16H x 13.5W inches
Federico Herrero’s energetic paintings reflect his experiences on the streets of his native San José, Costa Rica, and in the surrounding tropical landscape. Rooted in Central American folklore, politics, and culture, his works often move beyond the canvas onto the wall or into the streets. In Á rbol y Pelicao (Tree and Pelican, 2009), a tree with cartoonlike creatures drawn in pen beside it emerges from a field of bright swaths of color. This imagined landscape fuses abstract painting and graffiti art. Despite the roar of colors, the scene is peaceful—a vision of urbanity and nature coexisting in harmony.
Federico Herrero makes colorful paintings, often on walls and as murals. Whether depicting recognizable objects or more generally abstract, his paintings have a consistent quality of rounded shapes, wobbling fields of color, and all-over markings. Herrero’s works are full of energy and life, hovering somewhere between painted-over graffiti and painterly abstraction. Additionally, bright and varied colors combine with shapes resembling eyes to give some of his pieces a more cartoon-like sensibility.
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Telescopic Pole is an adjustable telescopic pole that extends vertically from floor to ceiling and is held up by its own internal pressure...
Ben Shaffer’s Ben Deroy (2007) is part performance, part self-portrait, and part spiritual vision...
Justice (2014) presents viewers with a curious assemblage: a wooden gallows with slightly curved spindles protruding from the topmost plank, which in turn is covered with rudimentary netting, the threads slackly dangling like a loose spider’s web or an rib cage that’s been cracked open...
This untitled work from 2012 is a print originally made as part of the Wattis Institute for Contemporary Art’s artist limited edition series...
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