Arbol y Pelicao (Tree and Pelican)

Ben Shaffer’s Ben Deroy (2007) is part performance, part self-portrait, and part spiritual vision...

LAB (2013) conjures the body as the trace of a sooty hand appears, spectrally, on a crumpled paper towel...

Liu Yin’s cartoon-like paintings and drawings explore the ambivalences of love, nature, and consumerism...

Ben Shaffer’s Ben Deroy (2007) is part performance, part self-portrait, and part spiritual vision...

In addition to Yang’s signature drying rack and light bulbs, Office Voodoo includes various office supplies like CDs, paper clips, headphones, a computer mouse, a stamp, a hole puncher, a mobile phone charger...

Central Station, Alignment, and Sumo are “situation portraits” that present whimsical characters within distorted and troubling worlds...

Honor Magic V2 is an ultra-high-end folding smartphone | Wallpaper (Image credit: HONOR) By Jonathan Bell published 10 February 2024 With Mobile World Congress just around the corner, the start of the year is when manufacturers hope you’re getting a bit sick of the smartphone in your pocket and are starting to cast around for a replacement...

November 4 – December 23, 2023...

Women Are the Post-Apocalyptic Future Skip to content Dana Schutz, "Civil Planning" (2004), oil on canvas (all photos Ela Bittencourt/ Hyperallergic ) BERLIN and PARIS — In recent years, impending ecological apocalypse has spurred a number of contemporary artists to visualize fears of an environmental collapse...

“Learning”: Memory, Precision, Uncertainty in a 5-hour Durational Performance at National Gallery Singapore | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles Arnaud Bouvier "Learning”, choreographed by Liz Santoro and Pierre Godard February 25, 2019 By Jocelyn Chng (440 words, three-minute read) Part of National Gallery Singapore’s special programme Performing Spaces that explores how space can be a “living organism” facilitating encounters between performers and audiences, Learning takes place over two weekends in March 2019...

Julio Cesar Morales’s watercolor drawings, Undocumented Intervention , show a variety of surprising hiding places assumed by people trying to cross into the United States without documentation...

Rojas’s two pieces in the Kadist Collection— Untitled (four-legged…) and Untitled (Bird’s Eyes) —are representative of her pictorial style which uses bold colorful blocks of paint and female and animal characters...

The Simpson Verdict is a three-minute animation by Kota Ezawa that portrays the reading of the verdict during the OJ Simpson trial, known as the “most publicized” criminal trial in history...

Memorial for intersections #2 (2013) is a minimalist, black metallic structure that contains the brightly colored translucent circles, triangles, rectangles, and squares that originally were presented in Pica’s performance work A ? B ? C (2013)...

Lara uses things readily at hand to create objects and situations that interrogate the processes of art and the spectrum of roles that art and artists play in society...

Adição por subtração 4 (Addition by Subtraction, 2010) is an intervention into the white cube with both beautiful and intimidating results...

450 Hayes Street (excavation site) by Marcelo Cidade is a large scale photograph documenting the artist’s excavation of a parking lot located at 450 Hayes Street in San Francisco, a former section of the city’s Central freeway and current condominium site...

Fink, who died in November, moved easily between society galas and Pennsylvania farms—and his work was always full of the push and pull of life....

Akram Zaatari talks about the influence of the Arab Image Foundation and the images of Hashem El Madani in his work...

Poised with tool in hand, Jeffry Mitchell’s The Carpenter (2012) reaches forward, toward his workbench...

In his performative action Subterranean Doomsday Vendor , Draeger positions himself in the subway system of Mexico City, as part of the common occurrence of bootleg media vendors...