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Heba Y. Amin’s 2016 film As Birds Flying uses found footage from drones in an allegorical response to a 2013 news story of a migratory bird with an electronic device attached to its ankle who was detained by the Egyptian authorities, suspected of espionage. For the artist, the story represents the paranoia and suspicion endemic to a context of global surveillance. Filmed from a bird’s-eye perspective, or a spy’s perspective, the images span the savannas and wetlands of Galilea. Imbued with humour, and acutely politically aware, the film connects stories of militarisation, prophecy and imperial histories through layered references and revelations.
Heba Amin is a multimedia artist who works with political themes and archival history, using film, photography, archival material, lecture performance and installation. Amin grounds her work in extensive research that looks at the convergence of politics, technology, and architecture, particularly in the context of the Middle East and its relations to the West. She looks for tactics of subversion and other techniques to undermine consolidated systems and flip historical narratives through her critical spatial practice.
Open Call for AE x Goethe-Institut Critical Writing Micro-Residency 2021/2022 | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Viewpoints March 12, 2021 ArtsEquator and Goethe-Institut Singapore are pleased to announce the launch of the inaugural AE x Goethe-Institut Critical Writing Micro-Residency 2021/2022 ...
A Jacob Lawrence Expert on a Profile of Him from ARTnews’s Archives – ARTnews.com Skip to main content By Alex Greenberger Plus Icon Alex Greenberger Senior Editor, ARTnews View All January 24, 2020 1:35pm George Chinsee Jacob Lawrence (1917–2000) was one of the deftest documentarians of African-American life in the United States, and over the next few years, people across the country will get a chance to see one of his greatest series of paintings, “Struggle: From the History of the American People” (1954–56), united in full for the first time...
Birender Kumar Yadav comes from Dhanbad, India, a city built on its proximity of iron ore and coal and once forested and inhabited by Indigenous people who compose the Gondwana...
Cakap-Cakap: Interview with Anaïs López for The Migrant | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles April 28, 2021 In this month’s Cakap-Cakap (chit-chat), ArtsEquator speaks with visual artist Anaïs López about her multimedia exhibition The Migrant which is currently showing at the Chapel Gallery, Objectifs...
Presented as part of a recent group of works titled The Paradox of Healing, Rhombus for Healing No...
Comprised of fifty-one photographic postcards, Antin’s 100 Boots is an epic visual narrative in which 100 black rubber boots stand in for a fictional “hero” making a “trip” from California to New York City...
East of Ukraine became a place of armed conflict with Russia-backed separatists, who proclaimed parts of (the) Donetsk and Lughansk oblast (administrative region in Ukrainian) to be ‘People’s republics’...
Ventana indiscreta (Rear Window) by Karen Lamassonne takes its title from Hitchcock’s renowned 1954 classic...
10 Things You Should Know About: Malay Dance | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Viewpoints September 7, 2021 10 Things You Should Know is a series of short animated videos on aspects of Malay culture and heritage, made in partnership with Wisma Geylang Serai...
As she traces the same shape again and again, Ojih Odutola’s lines become darker and deeper, sometimes pushed to the point where their blackness becomes luminous...
In “Untitled II (Mapping text)”, 2009, Langa abstracts language in an attempt to change the familiar into the absurd...