The virtual reality work Aquaphobia by Jakob Kudsk Steensen examines it’s title subject matter – the fear of water. Inspired by psychology studies used to treat aquaphobia, the work employs VR technology to merge imagery of past and future geological landscapes, as well as external ecosystems with internal psychoscapes. Steensen mobilizes the visual exploration of the fear of water to transform viewer’s perceptions on water-related climate change, such as rising water levels. While traveling through mud, water, plants, and subterranean infrastructure, the viewer is guided through the five stages of a break-up narrative by a water microbe. Throughout the journey, an aquatic alien recites a poem about a break-up between the landscape and the viewer. The five parts reference a common five-step treatment that patients with aquaphobia undergo. To create this virtual landscape, the artist used satellite imagery, as well as soil and rock types that Steensen photographed.
Jakob Kudsk Steensen employs a formally rigorous approach to creating multi-layered VR environments that engage with the contemporary issue of extinction. Eschewing the idea that VR offers a potential “solution” to the disappearance of biodiversity, Steensen aims to reflect rather on the deep sense of loss surrounding extinction and the poetics of hybrid relationships between nature and technology. His works often exist as omnibus collaborations drawing on the creative input of musicians, writers, scientists, and developers, and are staged in spaces that combine tactile materials with impeccably rendered virtual worlds.
Study of History IV by Subas Tamang is an etching and aquatint print based on photographs taken by German photographer Volkmar Wentzel in 1949...
Weekly Southeast Asia Radar: Protests over Marcos-sponsored play; the Spaniard in Singapore films | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Radar The Star/Azhar Mahfof September 11, 2019 ArtsEquator’s Southeast Asia Radar features articles and posts about arts and culture in Southeast Asia, drawn from local and regional websites and publications – aggregated content from outside sources, so we are exposed to a multitude of voices in the region...
In conjunction with his first NFT sale of White Male Dread Scott made and circulated a poster titled Whites For Sale ...
Presented as part of a recent group of works titled The Paradox of Healing, Rhombus for Healing No...
It rains, Paris, 1st July 2000 , which could be the refrain of a song, is the title of a photograph of a minimal moment, the vision of a Parisian pedestrian, a cut flower lying on the pavement covered in rain drops...
In pictures: focus on Caribbean artists Art market Museums & heritage Exhibitions Books Podcasts Columns Technology Adventures with Van Gogh Search Search Art Basel in Miami Beach 2023 feature In pictures: focus on Caribbean artists María Elena Ortiz, curator at the Modern Art Museum of Fort Worth, picks her favourite works at Art Basel in Miami Beach Alexander Morrison 9 December 2023 Share April Bey, COLONIAL SWAG: Not Conceited, CONVINCED! (2023) © Liliana Mora María Elena Ortiz is a trailblazing curator at the Modern Art Museum of Fort Worth (the Modern), but she also has close ties to South Florida...
The Mohawk, the emblematic Frontier river in the period of American colonisation, is here a cable of data transmission, and the 7 Sultans Casino is a virtual destination, one of the three hundred online casinos hosted by the servers located in Kahnawake, a small native american indian reserve to the south of Montreal...
2024 Budget Prioritizes Defense at the Expense of Economic Development - Prishtina Insight Home Kallxo Jeta në Kosovë Drejtësia në Kosovë Gazeta JNK Log In Subscribe News Features Opinion Guide Big Deal Archive Follow @prishtinsight Design: Prishtina Insight 2024 Budget Prioritizes Defense at the Expense of Economic Development The Assembly of Kosovo has provisionally approved the Draft Law for the 2024 budget, just days after the Government of Kosovo endorsed it with a value exceeding 3 billion euros...
Through the language of dance and choreography, Void by Joshua Serafin narrates the creation of a new God, the birth of a futuristic deity...
Coco Fusco "Tomorrow, I will become an Island" KW Institute of Contemporary Art / Berlin | | Flash Art Flash Art uses cookies strictly necessary for the proper functioning of the website, for its legitimate interest to enhance your online experience and to enable or facilitate communication by electronic means...
Peter Doig — Reflets du siècle — Musée d’Orsay — Exhibition — Slash Paris Login Newsletter Twitter Facebook Peter Doig — Reflets du siècle — Musée d’Orsay — Exhibition — Slash Paris English Français Home Events Artists Venues Magazine Videos Back Peter Doig — Reflets du siècle Exhibition Painting Peter Doig,Two Trees, 2017 (Détail) The Metropolitan Museum of Art, New York © Peter Doig...
Looking away for clarity: “First Fleet” by Nine Years Theatre | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles Photo: Bernie Ng August 9, 2019 By Nabilah Said (1,100 words, 6-minute read) “The best seats are on the sides.” A friend’s advice guided my decision when I went to review First Fleet by Nine Years Theatre...
After the Finish Line is a recent film by Adelita Husni-Bey produced for the exhibition Movement Break at Kadist-SF in 2015...
The short film I Can Only Dance to One Song by Arash Fayez features a series of people from the migrant community in Barcelona singing along or dancing to songs of their choosing...