16H x 13.5W inches
Federico Herrero’s energetic paintings reflect his experiences on the streets of his native San José, Costa Rica, and in the surrounding tropical landscape. Rooted in Central American folklore, politics, and culture, his works often move beyond the canvas onto the wall or into the streets. In Á rbol y Pelicao (Tree and Pelican, 2009), a tree with cartoonlike creatures drawn in pen beside it emerges from a field of bright swaths of color. This imagined landscape fuses abstract painting and graffiti art. Despite the roar of colors, the scene is peaceful—a vision of urbanity and nature coexisting in harmony.
Federico Herrero makes colorful paintings, often on walls and as murals. Whether depicting recognizable objects or more generally abstract, his paintings have a consistent quality of rounded shapes, wobbling fields of color, and all-over markings. Herrero’s works are full of energy and life, hovering somewhere between painted-over graffiti and painterly abstraction. Additionally, bright and varied colors combine with shapes resembling eyes to give some of his pieces a more cartoon-like sensibility.
Ben Shaffer’s Ben Deroy (2007) is part performance, part self-portrait, and part spiritual vision...
His Deck Painting I recalls the simplistic stripes of conceptual artist Daniel Buren, or the minimal lines of twentieth century abstract painting, but is in reality a readymade, fashioned from repurposed fabric of deck chairs...
Itch explores the relationship between technology and daily human experience with a motorized arm that extends from within the gallery’s wall, moving up and down while holding a projector that shows a desperately scratching pair of hands....
Central Station, Alignment, and Sumo are “situation portraits” that present whimsical characters within distorted and troubling worlds...
Central Station, Alignment, and Argument are “situation portraits” that present whimsical characters within distorted and troubling worlds...
In Tapitapultas (2012), Donna Conlon and Jonathan Harker comment on mass consumerism and pollution by way of a game they invented...
Concerned with the early history of Singapore, Zai Kuning spent many years living with and researching the history of the Riau peoples who were the first inhabitants of Singapore...
In addition to Yang’s signature drying rack and light bulbs, Office Voodoo includes various office supplies like CDs, paper clips, headphones, a computer mouse, a stamp, a hole puncher, a mobile phone charger...
This untitled work from 2012 is a print originally made as part of the Wattis Institute for Contemporary Art’s artist limited edition series...
The Illusion of Everything (2014) follows an unseen pedestrian as he navigates the Australian city of Melbourne’s dense and intricate network of laneways...
Central Station, Alignment, and Sumo are “situation portraits” that present whimsical characters within distorted and troubling worlds...
Natasha Wheat’s Kerosene Triptych (2011) is composed of three images, one each from the digital files of the Library of Congress, the Smithsonian Institution, and the Field Museum tropical research archive...
Converting is a piece about the Orang Laut, often called Sea Nomads, that inhabited the Riau archipelago...
Apartment on Cardboard (2000) is an exterior view of an abstracted apartment building...