158 x 104 cm
The figure in Armless tapers away. Muscular legs turned upright spin down into a disintegrating torso. Lines, that in another drawing would sketch out contours and volume, here seem to be strands of flesh. They hang down from full feet and flutter into nothingness as the form becomes less and less present. The armlessness is named but the lack of a head, which one can possibly make out becoming strewn lines, suggests a top-to-bottom dissolution.
Chloe Piene’s work often depicts the body and its skeleton. Her drawings spindle extremities into thin loops of line and her sculptures stack skulls on slabs of clay. The fragile twisting of the body is executed in luxuriously rich materials, which underscore the virtuosity of Piene’s hand and vision. Skeletons on vellum make physical mortality transcendently transparent, and beautiful charcoal lines mark out the uncanny grins of skull-faces.
buZ Blurr, One Telling of the “Origin Story” at Straat Museum Amsterdam | Brooklyn Street Art BROOKLYN STREET ART LOVES YOU MORE EVERY DAY In the shifting culturescapes of urban contemporary art, STRAAT Museum’s latest exhibition, “Moniker: An Origin Story,” emerges as a poignant narrative that bridges the transient heritage of hobo monikers with the vibrant pulse of today’s street art scene...
Situated in German-occupied Belgium at the end of World War I, Y ou Make Me Iliad by Mary Reid Kelley focuses on the story of two...
After engaging primarily with video and photography for more than a decade, Chen turned to painting to explore the issue of urban change and memories—both personal and collective...
Press Release: Art21 to Release New Film: “Hannah Levy’s Adaptive Structures” | Art21 Our Series Art in the Twenty-First Century Extended Play New York Close Up Artist to Artist William Kentridge: Anything Is Possible Specials Art21.live An always-on video channel featuring programming hand selected by Art21 Playlists Curated by Art21 staff, with guest contributions from artists, educators, and more Art21 Library Explore over 700 videos from Art21's television and digital series Latest Video 15:03 Add to watchlist Politics of Listening Lawrence Abu Hamdan Extended Play February 7, 2024 Search Searching Art21… Welcome to your watchlist Look for the plus icon next to videos throughout the site to add them here...
Postponed: Curator Yina Jiménez Suriel in conversation with Natalia Brizuela, Professor of Film & Media and Spanish & Portuguese, Thursday, October 19, 2023, 5–6 pm The Center for Latin American and Caribbean Studies, University of California, Berkeley: 2334 Bowditch St, Berkeley, CA 94720 Curator Yina Jiménez Suriel will discuss her curatorial process and research project la historia de las montañas (the history of the mountains) , which examines emancipation, perceptual systems beyond the human, and the creation of new imaginaries outside/beyond Western structures...
In Ante la imagen (Before the Image, 2009) Muñoz continues to explore the power of a photograph to live up to the memory of a specific person...
The graphite drawing 4 mourners on a mantel by Gala Porras-Kim is part of a larger installation and body of research, entitled An Index and Its Settings (Un Índice y Sus Entornos) , in which the artist reconsiders 235 ancient burial figures (from circa 200 BCE – 50 CE) from what is now Mexico’s Pacific coast that are part of the Proctor Stafford Collection held by the Los Angeles County Museum of Art (LACMA)...
Tsumeb Fragments was produced for the exhibition at Kadist, “Comot Your Eyes Make I Borrow You Mine” in 2015...
Transgression, triggers, and the thousand cuts of “Blunt Knife” | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles Photo courtesy of the artist June 25, 2019 By Corrie Tan (2,700 words, 13 -minute read) Content Warning: Mentions of a sexual relationship involving a teenager This response contains major spoilers for Blunt Knife by Eng Kai Er and A Doll’s House by Theatre of Europe...
Following Bruce Nauman’s seminal performance Walking in an Exaggerated Manner Around the Perimeter of a Square (1967) – which sees the artist carefully trace a small delimited area of his studio exaggerating the movements of his hips as he places one foot in front of the other – Idir reproduces these performative gestures in Algiers, Algeria...
Weekly Picks: Singapore (1 - 7 April 2019) | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Weekly To Do April 1, 2019 SOTA Open House 2019, School of the Arts, 6 April, 9am – 4pm Unleash your child’s creative potential at SOTA Open House 2019 Want to learn more about the arts-enhanced education in SOTA? Join us on Apr 6, 2019 (Saturday), 9am to 4pm, at the SOTA Open House for tours of our vibrant campus, talks with teachers and students, and hands-on demonstrations...
6pm – Les Statues Meurent Aussi (1953) 7pm – It for Others (2013) The second in a monthly series of double features exploring the relationship between cinema and contemporary video and performance art, Kadist screens Chris Marker and Alain Resnais’ 1953 film, Les Statues Meurent Aussi (Statues Also Die) (1953) and Duncan Campbell’s Turner Prize -winning film It for Others (2013)...
Morvarid K — This too Shall Pass — Galerie Bigaignon — Exposition — Slash Paris Connexion Newsletter Twitter Facebook Morvarid K — This too Shall Pass — Galerie Bigaignon — Exposition — Slash Paris Français English Accueil Événements Artistes Lieux Magazine Vidéos Retour Morvarid K — This too Shall Pass Exposition Photographie Vue de l’exposition Morvarid K, This too Shall Pass, 2023 © D...
Hiroshi Sugimoto’s Time-Traveling Lens Skip to content Hiroshi Sugimoto, "Lake Superior, Cascade River" (1995), gelatin silver print (all photos AX Mina/Hyperallergic) LONDON — The first image at the Hayward Gallery’s show of work by Japanese photographer Hiroshi Sugimoto is a pair of upright apes walking through a volcanic landscape...