s...
Modotti’s Diego Rivera Mural: Billionaires Club; Ministry of Education, Mexico D...